картина приро
![Жирар де Пропиак, К.Ж.Ф. Достопамятности в мире, или Описание существующих на Земле редких произведений природы и искуства [в 4 т.] / Изд. г. Пропиаком.; пер. с фр.; с картинами.](/assets/image/picture_1905685/02329/o74zmsiz-2cey4zu42nc3lptthxqyp3mad75g8vo2as0u-z9g-jtmzbhgunvsdw71639497058jpg__fix_374_244.jpeg)
![Жирар де Пропиак, К.Ж.Ф. Достопамятности в мире, или Описание существующих на Земле редких произведений природы и искуства [в 4 т.] / Изд. г. Пропиаком.; пер. с фр.; с картинами.](https://veryimportantlot.com/assets/image/picture_1905685/02329/o74zmsiz-2cey4zu42nc3lptthxqyp3mad75g8vo2as0u-z9g-jtmzbhgunvsdw71639497058jpg__fix_374_244.jpeg)
Walter Moras was a German landscape painter.
His favorite subject was provincial Germany: roads among the trees, rivers and streams, villages and mills. Moras is deservedly considered a master of winter landscapes. He was a realist painter, but he did not avoid some influence of impressionism in his works.
Kurt-Hermann Kühn is a German painter and graphic artist. He trained as a decorator and studied from 1946 to 1952 at the Academy of Graphic Arts and Printing in Leipzig and in Berlin at the Academy of Fine and Applied Arts.
Kurt-Hermann Kühn travelled to Syria and Egypt. These journeys are reflected in many of his paintings. In addition to his extensive painting and graphic work, he created many large-format murals, mainly frescoes. His portraits of women and erotic drawings have also attracted much critical attention.
Kurt-Hermann Kühn is a German painter and graphic artist. He trained as a decorator and studied from 1946 to 1952 at the Academy of Graphic Arts and Printing in Leipzig and in Berlin at the Academy of Fine and Applied Arts.
Kurt-Hermann Kühn travelled to Syria and Egypt. These journeys are reflected in many of his paintings. In addition to his extensive painting and graphic work, he created many large-format murals, mainly frescoes. His portraits of women and erotic drawings have also attracted much critical attention.
Stephan Kaluza is a multifaceted artist known for his work as a photographer, painter, and author. Living and working in Düsseldorf, Kaluza has developed a unique artistic voice that explores the intersections of natural philosophy, history, and the essence of human perception through both his visual art and literary works. His education in Düsseldorf during the 1990s, encompassing studies in photography, art history, and philosophy, has deeply influenced his creative output, allowing him to craft works that resonate on multiple levels with viewers and readers alike.
Stephan Kaluza's art often delves into themes of nature and creation, with his paintings ranging from hyperrealistic depictions to nearly abstract portrayals of forests and water surfaces. Notably, his work introduces disturbances into seemingly idyllic landscapes, revealing the layers of history and human impact hidden beneath the surface beauty of nature. This duality invites viewers to question the reality of what they see and to consider the deeper narratives that landscapes can hold, especially when those landscapes have served as backdrops to historical events or personal stories.
One of his most ambitious projects, the "Das Rheinprojekt," saw Stephan Kaluza undertaking an almost eight-month journey along the Rhine River. Documenting the river's right bank in over 21,000 photographs, he created a panoramic view that challenges traditional perspectives of landscape photography. This work, along with his "Das Mauerprojekt" and other photographic series, underscores Kaluza's commitment to capturing and conveying the complex relationship between humanity and the natural world.
Stephan Kaluza's contributions to the fields of art and literature have been recognized with awards such as the George-Konell-Preis of Wiesbaden and the Price of the Carl- und Ruth Lauterbach-Stiftung Dusseldorf. His works are held in both public and private collections worldwide, including the Portland Art Museum in Oregon, USA, and the Stadtmuseum Düsseldorf, Germany, highlighting his international appeal and the broad relevance of his themes.
For collectors and experts in art and antiques, Stephan Kaluza offers a profound engagement with the world through the lens of an artist deeply informed by a rich educational background and a keen sensitivity to the natural and cultural landscapes that shape our experiences. His work invites contemplation and dialogue, making his pieces valuable additions to any collection.
Stay updated on Stephan Kaluza's latest works, exhibitions, and publications by subscribing to newsletters from galleries and museums that feature his work. This subscription ensures access to new sales, auction events, and showcases related to Kaluza's evolving portfolio, offering insights into contemporary art and literature influenced by his unique perspective.
Stephan Kaluza is a multifaceted artist known for his work as a photographer, painter, and author. Living and working in Düsseldorf, Kaluza has developed a unique artistic voice that explores the intersections of natural philosophy, history, and the essence of human perception through both his visual art and literary works. His education in Düsseldorf during the 1990s, encompassing studies in photography, art history, and philosophy, has deeply influenced his creative output, allowing him to craft works that resonate on multiple levels with viewers and readers alike.
Stephan Kaluza's art often delves into themes of nature and creation, with his paintings ranging from hyperrealistic depictions to nearly abstract portrayals of forests and water surfaces. Notably, his work introduces disturbances into seemingly idyllic landscapes, revealing the layers of history and human impact hidden beneath the surface beauty of nature. This duality invites viewers to question the reality of what they see and to consider the deeper narratives that landscapes can hold, especially when those landscapes have served as backdrops to historical events or personal stories.
