zeitgenössische kunst
Jonathan Meese is a German painter, sculptor, performance artist and installation artist based in Berlin and Hamburg. Meese's (often multi-media) works include paintings, collages, drawings and writing. He also designs theater sets and wrote and starred in a play, De Frau: Dr. Poundaddylein — Dr. Ezodysseusszeusuzur in 2007 at the Volksbühne Theater. He is mainly concerned with personalities of world history, primordial myths and heroes. Jonathan Meese lives and works in Ahrensburg and Berlin.
Lambert Maria Wintersberger was a German artist.
With other artists such as Markus Lüpertz, Karl Horst Hödicke, and Bernd Koberling, he helped found the Gallery "Großgörschen 35" in Berlin.
Lambert Maria Wintersberger was the laureate of the Centre Européen d'Actions Artistique Contemporaines in Strasbourg in 1992, and in 2005 and 2006, he was the guest artist at the Majolika Ceramic Factory in Karlsruhe.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Tracey Karima Emin is a British artist known for her autobiographical and confessional artwork. Emin produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué.
August Robert Ludwig Macke was an eminent German expressionist painter, founder and member of the Blue Rider association. His very colorful and individual style is today referred to as the Macke style, characterized by a harmonious combination of colors and the play of light effects. His favorite subjects of his works were sketches from the life of the city, as well as nature and man. The paintings of August Macke give an impression of joy and lightness.
Stephan Balkenhol is a German artist known for his sculptures capturing the human form. Based in France and Germany, he specializes in wood sculptures, reliefs, drawings, and graphic techniques like lithography, woodcuts, and stencils. His distinct style features roughly carved and vibrantly painted wooden sculptures, often depicting people, animals, and architecture.
Balkenhol's subjects lack emotions, often gazing into emptiness, resulting in a distant and enigmatic aura. Wood is his primary medium, with softer woods allowing precise facial details while maintaining imperfections like chips, knots, and tool marks. The artist adds paint as a finishing touch, accentuating anatomy and vitality. The textured surfaces beneath the paint layer amplify the sense of life in Balkenhol's works.
Stephan Balkenhol is a German artist known for his sculptures capturing the human form. Based in France and Germany, he specializes in wood sculptures, reliefs, drawings, and graphic techniques like lithography, woodcuts, and stencils. His distinct style features roughly carved and vibrantly painted wooden sculptures, often depicting people, animals, and architecture.
Balkenhol's subjects lack emotions, often gazing into emptiness, resulting in a distant and enigmatic aura. Wood is his primary medium, with softer woods allowing precise facial details while maintaining imperfections like chips, knots, and tool marks. The artist adds paint as a finishing touch, accentuating anatomy and vitality. The textured surfaces beneath the paint layer amplify the sense of life in Balkenhol's works.
Wilhelm Heinrich Otto Dix was a German artist whose work stands as a stark, unyielding reflection of the societal tumult and trauma of the early 20th century. Born in 1891 in Untermhaus, Germany, Dix's early life was steeped in the arts, his ambition to become an artist nurtured by both familial influence and formal education in Dresden. His experiences as a soldier in World War I deeply influenced his artistic direction, leading him to vividly depict the horrors of war and the decay of the Weimar Republic with a brutal realism that became his signature style.
Dix's association with the Dada movement and the New Objectivity (Neue Sachlichkeit) further honed his critical, often cynical portrayal of post-war society. His works, such as "The Trench" and "War Cripples," expose the visceral aftermath of conflict, while his engagement with the Dadaists imbued his art with a disruptive, confrontational energy against societal norms and the art establishment.
Perhaps most notable is Dix's ability to capture the psychological depth and societal critiques through his portraits and landscapes, which ranged from the grotesque to the surreal. Paintings like "Portrait of the Journalist Sylvia von Harden" and the triptychs "Metropolis" and "War" are emblematic of his keen observation and stark depiction of the era's social and political unrest.
Despite facing significant adversity, including being labeled a degenerate artist by the Nazi regime and facing professional and personal setbacks, Dix's legacy as a painter and printmaker endures. His works are not only historical documents but also profound reflections on humanity, war, and society, resonating with collectors and art experts alike.
For enthusiasts of culture, art, and history, Dix's oeuvre offers an unflinching look into the human condition under the strain of societal and political upheaval. His contributions to painting and printmaking continue to be celebrated in museums and galleries worldwide, underscoring the enduring relevance of his work.
For those interested in exploring the profound depth and historical significance of Otto Dix's work, signing up for updates on new product sales and auction events related to his art can provide invaluable insights. This subscription is a gateway to staying informed about opportunities to engage with the tangible pieces of Dix's enduring legacy.