rahmen (72
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Siegward Sprotte was a German artist, writer and philosopher.
Originally Siegward Sprotte painted figuratively, including portraits of old masters and drawings. Later he devoted himself more to landscape, up to the ideogram and colourful calligraphy.
Sprotte has written many works on the subjects of art, consciousness and modernity, and is the creator of a new paradigm of "eye-to-eye".
Friedensreich Regentag Dunkelbunt Hundertwasser was an Austrian visual artist and architect who also worked in the field of environmental protection.
Hundertwasser stood out as an opponent of "a straight line" and any standardization, expressing this concept in the field of building design. His best known work is the Hundertwasserhaus in Vienna, which has become a notable place of interest in the Austrian capital, characterised by imaginative vitality and uniqueness.
Jan Brueghel the Elder, a Flemish painter born in 1568 in Brussels, was a pivotal figure in the Baroque period known for his intricate landscapes, detailed still lifes, and genre scenes. The son of Pieter Bruegel the Elder, Jan was distinguished by his delicate brushwork, earning him the nicknames "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, each reflecting a different aspect of his versatile artistic output. His monikers refer to his skill in rendering fabrics, his specialization in flower still lifes, and his creation of the paradise landscape genre, respectively.
After early training in Brussels, possibly under the guidance of his grandmother Mayken Verhulst, and further studies in Antwerp, Brueghel ventured to Italy, where he worked in Rome under the patronage of Cardinal Ascanio Colonna and met influential artists like Paul Bril. His Italian sojourn greatly influenced his style, especially in landscape painting. Upon returning to Antwerp, he established a flourishing workshop and became a master in the Guild of St. Luke. Brueghel's collaborations with Peter Paul Rubens are among the most celebrated in art history, showcasing a harmonious blend of landscape and figure painting.
Jan Brueghel the Elder's works are prized for their vibrant depiction of nature and meticulous attention to detail. His landscapes are not just backdrops but are lively settings filled with rich narratives and a variety of creatures, reflecting his deep appreciation for the natural world. His flower pieces are equally renowned for their variety and realism, often serving as allegorical or symbolic representations.
Brueghel's legacy extends beyond his paintings; he was a pivotal figure in the Antwerp artistic community, serving as dean of the Guild of St. Luke and court painter to the Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain. His influence continued through his children, with his son Jan Brueghel the Younger continuing his workshop and maintaining the family's artistic traditions.
For collectors and experts in art and antiques, Jan Brueghel the Elder's works represent a high point in Flemish Baroque art, offering a glimpse into the era's aesthetic values and the artist's profound observation of the world around him. His paintings, found in museums and galleries worldwide, continue to captivate audiences with their beauty and depth.
To stay informed about new discoveries, sales, and auction events related to Jan Brueghel the Elder's work, consider signing up for updates. This subscription will ensure that you are always in the know about opportunities to engage with the enduring art of this Flemish master.
Mark Tobey was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe. Along with Guy Anderson, Kenneth Callahan, Morris Graves, and William Cumming, Tobey was a founder of the Northwest School. Senior in age and experience, he had a strong influence on the others; friend and mentor, Tobey shared their interest in philosophy and Eastern religions. Similar to others of the Northwest School, Tobey was mostly self-taught after early studies at the Art Institute of Chicago. In 1921, Tobey founded the art department at The Cornish School in Seattle, Washington.
