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Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Francis Bott war als deutscher Maler ein Vertreter der „Zweiten École de Paris“, also des französischen „Informel“. Sein künstlerisches Schaffen weist zwei scheinbar gegensätzliche Schwerpunkte auf: surreale, phantastische Gegenständlichkeit und tachistisch, geometrische Abstraktion. Sein Werk besteht aus Gemälden, Glasmalereien, Handzeichnungen, Aquarellen, Gouachen, Plastiken und Objekten; auch als Bühnenbildner hat er sich betätigt.
Carl Buchheister was a German constructivist artist noted for his multiple series of "model paintings"at Galerie Lambert Weyl, Paris. which he began in 1925. He was born in Hanover, Germany. Although he was not officially part of the Bauhaus movement, Buchheister was a close friend of Wassily Kandinsky and paralleled many of the social and artistic goals of the Bauhaus school. With regard to constructivism, Buchheister was typically more playful and improvisational than his contemporaries, becoming interested in the Dada movement after a collaboration with Kurt Schwitters in the late 1920s which led him to incorporate more varied materials such as acrylic glass, aluminum, wood, and twine into his compositions. This direction was given much freer rein after World War II and the end of Nazism. He died in Hanover in 1964.
 Серж Поляков. Фотопортрет художника.jpg)
Serge Poliakoff was a Russian-born French modernist painter belonging to the 'New' Ecole de Paris (Tachisme).
Louis Cane is a contemporary French painter, sculptor and furniture designer. Louis Cane attended the National School of Decorative Arts in Nice then the Superior School of Decorative arts in Paris in 1961. Cane was a part of the Supports/Surfaces Movement in France that lasted from 1969 to 1972 and co-founded and edited the Peinture, Cahiers Theoriques. In 1978, began sculpting again. They consisted of female figures in a traditional style. Cane focused on the concept of deconstruction of the canvas. By 1970, Cane transitioned into a series of cut-out paintings, the toiles découpées, which he worked with for several years. From 1972 to 1972, he produced a series called Sol/Mur as apart of the Supports/Surfaces movement. In 1978, Cane went from abstract painting to figuration. He reflected on the history of pictorial forms. He also started integrating sculpture into his practice. The statues were almost exclusively female occasionally appearing in form of burlesque or baroque expressionism.
Barry Flanagan was an Irish-Welsh sculptor. He is best known for his bronze statues of hares and other animals.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Hedwig Grundmann, née Hedwig Graef, was a German painter, graphic artist, ex-libris artist and trade teacher.
Also in Hanover as well as in Berlin, she underwent various internships in the fields of graphic art, arts and crafts and fashion.
In addition, she completed a course with Johannes Itten and Heinrich Richter-Berlin in 1926, Adolf Hölzel in Stuttgart in 1927 and Paul Klee's painting class at the Bauhaus Dessau from 1928 to 1931.
