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Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Heinrich Wilhelm Trübner was a German realist painter of the circle of Wilhelm Leibl.
Maurice Denis, a French painter and writer, was an influential figure in the transition from impressionism to modern art. Born on November 25, 1870, in Granville, France, Denis's artistic journey began at the Académie Julian in Paris. Here, he met future collaborators like Paul Sérusier and Pierre Bonnard, with whom he later formed the Nabis group, a collective deriving its name from the Hebrew word "Nabi," meaning "Prophet".
Denis's style evolved from neoimpressionism, influenced by artists like Seurat, to a more decorative and colorful approach under the influence of Gauguin. This shift is evident in works like "Taches du soleil sur la terrace" (1890). He famously stated, "Art is no longer a visual sensation... it is a creation of our spirit," highlighting his belief in art as an idealistic expression, transcending mere imitation of nature.
Denis was also impacted by Japanese art, which influenced his compositions and styles, contributing to his unique and recognizable approach. His philosophy on art, encapsulated in his 1890 essay published in "Art et Critique," emphasized the importance of color and form in creating emotional depth, a notion that laid the groundwork for modernism. He argued that a painting's essence lies in its colors and composition, rather than its subject matter.
Throughout his career, Denis's work evolved towards a more classical approach. His involvement with the Ateliers d'Art Sacré, founded in 1919, demonstrated his interest in religious art and decoration. His notable works include "The Legend of Saint Hubert" (1897) and "The History of Music" for the Théâtre des Champs Elysées (1912-1913).
Tragically, Maurice Denis's life ended on November 13, 1943, when he was struck by a truck during the German occupation of Paris. However, his legacy endures through his contributions to modern art and symbolism, his influence on fellow artists, and his works displayed in various museums and galleries.
For collectors and art experts, Denis's work offers a unique glimpse into the evolution of modern art. His blend of symbolism, color, and form marks a significant shift in art history. To stay updated on new sales and auction events related to Maurice Denis's work, sign up for our newsletter. This subscription will keep you informed about the latest developments in the world of this remarkable artist.
Eileen Forrester Agar was a British-Argentinian painter and photographer associated with the Surrealist movement.
André Derain was a French artist, renowned as a painter, sculptor, and a pivotal figure in the development of Fauvism alongside Henri Matisse. Born on June 10, 1880, in Chatou, Yvelines, just outside Paris, Derain's artistic journey began in his youth. Despite initially studying to become an engineer, his passion for art led him to the Académie Julian and to acquaintances with notable artists like Matisse and Maurice de Vlaminck.
Derain's work, especially his paintings, is celebrated for its vibrant, expressive use of color and innovative compositions. His contributions to Fauvism, a movement characterized by the use of bold, non-naturalistic colors, marked a significant shift in the art world. The Fauvist period, particularly his collaboration with Matisse in the summer of 1905 in Collioure, culminated in works that were distinguished by their startling hues and wild brushwork, earning them the nickname "the wild beasts" or "les Fauves."
A notable period in Derain's career was his time in London in 1906, commissioned by art dealer Ambroise Vollard. His London series, including views of the Thames and Tower Bridge, are celebrated for their unique perspective and use of color, differing significantly from the traditional depictions of the city by artists like Whistler or Monet. These works stand out for their Pointillist influence and the effective conveyance of light and movement.
Derain's artistic evolution continued as he experimented with Cubism and was influenced by African art, as seen in his primitivist woodcuts for Guillaume Apollinaire's book "L'enchanteur pourrissant" (1909). His career, however, was not without controversy, particularly during World War II, when he was perceived as a collaborator due to his interactions with the Germans.
Despite the challenges and transformations in his career, André Derain left an indelible mark on the art world. His works are held in prestigious collections worldwide, including the Musée Cantini in Marseille and the Musée d'art moderne de Troyes. Derain's contribution to modern art, particularly through Fauvism, remains a subject of admiration and study among art collectors and experts.
If you're captivated by the artistic journey and pioneering spirit of André Derain, don't miss the opportunity to stay updated on his legacy. Sign up now to receive exclusive alerts on new product sales and auction events related to André Derain's work. Embrace your passion for art and culture, and ensure you're always informed about the latest offerings and unique pieces linked to this iconic artist.
Sean Scully is an Irish-born American-based artist working as a painter, printmaker, sculptor and photographer. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee. Moving from London to New York in 1975, Scully helped lead the transition from Minimalism to Emotional abstraction in painting, abandoning the reduced vocabulary of Minimalism in favor of a return to metaphor and spirituality in art.