One of his most ambitious projects, the "Das Rheinprojekt," saw Stephan Kaluza undertaking an almost eight-month journey along the Rhine River. Documenting the river's right bank in over 21,000 photographs, he created a panoramic view that challenges traditional perspectives of landscape photography. This work, along with his "Das Mauerprojekt" and other photographic series, underscores Kaluza's commitment to capturing and conveying the complex relationship between humanity and the natural world.
Stephan Kaluza's contributions to the fields of art and literature have been recognized with awards such as the George-Konell-Preis of Wiesbaden and the Price of the Carl- und Ruth Lauterbach-Stiftung Dusseldorf. His works are held in both public and private collections worldwide, including the Portland Art Museum in Oregon, USA, and the Stadtmuseum Düsseldorf, Germany, highlighting his international appeal and the broad relevance of his themes.
For collectors and experts in art and antiques, Stephan Kaluza offers a profound engagement with the world through the lens of an artist deeply informed by a rich educational background and a keen sensitivity to the natural and cultural landscapes that shape our experiences. His work invites contemplation and dialogue, making his pieces valuable additions to any collection.
Stay updated on Stephan Kaluza's latest works, exhibitions, and publications by subscribing to newsletters from galleries and museums that feature his work. This subscription ensures access to new sales, auction events, and showcases related to Kaluza's evolving portfolio, offering insights into contemporary art and literature influenced by his unique perspective.
Archibald Thorburn was a Scottish artist who specialised in wildlife, painting mostly in watercolour. He regularly visited Scotland to sketch birds in the wild, his favourite haunt being the Forest of Gaick near Kingussie in Invernesshire. His widely reproduced images of British wildlife, with their evocative and dramatic backgrounds, are enjoyed as much today as they were by naturalists a century ago.
Gustave Loiseau was a French artist known for his landscapes and scenes of the Parisian streets.
In 1890, Gustave Loiseau first travelled to Pont-Aven in Brittany, where he met Paul Gauguin and Emile Bernard. Having experimented with pointillism, he adopted his own approach to post-impressionism, painting landscapes directly from life. His technique, known as en treillis or cross-hatching, gave his works a special quality.
Gustave Loiseau's paintings, which reveal his passion for the seasons from the early spring to the late autumn harvest, often depict the same garden or garden scene over time. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
George Chinnery was a British painter best known for his work in India and China.
George studied at the Royal Academy schools, painting portraits and sketches, but in 1802, shortly after his marriage, trying to straighten out his family's financial situation, he traveled to India. In Calcutta, Chinnery became the leading artist of the British community in India. And in 1825 he went to China and lived in Macau for the rest of his life.
Chinnery painted portraits of Chinese and Western merchants, visiting sea captains and their families. Chinnery also painted landscapes (both in oil and watercolor) and made many vivid drawings of Macau residents of the time engaged in their daily activities. Among the heroes of his portraits are the Scottish opium merchants who patronized him. In addition to their artistic value, Chinnery's paintings also have historical value, as he was the only Western artist living in South China during the early to mid-19th century.
There are still many architectural sites in Macau recognizable from his sketches that have changed little since then. Today, Chinnery's paintings are in public and private collections around the world. The Macau Museum and the Macau Art Museum have a good selection of his work.
George Chinnery was a British painter best known for his work in India and China.
George studied at the Royal Academy schools, painting portraits and sketches, but in 1802, shortly after his marriage, trying to straighten out his family's financial situation, he traveled to India. In Calcutta, Chinnery became the leading artist of the British community in India. And in 1825 he went to China and lived in Macau for the rest of his life.
Chinnery painted portraits of Chinese and Western merchants, visiting sea captains and their families. Chinnery also painted landscapes (both in oil and watercolor) and made many vivid drawings of Macau residents of the time engaged in their daily activities. Among the heroes of his portraits are the Scottish opium merchants who patronized him. In addition to their artistic value, Chinnery's paintings also have historical value, as he was the only Western artist living in South China during the early to mid-19th century.
There are still many architectural sites in Macau recognizable from his sketches that have changed little since then. Today, Chinnery's paintings are in public and private collections around the world. The Macau Museum and the Macau Art Museum have a good selection of his work.
George Chinnery was a British painter best known for his work in India and China.
George studied at the Royal Academy schools, painting portraits and sketches, but in 1802, shortly after his marriage, trying to straighten out his family's financial situation, he traveled to India. In Calcutta, Chinnery became the leading artist of the British community in India. And in 1825 he went to China and lived in Macau for the rest of his life.
Chinnery painted portraits of Chinese and Western merchants, visiting sea captains and their families. Chinnery also painted landscapes (both in oil and watercolor) and made many vivid drawings of Macau residents of the time engaged in their daily activities. Among the heroes of his portraits are the Scottish opium merchants who patronized him. In addition to their artistic value, Chinnery's paintings also have historical value, as he was the only Western artist living in South China during the early to mid-19th century.
There are still many architectural sites in Macau recognizable from his sketches that have changed little since then. Today, Chinnery's paintings are in public and private collections around the world. The Macau Museum and the Macau Art Museum have a good selection of his work.
