gemälde 19. jahrhundert
Eduard Hildebrandt was a German landscape painter.
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Thomas Baumgartner was a German painter, recognized for his evocative portrayals of rural life. Born in Munich in 1892, he was celebrated for his detailed and vibrant depictions of Bavarian customs and countryside, earning him a place among notable 20th-century German painters.
After training at the Munich Academy and various travels in Europe, Baumgartner established himself with a distinctive style that blended traditional Bavarian influences with his unique artistic vision. His works often featured robust, earthy scenes of peasant life, which not only showcased his technical skill but also conveyed a deep affection for his homeland's landscapes and customs.
Throughout his career, Baumgartner's paintings were widely exhibited and appreciated, particularly for their craftsmanship and the way they captured the essence of rural Germany. His art is a testament to the cultural heritage of Bavaria, resonating with those who value the preservation of regional histories and lifestyles.
Baumgartner's legacy is preserved in art collections and has been featured in major exhibitions, often commanding attention in both national and international art circles. His dedication to depicting the simplicity and beauty of peasant life helps keep the rural traditions of Germany alive in the collective memory of the art world.
For those interested in exploring the serene beauty of traditional German art, Thomas Baumgartner's works offer a timeless journey into the heart of Bavaria's countryside and culture.
To stay updated on upcoming sales and auctions featuring the works of Thomas Baumgartner, consider signing up for our newsletter. This subscription will keep you informed about new opportunities to acquire pieces from this remarkable artist's legacy.
Johann Peter Hasenclever was a German painter of the first half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of art, who is considered one of the founders of German genre painting.
Hasenclever began his work by interpreting biblical, mythological and romantic subjects, but eventually found his calling in humorous scenes from bourgeois life, especially Pyrenean towns and cities. Among his famous works are "The Amusing Examination," "The Reading Room," and "The Trial of Wine," distributed in engravings and lithographs.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Thomas Baumgartner was a German painter, recognized for his evocative portrayals of rural life. Born in Munich in 1892, he was celebrated for his detailed and vibrant depictions of Bavarian customs and countryside, earning him a place among notable 20th-century German painters.
After training at the Munich Academy and various travels in Europe, Baumgartner established himself with a distinctive style that blended traditional Bavarian influences with his unique artistic vision. His works often featured robust, earthy scenes of peasant life, which not only showcased his technical skill but also conveyed a deep affection for his homeland's landscapes and customs.
Throughout his career, Baumgartner's paintings were widely exhibited and appreciated, particularly for their craftsmanship and the way they captured the essence of rural Germany. His art is a testament to the cultural heritage of Bavaria, resonating with those who value the preservation of regional histories and lifestyles.
Baumgartner's legacy is preserved in art collections and has been featured in major exhibitions, often commanding attention in both national and international art circles. His dedication to depicting the simplicity and beauty of peasant life helps keep the rural traditions of Germany alive in the collective memory of the art world.
For those interested in exploring the serene beauty of traditional German art, Thomas Baumgartner's works offer a timeless journey into the heart of Bavaria's countryside and culture.
To stay updated on upcoming sales and auctions featuring the works of Thomas Baumgartner, consider signing up for our newsletter. This subscription will keep you informed about new opportunities to acquire pieces from this remarkable artist's legacy.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.
Friedrich Wilhelm Heinrich Martersteig was a German historical and genre painter and drawing teacher. From 1828 to 1834 he studied at the Dresden Academy of Art under Ludwig Richter. Afterwards he spent four years at the academy in Dusseldorf and was a pupil of Carl Ferdinand Sohn, Theodor Hildebrandt and Friedrich Wilhelm von Schadow.
Friedrich Martersteig was a member and professor of the Prussian Academy of Arts.
![Carl Spitzweg. Mann mit hohem Hut (Der Reiseführer) [Man with a high hat (The travel guide)]](/assets/image/picture_3901487/dd0be/wzokss88r0gppbpemr5eaylyooxtfgazdqeaqu1vhvki3fygwkzujullh0s6jx1713940587jpg__fix_374_244.jpeg)
![Carl Spitzweg. Mann mit hohem Hut (Der Reiseführer) [Man with a high hat (The travel guide)]](https://veryimportantlot.com/assets/image/picture_3901487/dd0be/wzokss88r0gppbpemr5eaylyooxtfgazdqeaqu1vhvki3fygwkzujullh0s6jx1713940587jpg__fix_374_244.jpeg)
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Carl Ludwig Christoph Douzette, known as Louis Douzette, was a German landscape painter.
Josse Goossens was a German modernist painter. He worked in various genres, painting landscapes, still lifes, genre scenes.
Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
Herbert Rolf Schlegel was a German painter and a representative of the Romantic version of New Objectivity.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.