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Pieter de Hooch was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of Jan Vermeer in the Delft Guild of St. Luke, with whom his work shares themes and style.
Isaac Koedijck was a Dutch painter of the Golden Age. His genre works and portraits are well known.
Marten van Cleve the Elder was a Flemish painter and draftsman active in Antwerp between 1551 and 1581. Van Cleve is mainly known for his genre scenes with peasants and landscapes, which show a certain resemblance with the work of Pieter Bruegel the Elder. Marten van Cleve was one of the leading Flemish artists of his generation. His subjects and compositions were an important influence on the work of Pieter Brueghel the Younger and other genre painters of his generation.
Marten van Cleve the Elder was a Flemish painter and draftsman active in Antwerp between 1551 and 1581. Van Cleve is mainly known for his genre scenes with peasants and landscapes, which show a certain resemblance with the work of Pieter Bruegel the Elder. Marten van Cleve was one of the leading Flemish artists of his generation. His subjects and compositions were an important influence on the work of Pieter Brueghel the Younger and other genre painters of his generation.
Jean-Frédéric Schall was a French painter who specialized in genre scenes and portraits.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
Hendrik Jacobus Scholten was a 19th-century painter from the Netherlands. He was a pupil of Petrus Franciscus Greive and Lambertus Johannes Hansen. In 1852 he became a member of the Royal Academy of Art in Amsterdam, and was a member of the Amsterdam art societies Arti et Amicitiae, Kunstbevorderend Genootschap V.W., and Vereeniging Sint Lucas. He was also a member of art societies in other towns. He became art curator of the Teylers Stichting in 1872, which manages the art collection of the Teylers Museum. In that capacity he wrote a catalog of the museum's collection, that was published in 1904. He painted several paintings that hang in the museum's galleries, as well as decorations in the Teyler's fundatiehuis, where he lived and worked from 1863 until his death.
Hubertus (Huib) van Hove was a Dutch painter, son of Bartholomeus van Hove and teacher of some of the painters who later became members of the Hague School.
Hubertus van Hove began as a landscape painter, but his best works belong to other genres. Van Hove's love of colour and bright light was evident in his domestic scenes in the style of Pieter de Hoch, depicting street views viewed through the door of a room or kitchen. The Teyler Museum holds a superb example of his work The Knitter, a painting with a lively composition and a brighter and fresher colouring.
William Allan was a distinguished Scottish historical painter known for his scenes of Russian life. He became president of the Royal Scottish Academy and was made a Royal Academician.
Dirck Hals was a Dutch Golden Age painter of merry company scenes, festivals and ballroom scenes. He played a role in the development of these types of genre painting. He was somewhat influenced by his elder brother Frans Hals, but painted few portraits.
Jan Verkolje was a Dutch painter-drawer and engraver of the Golden Age. He is known for his portraits and genre scenes in interiors, and to a lesser extent for religious and mythological compositions. Vercolje was a gifted self-taught artist in various drawing techniques - drawing, engraving, metal carving (mezzotint).
Pietro Fabris was a painter of Italian descent, active in England and Naples. Pietro is best known for work he completed for the dilettante geologist, the diplomat Sir William Hamilton, which included a number of engravings based on his paintings that depicted contemporary volcanic activity collected in two books, Observations on Mount Vesuvius, Mount Etna, &c. (London, 1774) and Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies (Naples, 1776). He also painted some concert parties sponsored by Hamilton, including one that included a young Mozart at the harpsichord. In other works he produced for sale, he painted Bamboccianti scenes, genre paintings of local folk in native garb at work or play.