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Jean-Jacques Henner was a 19th-century French painter and teacher. He is known as a representative of academism in the history of European art. Jean-Jacques Henner was a versatile painter, he created many works with religious subjects, portraits and landscapes, but he also frequently referred in his works to the genre of life and painted pictures of nudity.
Jean-Jacques Henner organized a private painting studio in Paris, which, unlike the Ecole Nationale Supérieure des Beaux-Arts, allowed women to study. For 15 years he ran this institution until he was elected professor of the Academy of Fine Arts, where he continued his teaching career. Henner's students included a large number of talented women artists.
For many years Henner led an active creative and public life. He was a member of several artistic associations and received from the French authorities many prestigious awards. In Paris and today there is a national museum of Jean-Jacques Henner, where the works of the master are exhibited.
Lucien Adrion was a French post-impressionist painter, draughtsman and printmaker. He is known for his depictions of the French countryside and beaches, as well as of Parisian life, including landscapes, still lifes, figures and landmarks.
Throughout his career, Adrion exhibited his work at the Salons in Paris, where he was praised for his ability to capture the movement and transience of city life.
Albert Birkle was a German and Austrian painter, decorator, muralist and glass painter.
Albert's father was the artist Karl Birkle, from whom he received his initial training as a decorative painter, then studied at the Hochschule für die bildenden Künste (now the Berlin University of the Arts). Birkle developed a unique style based on Expressionism and the New Objectivity/Neue Sachlichkeit style. His subjects were lonely, mystical landscapes, typical scenes of Berlin in the 20s and 30s, portraits and religious scenes.
In 1932, fleeing the National Socialists, Albert Birkle moved to Salzburg, Austria, but nevertheless represented Germany at the Venice Biennale as early as 1936. In 1937, his work was declared "degenerate" in Germany and withdrawn from state collections. In 1946, Birkle was granted Austrian citizenship and began working on religious frescoes and decorative windows for various churches and oil paintings. The 1950s and 60s were filled with intense creativity in glass painting.
