lüneburg
Jean Leppien (born Kurt Leppien) was a German-French painter.
From 1929, Leppien studied at the Bauhaus Dessau with Josef Albers, Wassily Kandinsky and Paul Klee. He lived in France since 1933, from where he was deported in 1944. After the war he stayed in France as Jean Leppien, where he exhibited at the Salon des Réalités Nouvelles. Leppien is one of the most important representatives of the Geometric abstraction in France. Stylistically, he is close to painters such as Alberto Magnelli, Jean Deyrolle, Michel Seuphor, Emile Gilioli and Aurélie Nemours.
Jean Leppien (born Kurt Leppien) was a German-French painter.
From 1929, Leppien studied at the Bauhaus Dessau with Josef Albers, Wassily Kandinsky and Paul Klee. He lived in France since 1933, from where he was deported in 1944. After the war he stayed in France as Jean Leppien, where he exhibited at the Salon des Réalités Nouvelles. Leppien is one of the most important representatives of the Geometric abstraction in France. Stylistically, he is close to painters such as Alberto Magnelli, Jean Deyrolle, Michel Seuphor, Emile Gilioli and Aurélie Nemours.
Josef Wackerle was a German sculptor. Educated in Munich, he became the artistic director of the Nymphenburg Porcelain Manufactory at a young age. Wackerle's influence extended beyond porcelain, as he contributed significantly to public art and architecture, particularly in his hometown. His works include various monuments, sculptures, and reliefs that demonstrate his commitment to integrating art within public spaces and everyday life.
Josef Wackerle's talent was recognized internationally, and his sculptures played a part in the art competitions at the 1928 and 1932 Summer Olympics. Despite the complex historical context in which he worked, including the Nazi era, Wackerle continued to receive commissions after World War II, demonstrating his art's enduring appeal. He contributed to the architectural and cultural fabric of Garmisch-Partenkirchen through numerous public artworks, including fountains, monuments, and building decorations.
For collectors and art experts, Josef Wackerle's work represents a blend of technical skill and a deep connection to Bavarian cultural identity. His contributions to porcelain art, particularly with Nymphenburg, highlight his versatility and innovation in working with various mediums.
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