18&19 c
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Paul Cézanne, a French Post-Impressionist painter, was pivotal in shaping the transition from 19th-century art to a new, revolutionary approach in the 20th century. His unique and exploratory brushstrokes, utilizing planes of color to form complex fields, made his work instantly recognizable and influential in the development of Cubism.
Cézanne’s early works, influenced by Romanticism and Realism, evolved into a groundbreaking artistic language. He challenged traditional perspective and academic art rules, focusing on objects' structural aspects and art's formal qualities. This approach led to a renewed emphasis on impressionistic color space and modulation principles.
His most notable works, like “Mont Sainte-Victoire,” “The Card Players,” and “The Bathers,” display his mastery in creating depth and dimension through color gradations. These paintings, initially met with skepticism, eventually cemented Cézanne’s reputation as a pioneering artist. His exhibitions, particularly the one-man show by dealer Ambroise Vollard in 1895, played a critical role in his recognition.
Cézanne’s impact on art history is profound, with greats like Henri Matisse and Pablo Picasso acknowledging him as a significant influence. His exploration of geometric forms and innovative use of light and color laid the groundwork for subsequent movements, particularly Cubism.
For collectors and art experts, Cézanne's works are more than just paintings; they are pivotal chapters in the narrative of modern art. His creations, bridging Impressionism and Cubism, continue to inspire and challenge contemporary artists.
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Marcel Lajos Breuer was a Hungarian American modernist architect and furniture designer. He moved to the United States in 1937 and became a naturalized American citizen in 1944.
At the Bauhaus he designed the Wassily Chair and the Cesca Chair, which The New York Times have called some of the most important chairs of the 20th century. Breuer extended the sculpture vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world's most popular architects at the peak of 20th-century design. His work includes art museums, libraries, college buildings, office buildings, and residences. Many are in a Brutalist architecture style, including the former IBM Research and Development facility which was the birthplace of the first personal computer. He is regarded as one of the great innovators of modern furniture design and one of the most-influential exponents of the International Style.
