elves in the forest
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Julie Wolfthorn was a German artist, representative of the Symbolic Art Nouveau movement and member of the Berlin Secession. She studied painting in Berlin and then in Paris.
Julia Wolfthorn worked a lot and fruitfully, took part in exhibitions. She is widely known for her portraits of the poet Richard Demel, the family of the writer Gustav Landauer, the family of the architect Hermann Muthesius, the actress Tilla Dürje, and other Berlin celebrities of the time.
After the Nazis came to power, Julia Wolfthorn remained in Berlin, working with the 'Union of Jewish Culture'. In 1942 she and her sister were deported to Theresienstadt concentration camp.
Julie Wolfthorn was a German artist, representative of the Symbolic Art Nouveau movement and member of the Berlin Secession. She studied painting in Berlin and then in Paris.
Julia Wolfthorn worked a lot and fruitfully, took part in exhibitions. She is widely known for her portraits of the poet Richard Demel, the family of the writer Gustav Landauer, the family of the architect Hermann Muthesius, the actress Tilla Dürje, and other Berlin celebrities of the time.
After the Nazis came to power, Julia Wolfthorn remained in Berlin, working with the 'Union of Jewish Culture'. In 1942 she and her sister were deported to Theresienstadt concentration camp.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
![[Pedro IV of Aragon (1319-1387)]](/assets/image/picture_3927881/4831f/947e4e5d2212170f44c0f15c745e65e81718056800jpg__fix_374_244.jpeg)
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Jakob Philipp Hackert was a German painter of the second half of the 18th and early 19th centuries. He is known as a landscape painter and printmaker, a representative of neoclassicism and romanticism.
Hackert reached the peak of creative activity in 1770-1780. He was recognized by the European aristocracy, and for a time served as court painter to King Ferdinand IV of Naples, as well as receiving commissions from representatives of the Russian imperial family, such as Empress Catherine II and the heir to the throne, Paul Petrovich. His work, according to critics, was characterized by high craftsmanship and aristocratic elegance.
![Ахметьев, В.П. [автограф]. Договор №1937 с Государственным издательством РСФСР. 9 марта 1923.](/assets/image/picture_1594067/69c34/djk2mti43w0e3rodvj4dsgjk9qiepufpmynqcjglk8k5sxzexdnmc9tyytging881625921478jpg__fix_374_244.jpeg "Ахметьев, В.П. [автограф]. Договор №1937 с Государственным издательством РСФСР. 9 марта 1923.")
