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Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
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Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Hans Sebald Beham was a German painter and printmaker, mainly known for his very small engravings.
Hans Sebald Beham was a German painter and printmaker, mainly known for his very small engravings.
Hans Sebald Beham was a German painter and printmaker, mainly known for his very small engravings.
Hans Meid was a German painter, graphic artist and illustrator.
Meid attended an art and craft school in Karlsruhe, and then at the art academy he became a pupil of impressionist Wilhelm Trübner (1851-1917) and realist Walter Kontz (1872-1947). In 1907 the Meissen porcelain manufactory engaged him as a designer; in 1908 he settled in Berlin as a freelance artist. His success was recognized with the Villa Romana Prize (1910) and membership in the Berlin Secession (1911). In 1919 Meid became a lecturer in printmaking at the University of Fine Arts in Berlin. In 1927 he was elected a full member of the Prussian Academy of Fine Arts, where he also headed the graphic arts workshop.
In the first decades of the twentieth century Hans Meid, together with his close friend Max Slevogt, was one of the leaders of Impressionism. He created an extensive collection of etchings, lithographs and engravings, a large number of illustrations for works of world literature, including Cervantes' Don Quixote, Goethe's Selective Affinity and many others. He designed book covers for 44 publishers (notably Schünemann and S. Fischer). He later added ink drawing, watercolor and oil painting. In 1948 Hans Meid became a lecturer at the State Academy of Fine Arts in Stuttgart, he was also a member of the German Artists' Association.
Hans Meid was a German painter, graphic artist and illustrator.
Meid attended an art and craft school in Karlsruhe, and then at the art academy he became a pupil of impressionist Wilhelm Trübner (1851-1917) and realist Walter Kontz (1872-1947). In 1907 the Meissen porcelain manufactory engaged him as a designer; in 1908 he settled in Berlin as a freelance artist. His success was recognized with the Villa Romana Prize (1910) and membership in the Berlin Secession (1911). In 1919 Meid became a lecturer in printmaking at the University of Fine Arts in Berlin. In 1927 he was elected a full member of the Prussian Academy of Fine Arts, where he also headed the graphic arts workshop.
In the first decades of the twentieth century Hans Meid, together with his close friend Max Slevogt, was one of the leaders of Impressionism. He created an extensive collection of etchings, lithographs and engravings, a large number of illustrations for works of world literature, including Cervantes' Don Quixote, Goethe's Selective Affinity and many others. He designed book covers for 44 publishers (notably Schünemann and S. Fischer). He later added ink drawing, watercolor and oil painting. In 1948 Hans Meid became a lecturer at the State Academy of Fine Arts in Stuttgart, he was also a member of the German Artists' Association.
Hans Meid was a German painter, graphic artist and illustrator.
Meid attended an art and craft school in Karlsruhe, and then at the art academy he became a pupil of impressionist Wilhelm Trübner (1851-1917) and realist Walter Kontz (1872-1947). In 1907 the Meissen porcelain manufactory engaged him as a designer; in 1908 he settled in Berlin as a freelance artist. His success was recognized with the Villa Romana Prize (1910) and membership in the Berlin Secession (1911). In 1919 Meid became a lecturer in printmaking at the University of Fine Arts in Berlin. In 1927 he was elected a full member of the Prussian Academy of Fine Arts, where he also headed the graphic arts workshop.
In the first decades of the twentieth century Hans Meid, together with his close friend Max Slevogt, was one of the leaders of Impressionism. He created an extensive collection of etchings, lithographs and engravings, a large number of illustrations for works of world literature, including Cervantes' Don Quixote, Goethe's Selective Affinity and many others. He designed book covers for 44 publishers (notably Schünemann and S. Fischer). He later added ink drawing, watercolor and oil painting. In 1948 Hans Meid became a lecturer at the State Academy of Fine Arts in Stuttgart, he was also a member of the German Artists' Association.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Hans Richard von Volkmann was a German illustrator and landscape painter, associated with the Düsseldorfer Malerschule.
