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Georg Wolfgang Knorr was a German engraver, naturalist, and one of the first paleontologists of the 18th century.
Knorr was first apprenticed to his father as a lathe operator, and at the age of eighteen became a copper engraver for Leongard Blank, working with Martin Tiroff on the illustrations for Jacob Scheuchzer's Physica Sacra (1731). This work and his acquaintance with J.A. Beurer, a mineralogist and correspondent of the Royal Society, awakened Knorr's interest in natural history.
In the 1750s Knorr began publishing his own sumptuous folios. One of the most beautiful books of the eighteenth century is devoted to sea shells.
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Jean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings.
John James Audubon was a French-American ornithologist and painter, renowned for his groundbreaking illustrations of American birds. Born in 1785 in Les Cayes, Saint-Domingue (now Haiti), Audubon is remembered for his keen observation skills and innovative artistic techniques.
Audubon's most famous work, "The Birds of America," transformed the field of ornithology by presenting birds in lifelike poses and detailed backgrounds. Published between 1827 and 1838, it contained 435 hand-colored engravings, showcasing over 489 bird species. His unique approach to illustrating birds in their natural habitats was a departure from traditional methods, which often portrayed birds in rigid poses.
Audubon used a wire armature to position freshly-killed specimens, allowing him to depict birds with a sense of movement and vitality. This innovative technique was truly revolutionary and set him apart from his contemporaries. Additionally, Audubon's artistic skill and attention to detail made his illustrations highly sought after, with surviving copies of "The Birds of America" considered valuable collectibles today.
For art collectors and enthusiasts, Audubon's work continues to be a source of inspiration and admiration. His legacy endures through his contributions to ornithology and the art world, with museums and galleries showcasing his work. If you're interested in learning more about John James Audubon and his famous illustrations, consider subscribing to our newsletter for updates on new product sales and auction events related to his work.
John James Audubon was a French-American ornithologist and painter, renowned for his groundbreaking illustrations of American birds. Born in 1785 in Les Cayes, Saint-Domingue (now Haiti), Audubon is remembered for his keen observation skills and innovative artistic techniques.
Audubon's most famous work, "The Birds of America," transformed the field of ornithology by presenting birds in lifelike poses and detailed backgrounds. Published between 1827 and 1838, it contained 435 hand-colored engravings, showcasing over 489 bird species. His unique approach to illustrating birds in their natural habitats was a departure from traditional methods, which often portrayed birds in rigid poses.
Audubon used a wire armature to position freshly-killed specimens, allowing him to depict birds with a sense of movement and vitality. This innovative technique was truly revolutionary and set him apart from his contemporaries. Additionally, Audubon's artistic skill and attention to detail made his illustrations highly sought after, with surviving copies of "The Birds of America" considered valuable collectibles today.
For art collectors and enthusiasts, Audubon's work continues to be a source of inspiration and admiration. His legacy endures through his contributions to ornithology and the art world, with museums and galleries showcasing his work. If you're interested in learning more about John James Audubon and his famous illustrations, consider subscribing to our newsletter for updates on new product sales and auction events related to his work.
Thomas Loraine McKenney was an American statesman and author.
After the abolition of the U.S. Indian trading program in 1822, then Secretary of War John C. Calhoun established a position in the War Department called Superintendent of Indian Affairs (later to become part of the Bureau of Indian Affairs). McKenney was the first appointed to this position and held it until 1830. Over the years, he worked tirelessly to promote Indian-American relations, advocating for the interests of Indians and striving to preserve the memory of their vanishing culture. Despite his interest in Native American history, McKenney sought to have them assimilated to Euro-American culture through Christian education.
McKenney commissioned leading artists, including Charles Byrd King, to paint portraits of Indian chiefs from more than twenty tribes who visited Washington on official business over a ten-year period. These portraits formed the basis of the government's National Portrait Gallery, first housed in the War Department and later transferred to the Smithsonian Institution. This gallery was featured in part in the three-volume History of the Indian Tribes of North America (1836-1844), with biographical sketches by McKenney, co-authored with Illinois lawyer and writer James Hall.
In 1865, a fire at the Smithsonian Institution destroyed all but a few of the portraits, which are now in the White House. Thus this three-volume book represents the only reliable source on the appearance of many of the most prominent leaders of Indian tribes.
James Hall was an American lawyer, judge, treasurer, and editor.
Hall studied law, fought in the War of 1812, served as a lawyer and circuit judge, newspaper and magazine editor, Illinois state treasurer, and banker in Cincinnati, Ohio. In addition, he was also a historical and fiction writer. In 1828, Hall compiled the first western literary yearbook, Western Souvenir, and edited the Illinois Monthly Magazine. James Hall wrote a travel book, Letters from the West (1828), a novel, The Head of the Harp (1833), and several volumes of short stories.
Hall also contributed to the three-volume History of the Indian Tribes of North America (1836-1844). This book includes portraits of the chiefs of more than twenty Indian tribes, which were painted by noted artists of the day, with biographical sketches by Superintendent of Indian Affairs Thomas L. McKenney.
