картины новых мастеров
Johann Nepomuk Ender was an Austrian portrait painter and engraver.
Gustave Moreau was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence". He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters.
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Christian Ernst Bernhard Morgenstern was a well-known German landscape painter. He is considered one of the most important representatives of early painterly realism.
His father was Hamburg miniature painter Johann Heinrich Morgenstern, and his son named Carl Ernst Morgenstern also became a landscape painter.
Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.
Paul Emil Jacobs was a German Orientalist painter and member of the Imperial Academy of Arts.
Jacobs was known for numerous paintings on Orientalist themes: harem beauties, picturesque Turks, and the slave market. He also painted scenes with religious and historical motifs.
Petrus van Schendel was a Dutch-Belgian genre painter in the Romantic style who specialized in nighttime scenes, lit by lamps or candles. This led to him being known as "Monsieur Chandelle".
Karl Gussow or Carl Gussow was a German realist painter of the 19th century.
Gussow began his painting studies at the Saxon Art School in Weimar and traveled to Italy. He later worked with the Belgian painter-historian Ferdinand Pauwels, who greatly influenced his style.
Gussow was active as a genre and portrait painter. Over time, his work became characterized by an almost photographic realism, which was not only admired but also criticized, as it was a completely new direction.
Karl Gussow lived in Karlsruhe and Berlin, where he maintained a private ladies' studio, later founding another private painting school. He obtained a position at the Karlsruhe Academy of Fine Arts, also worked at the Prussian Academy of Fine Arts and taught at the Munich Academy of Fine Arts.
Felix Schlesinger was a German painter and illustrator. He studied figurative painting in Antwerp and in 1850 and 1851 at the Düsseldorf Academy of Arts.
Felix Schlesinger is the author of genre paintings and portraits. One of the most famous painters of children's themes, which was very popular all over the world in the 19th century.
Hermann von Kaulbach was a German painter and illustrator, son of Wilhelm von Kaulbach.
Hermann von Kaulbach studied painting under Karl Piloti. His paintings are mostly brilliant technically and are particularly interesting for their excellent detailing, which, however, sometimes hurt the interest of the content.
In 1886 he was appointed professor of the history of painting at the Munich Academy of Fine Arts.
.jpg)
Johann Wilhelm Preyer was a German painter of the second half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of painting.
Preyer specialized in still lifes with flowers and fruit, which were notable for their detailed and meticulous elaboration. He is considered the preeminent painter of this genre of his era. His work is common in the United States, but there are also important pieces in the Berlin National Gallery and other German museums.
Preyer was one of the first representatives of the Düsseldorf School and was instrumental in founding the Düsseldorf Artists' Association.
Johann Wilhelm Preyer was a German painter of the second half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of painting.
Preyer specialized in still lifes with flowers and fruit, which were notable for their detailed and meticulous elaboration. He is considered the preeminent painter of this genre of his era. His work is common in the United States, but there are also important pieces in the Berlin National Gallery and other German museums.
Preyer was one of the first representatives of the Düsseldorf School and was instrumental in founding the Düsseldorf Artists' Association.
Johann Wilhelm Preyer was a German painter of the second half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of painting.
Preyer specialized in still lifes with flowers and fruit, which were notable for their detailed and meticulous elaboration. He is considered the preeminent painter of this genre of his era. His work is common in the United States, but there are also important pieces in the Berlin National Gallery and other German museums.
Preyer was one of the first representatives of the Düsseldorf School and was instrumental in founding the Düsseldorf Artists' Association.
Emilie Preyer was a German painter of the last third of the nineteenth and first third of the twentieth centuries. She is known as a painter and a master of still life.
Emilie Preyer studied painting under her father Johann Wilhelm Preyer and worked in the same meticulous technique. She created still lifes with fruit and flowers. Over 250 of her paintings are in the Metropolitan Museum of Art in New York and the Philadelphia Museum of Art, as well as in private collections in the United Kingdom and the United States.
Emilie Preyer was a German painter of the last third of the nineteenth and first third of the twentieth centuries. She is known as a painter and a master of still life.
Emilie Preyer studied painting under her father Johann Wilhelm Preyer and worked in the same meticulous technique. She created still lifes with fruit and flowers. Over 250 of her paintings are in the Metropolitan Museum of Art in New York and the Philadelphia Museum of Art, as well as in private collections in the United Kingdom and the United States.
