impressionist
Paul Cézanne, a French Post-Impressionist painter, was pivotal in shaping the transition from 19th-century art to a new, revolutionary approach in the 20th century. His unique and exploratory brushstrokes, utilizing planes of color to form complex fields, made his work instantly recognizable and influential in the development of Cubism.
Cézanne’s early works, influenced by Romanticism and Realism, evolved into a groundbreaking artistic language. He challenged traditional perspective and academic art rules, focusing on objects' structural aspects and art's formal qualities. This approach led to a renewed emphasis on impressionistic color space and modulation principles.
His most notable works, like “Mont Sainte-Victoire,” “The Card Players,” and “The Bathers,” display his mastery in creating depth and dimension through color gradations. These paintings, initially met with skepticism, eventually cemented Cézanne’s reputation as a pioneering artist. His exhibitions, particularly the one-man show by dealer Ambroise Vollard in 1895, played a critical role in his recognition.
Cézanne’s impact on art history is profound, with greats like Henri Matisse and Pablo Picasso acknowledging him as a significant influence. His exploration of geometric forms and innovative use of light and color laid the groundwork for subsequent movements, particularly Cubism.
For collectors and art experts, Cézanne's works are more than just paintings; they are pivotal chapters in the narrative of modern art. His creations, bridging Impressionism and Cubism, continue to inspire and challenge contemporary artists.
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Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.
Gretchen Wohlwill was a painter and member of the Hamburg Secession. She was one of the German students at the Académie Matisse in Paris and developed a painting style influenced by French avant-garde art. In addition to painting, graphics were a focus of her work. Persecuted by the National Socialists because of her Jewish background, she emigrated to Portugal in 1940. After twelve years in exile, she returned to Hamburg in 1952.
Gretchen Wohlwill was a painter and member of the Hamburg Secession. She was one of the German students at the Académie Matisse in Paris and developed a painting style influenced by French avant-garde art. In addition to painting, graphics were a focus of her work. Persecuted by the National Socialists because of her Jewish background, she emigrated to Portugal in 1940. After twelve years in exile, she returned to Hamburg in 1952.
Gretchen Wohlwill was a painter and member of the Hamburg Secession. She was one of the German students at the Académie Matisse in Paris and developed a painting style influenced by French avant-garde art. In addition to painting, graphics were a focus of her work. Persecuted by the National Socialists because of her Jewish background, she emigrated to Portugal in 1940. After twelve years in exile, she returned to Hamburg in 1952.
