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![[Экз Н.С. Бередгофа]. Князев, В.В. Жизнь молодой деревни: Частушки-коротушки С.-Петербургской губернии / В. Князев.](https://veryimportantlot.com/assets/image/picture_4214749/0cb1a/ci7zvi1w6nsjim-bmkfzujolerrzmx-lkhe9c-ygtiab6ccvospb1odwzf9bl8ge1726909506jpg__fix_374_244.jpeg)
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Georg Herold is a German artist. He works in sculpture, installation, painting, photography, and video art. He lives and works in Cologne, Germany.
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Ernst Mollenhauer was a German Expressionist landscape painter.
Franz Radziwill was a German artist of the twentieth century. He is known as a landscape painter, graphic artist and printmaker associated with the artistic movement of "new materiality".
Franz Radziwill created paintings that are characterized by careful elaboration and the use of glaze techniques borrowed from the Old Masters. He used elements of industrial buildings and modern technology, including ships and airplanes, in his landscapes. The results of his work can be categorized as magical realism.
In 1933 Radziwill became professor of painting at the Düsseldorf Academy of Art, but in 1935 the Nazis stripped him of this position, declaring his work degenerate art.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Walter Moras was a German landscape painter.
His favorite subject was provincial Germany: roads among the trees, rivers and streams, villages and mills. Moras is deservedly considered a master of winter landscapes. He was a realist painter, but he did not avoid some influence of impressionism in his works.
Georg Herold is a German artist. He works in sculpture, installation, painting, photography, and video art. He lives and works in Cologne, Germany.
Heinz Trökes was a German painter, printmaker and art teacher.
Albert Birkle was a German and Austrian painter, decorator, muralist and glass painter.
Albert's father was the artist Karl Birkle, from whom he received his initial training as a decorative painter, then studied at the Hochschule für die bildenden Künste (now the Berlin University of the Arts). Birkle developed a unique style based on Expressionism and the New Objectivity/Neue Sachlichkeit style. His subjects were lonely, mystical landscapes, typical scenes of Berlin in the 20s and 30s, portraits and religious scenes.
In 1932, fleeing the National Socialists, Albert Birkle moved to Salzburg, Austria, but nevertheless represented Germany at the Venice Biennale as early as 1936. In 1937, his work was declared "degenerate" in Germany and withdrawn from state collections. In 1946, Birkle was granted Austrian citizenship and began working on religious frescoes and decorative windows for various churches and oil paintings. The 1950s and 60s were filled with intense creativity in glass painting.
