19. jahrhundert
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
![Ludwig von Schwanthaler. "Justitia" - "Persefrantia" [?] - "Frömmigkeit" - "Sapienza"](/assets/image/picture_4353571/f0a1d/b4udob0c3kmi0hz5disfqkvqdb0qhcqmsazyheu8ax6b1i0takwqw2c0ma7u5die1731586047jpg__fix_374_244.jpeg)
![Ludwig von Schwanthaler. "Justitia" - "Persefrantia" [?] - "Frömmigkeit" - "Sapienza"](https://veryimportantlot.com/assets/image/picture_4353571/f0a1d/b4udob0c3kmi0hz5disfqkvqdb0qhcqmsazyheu8ax6b1i0takwqw2c0ma7u5die1731586047jpg__fix_374_244.jpeg)
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Alexander Max Koester was a German painter. He depicted coastal landscapes and still lifes with flowers. After the artist first presented one of his landscapes with a family of ducks in Berlin in 1899, he earned the nickname "Duck Koester." The "duck" paintings were extremely popular with art lovers.
Isaac de Moucheron was an 18th-century painter and interior decorator (wall painter) from the Northern Netherlands.
Christian Wilhelm Ernst Dietrich, also known as Christian Guillaume Ernest Dietricy, was a German painter and printmaker.
He was born in Weimar, Thuringia, into the family of the court painter Johann Georg Dietrich, and received his first training from his father. Dietrich worked in a variety of techniques and artistic movements of his time.
The talented artist took up any subjects: stories from the Old and New Testament, allegory and mythology, as well as portraits, genre scenes, portrayed ordinary people and livestock, painted coats of arms and vignettes, and more.
In 1764, Dietrich was appointed director of the painting school of the Meissen porcelain manufactory. The following year he became a professor at the Dresden Academy of Fine Arts. Works of Christian Wilhelm Dietrich can be found in many museums in Europe.
