internationale kunst
Norbert Bisky is a German artist based in Berlin. He is one of the most important representatives of a new figurative painting in the 21st century.
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Beate Kuhn is a German ceramic sculptor.
She had an unprecedented influence on the development of German ceramics after the war, when in the mid-1960s she abandoned utilitarian ceramics in favor of free art.
After graduating from the Werkkunstschule in Wiesbaden, she founded her own workshop in Düdelsheim in 1957, developing a style that was already unmistakably her own. Here Beate Kuhn's sculptures were created from individual hand-carved and chiseled elements, which she assembled into a coherent whole. She transferred this stylistic principle of stringing geometric bodies to her designs of large-scale ceramic fountains. The artist's characteristic work can be found in every outstanding collection. The enormous number of prizes awarded to her underscores the recognition and appreciation she has enjoyed.
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Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
Jean Prouvé was a French metal worker, self-taught architect and designer. Le Corbusier designated Prouvé a constructeur, blending architecture and engineering. Prouvé's main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.
François-Xavier Lalanne was a French painter and sculptor. He studied sculpture, drawing and painting at the Académie Julian. Since the 1960s he has worked as a couple with his wife Claude Lalanne.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Georges Braque, a French artist, is celebrated as a pivotal figure in the development of Cubism, alongside Pablo Picasso. Braque's artistic journey transitioned from Impressionism to Fauvism before he delved into the groundbreaking realm of Cubism, characterized by its innovative use of perspective and geometric forms. His partnership with Picasso during the early 20th century marked a significant phase in art history, as they collectively pioneered the Analytic and Synthetic phases of Cubism.
Georges Braque's oeuvre is renowned for its technical precision, introspective quality, and harmonious color palettes. His contributions extended beyond painting to include sculpture and collage, demonstrating his versatile mastery over various mediums. Notable works like "Violin and Candlestick" and "Man with a Guitar" underscore his talent in transforming everyday objects into abstracted, multifaceted compositions.
Throughout his career, Georges Braque remained deeply committed to exploring the boundaries of visual perception and form. After World War I, his style evolved, incorporating brighter colors and new themes, yet he maintained a steadfast adherence to Cubist principles. His later years saw a focus on personal motifs, such as birds, which symbolized freedom and dynamism in his art.
Georges Braque's legacy is preserved in prestigious collections worldwide, including the Museum of Modern Art (MoMA), which houses a significant number of his works. His artistic innovations continue to inspire and influence the realms of art and culture.
For collectors and art enthusiasts, Georges Braque's work offers a profound insight into the evolution of modern art and the enduring allure of Cubism. His pieces are a testament to the enduring power of creativity and innovation in the face of changing artistic landscapes.
If you're keen on exploring Braque's contributions to art and wish to stay updated on exhibitions and sales featuring his work, consider subscribing for updates on Georges Braque's pieces and their presence in the art market today.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Günther Uecker is a German sculptor, op artist and installation artist.