frankreich/italien
Neïl Beloufa is a French-Algerian artist born in 1985 in Algeria and raised in France. He currently lives and works in Paris. Beloufa's work covers a wide range of media, including sculpture, video and installations, and often deals with topics related to social and political issues.
Belufa's installations often use a combination of found objects, industrial materials and digital technologies such as screens and projectors. He often creates an immersive environment that encourages the viewer to physically and emotionally interact with the work.
One of Belufa's most famous works is Colonies, an installation that was exhibited at the Hammer Museum in Los Angeles in 2017. The installation was a series of interconnected rooms filled with sculptures, videos and soundscapes that explored themes related to colonisation and global power structures. Belufa's work has been exhibited internationally, including at the Palais de Tokyo in Paris, the New Museum in New York and the 2015 Venice Biennale. He has received numerous awards and prizes, including the Audi Talent Award in 2011 and the Marcel Duchamp Prize in 2015.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
