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Wolf Vostell was a German artist who is considered a pioneer of video and installation art, and a key figure in the Fluxus movement. He studied at the Academy of Fine Arts in Wuppertal and later at the École Nationale Supérieure des Beaux-Arts in Paris.
Vostell's art was heavily influenced by the horrors of World War II, and he often incorporated themes of violence and destruction in his work. He was interested in exploring the relationship between art and technology, and he experimented with new media such as television, video, and sound.
One of Vostell's most famous works is "Concrete Traffic," a 1970 installation in which he placed a Cadillac in a block of concrete. The piece was intended to comment on the impact of automobile culture on society and the environment.
Another notable work is "TV-Burying," a performance piece in which Vostell buried a television set in the ground, with only the screen visible. The work was a commentary on the pervasive influence of television on modern life.
Vostell's work has been exhibited extensively around the world, including at the Museum of Modern Art in New York, the Venice Biennale, and the Centre Georges Pompidou in Paris.
Karl Peter Röhl was a German painter and graphic artist.
Hans von Bartels was a German painter.
Bartels is associated with the Düsseldorf school of painting. Although an oil painter of great power, he is also one of the leading German water-colour painters, mainly of marines and scenes of fishing life, painted with rude vigour and a great display of technical skill. Bartels made a great contribution to the development of the watercolour. He was the first to use watercolour paint of large formats without the earlier conventions. From 1887 Von Bartels came every summer to the Dutch coast, especially to Katwijk aan Zee, to paint the fisherfolk and their labour. He excels in storm scenes and in depicting the strong, healthy fishing-folk of the northern coasts. He became an honorary member of leading English, German, Dutch, Belgian and Austrian art societies.
Römer + Römer, consisting of Nina and Torsten Römer, is an acclaimed German-Russian artist duo known for their vibrant and immersive paintings. Born in different countries, with Nina hailing from Moscow, Russia, in 1978, and Torsten from Aachen, Germany, in 1968, they both met during their studies at the Kunstakademie Düsseldorf, where they became Master Students under A.R. Penck. Since 1998, they have collaborated as both a couple and a creative duo, making Berlin their home and workspace since 2000.
Their unique approach to art often involves engaging with contemporary culture and events, as seen in their diverse exhibitions. From capturing the essence of the Burning Man festival in "Burning Man – Electric Sky" to exploring social themes in "Generalstreik," their work spans a broad spectrum of subjects. Notably, their participation in the 56th Venice Biennale and exhibitions across various cities showcases their international recognition and appeal.
Römer + Römer's method of creation is deeply collaborative, emphasizing communication and joint creativity over individual genius. This dynamic has allowed them to navigate the complexities of working closely together, transforming potential conflicts into constructive discussions. Their work is characterized by a rich, pointillist technique that marries traditional painting with digital pixelation, creating a bridge between classical art forms and contemporary digital aesthetics.
For art collectors and experts, Römer + Römer's work offers a fresh perspective on landscape and portrait painting, infused with modern themes and innovative techniques. Their pieces are not only visually striking but also thought-provoking, inviting viewers to contemplate the intersections of art, technology, and society.
Stay informed about Römer + Römer's latest projects and exhibitions by subscribing to updates from art news platforms and galleries showcasing their work. This ensures access to the latest on sales, exhibitions, and new pieces by this dynamic duo, further enriching your collection and understanding of contemporary art.
