gemälde 19. - 20. jahrhundert
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Otto Dill was a German painter. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Horst Janssen was a German graphic artist, printmaker, poster and illustrator. He created many drawings, etchings, woodcuts, lithographs, and woodcuts.
There is a museum dedicated to his legacy in Horst Janssen's hometown of Oldenburg. His works are represented internationally in major museums.
Ernst Meyer was a Danish genre painter of Jewish origin. He studied painting at the Royal Danish Academy of Arts.
Ernst Meyer travelled extensively, living for a time in Germany, France, Switzerland and Italy. It was the colourful street life of Rome that first inspired him to create genre scenes.
Anton Seitz was a German painter of the second half of the 19th century. He is known as a painter-genre painter, a representative of the Munich School of painting.
Seitz trained at the Nuremberg Art School in engraving, but after moving to Munich, he concentrated on domestic painting. His paintings depicted either individual characteristic figures or scenes with several actors. His subjects the artist mainly found in the everyday life of "little people".
In 1876 Seitz became a member of the Munich Academy of Fine Arts, already considered a leading master of Munich painting.
Hugo Wilhelm Kauffmann was a German painter of the second half of the 19th and early 20th centuries. He is known as a household painter, a representative of the Munich school of painting.
Kauffmann painted genre works, the action of which often took place in taverns. He executed his paintings on wood in small sizes. The artist's keen observation and healthy sense of humor, combined with his characteristic drawing and coloring, gave his works freshness and vividness. He drew his subjects from the life of the lower strata of society, creating a sense of reality in his paintings.
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Otto Piltz was a German painter of the last third of the nineteenth and early twentieth centuries. He is known as a painter, illustrator and master of genre painting.
Piltz created paintings of urban and rural scenes, but he is best known for his depictions of children. Traveling to different regions of Germany and Austria, the artist captured the look of local exotic costumes that were already beginning to disappear. In addition to genre scenes, the master also painted portraits, which helped him to secure his livelihood. In 1893, he joined the Munich Secession.
Ludwig Hartmann was a German animal painter.
Hartmann studied at the Academy of Fine Arts in Munich and was a member of the prestigious Munich School of Artists, which flourished during his lifetime, he was awarded medals in Vienna in 1869 and 1872.
The artist's greatest success came from his works with horses, painted in bold colors. But Hartmann specialized in depicting simple, working horses, most often at rest. In his soulful paintings, horses tired after hard work enjoy peace - in the stables or at a watering hole.
Karl Stuhlmüller is a German landscape and animal painter.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
