Bijin-ga
Bijin-ga
Bijin-ga, translated as "pictures of beautiful women," is a genre of Japanese art renowned for its portrayal of female beauty. Emerging during Japan's Edo period, these woodblock prints initially spotlighted women of the pleasure quarters, embodying an idealized aesthetic that would evolve over centuries. Bijin-ga artists like Kitagawa Utamaro and Suzuki Harunobu are celebrated for their stylized representations that prioritize cultural ideals of beauty, fashion, and grace rather than individual personality.
In the Meiji era, bijin-ga transitioned into mainstream Japanese painting, gaining recognition as a unique genre. It offered varied portrayals of women, reflecting changing fashions and social roles, devoid of previous associations with the pleasure quarters. The Shin Hanga movement in the early 20th century further refined bijin-ga, presenting modern women with individuality, moving away from Edo period stereotypes.
For collectors and connoisseurs, bijin-ga represents more than just visual allure; it encapsulates cultural shifts and the evolution of femininity in Japanese art. Works by Shin Hanga artists like Goyo Hashiguchi and Shinsui Ito epitomize the zenith of technical and aesthetic refinement in this genre. Museums around the world, such as the Metropolitan Museum of Art, treasure these works for their historical and artistic value.
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Country: | Japan |
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Start of the period: | XVII century |