Hans Richard von Volkmann was a German illustrator and landscape painter, associated with the Düsseldorfer Malerschule.
Hans Erni was a Swiss graphic designer, painter, illustrator, engraver and sculptor.
Hans Erni was a Swiss graphic designer, painter, illustrator, engraver and sculptor.
Hans Erni was a Swiss graphic designer, painter, illustrator, engraver and sculptor.
Hans Bohrdt was a German marine painter and graphic artist. Bohrdt's journey into marine painting began after a visit to the Hamburg port at the age of 15, sparking a lifelong passion for the sea and maritime subjects. Unlike many artists of his time who had formal art education, Hans Bohrdt was largely self-taught, although he did attend the Academy of Fine Arts in Berlin for a period. His dissatisfaction with the conventional training led him to pursue a more hands-on approach to his art, focusing on seascapes and marine life.
Hans Bohrdt's work gained significant recognition during the Wilhelmine era, making him a celebrated figure in German marine painting, a genre that became particularly prominent after the unification of Germany in 1871. His close relationship with Kaiser Wilhelm II, who was an admirer and patron of his work, helped elevate Bohrdt's status further. Bohrdt's art was known for its technical skill, particularly in depicting the majesty of the sea and the vessels that traversed it. His pieces often featured German naval prowess and were used for both private collections and public display, contributing to national pride and naval propaganda, especially during World War I.
The legacy of Hans Bohrdt is marked by his ability to capture the spirit and grandeur of maritime life, making him a significant figure in the history of German art. Despite the challenges posed by the world wars, which led to the loss of many of his works including his best-known painting, "Der letzte Mann" ("The Last Man"), Bohrdt's art continues to be celebrated for its contribution to marine painting. In 1995, on the fiftieth anniversary of his death, a memorial exhibition was held, showcasing his contributions to the field and reaffirming his place as one of the last great marine painters.
For collectors and experts in art and antiques, Hans Bohrdt's work offers a unique glimpse into the development of marine painting in Germany, reflecting both the beauty of the maritime world and the historical context of his times. To stay informed about sales, auction events, and updates related to Hans Bohrdt's work, signing up for newsletters from galleries and auction houses specializing in maritime art and antiques is recommended. This ensures enthusiasts and collectors are well-informed about opportunities to acquire pieces by this distinguished artist.
Hans Hartung was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur.
Hans Hartung was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur.
Hans Rottenhammer or Johannes Rottenhammer was a German painter and master of cabinet genre paintings.
After completing his studies as court painter to the Munich royal court, Rottenhammer spent nearly a decade in Venice, and his art bears the influence of Venetian masters such as Tintoretto and Veronese. Rottenhammer opened a studio in the city and attracted patrons and collectors as well as students and followers. In the early 1600s he joined the guild of Venetian artists. It was in Venice that Rottenhammer became famous for his cabinet paintings. These were small works, executed on copper and usually dealing with religious or mythological themes popular at the time.
Hans Rottenhammer or Johannes Rottenhammer was a German painter and master of cabinet genre paintings.
After completing his studies as court painter to the Munich royal court, Rottenhammer spent nearly a decade in Venice, and his art bears the influence of Venetian masters such as Tintoretto and Veronese. Rottenhammer opened a studio in the city and attracted patrons and collectors as well as students and followers. In the early 1600s he joined the guild of Venetian artists. It was in Venice that Rottenhammer became famous for his cabinet paintings. These were small works, executed on copper and usually dealing with religious or mythological themes popular at the time.
Hans Rottenhammer or Johannes Rottenhammer was a German painter and master of cabinet genre paintings.
After completing his studies as court painter to the Munich royal court, Rottenhammer spent nearly a decade in Venice, and his art bears the influence of Venetian masters such as Tintoretto and Veronese. Rottenhammer opened a studio in the city and attracted patrons and collectors as well as students and followers. In the early 1600s he joined the guild of Venetian artists. It was in Venice that Rottenhammer became famous for his cabinet paintings. These were small works, executed on copper and usually dealing with religious or mythological themes popular at the time.