Andreas Schelfhout was a distinguished Dutch painter, etcher, and lithographer, celebrated for his exquisite landscape paintings. Born and based in The Hague, Schelfhout initially trained as a gilder and framemaker before apprenticing to a decorative painter between 1811 and 1814. This period marked the beginning of his journey into landscape painting, with his works being exhibited from 1815 onwards. Andreas Schelfhout's artistry is deeply rooted in the Romantic movement, with his Dutch winter scenes and frozen canals featuring skaters becoming particularly renowned during his lifetime. These works, showcasing a meticulous attention to detail and atmospheric quality, cemented his status as one of the most influential landscape artists of the 19th century.
A notable aspect of Andreas Schelfhout's career was his impact on other artists. He provided training to many painters who would later gain fame in their own right, such as Johan Jongkind, a forerunner of the Impressionists, and Charles Leickert. His advocacy for the use of watercolour in en plein air sketching significantly influenced his students and contemporaries, particularly enhancing the techniques of Jongkind, Jan Hendrik Weissenbruch, and Willem Roelofs.
Andreas Schelfhout's legacy is not only reflected in his influential teaching but also in the breadth of his creations. His works include not just winter scenes but also seascapes and landscapes depicting various aspects of Dutch scenery. His paintings often evoke a nostalgic longing for the past, a characteristic trait of the Romantic style, with elements like the ruins of castles or chapels adding a historical dimension to the landscapes.
Several of Andreas Schelfhout's masterpieces are displayed in prominent museums and galleries, evidencing his significant contribution to the art world. His works can be found in the Rijksmuseum in Amsterdam, the Museum Boymans-van Beuningen in Rotterdam, the Dordrechts Museum in Dordrecht, the Teylers Museum in Haarlem, and the National Gallery in London, among others.
Andreas Schelfhout was not just an artist; he was a pivotal figure in the Dutch Romantic landscape painting scene. His influence extended beyond his own works to shape the styles and techniques of future generations of artists. For collectors and experts in art and antiques, Schelfhout's works represent a significant era in art history, embodying the essence of Romanticism in Dutch landscape painting.
For those interested in staying informed about new product sales and auction events related to Andreas Schelfhout, signing up for updates is highly recommended. This subscription ensures that enthusiasts and collectors are always in the know regarding the latest developments and opportunities related to Schelfhout's artistry.
Andreas Schelfhout was a distinguished Dutch painter, etcher, and lithographer, celebrated for his exquisite landscape paintings. Born and based in The Hague, Schelfhout initially trained as a gilder and framemaker before apprenticing to a decorative painter between 1811 and 1814. This period marked the beginning of his journey into landscape painting, with his works being exhibited from 1815 onwards. Andreas Schelfhout's artistry is deeply rooted in the Romantic movement, with his Dutch winter scenes and frozen canals featuring skaters becoming particularly renowned during his lifetime. These works, showcasing a meticulous attention to detail and atmospheric quality, cemented his status as one of the most influential landscape artists of the 19th century.
A notable aspect of Andreas Schelfhout's career was his impact on other artists. He provided training to many painters who would later gain fame in their own right, such as Johan Jongkind, a forerunner of the Impressionists, and Charles Leickert. His advocacy for the use of watercolour in en plein air sketching significantly influenced his students and contemporaries, particularly enhancing the techniques of Jongkind, Jan Hendrik Weissenbruch, and Willem Roelofs.
Andreas Schelfhout's legacy is not only reflected in his influential teaching but also in the breadth of his creations. His works include not just winter scenes but also seascapes and landscapes depicting various aspects of Dutch scenery. His paintings often evoke a nostalgic longing for the past, a characteristic trait of the Romantic style, with elements like the ruins of castles or chapels adding a historical dimension to the landscapes.
Several of Andreas Schelfhout's masterpieces are displayed in prominent museums and galleries, evidencing his significant contribution to the art world. His works can be found in the Rijksmuseum in Amsterdam, the Museum Boymans-van Beuningen in Rotterdam, the Dordrechts Museum in Dordrecht, the Teylers Museum in Haarlem, and the National Gallery in London, among others.
Andreas Schelfhout was not just an artist; he was a pivotal figure in the Dutch Romantic landscape painting scene. His influence extended beyond his own works to shape the styles and techniques of future generations of artists. For collectors and experts in art and antiques, Schelfhout's works represent a significant era in art history, embodying the essence of Romanticism in Dutch landscape painting.
For those interested in staying informed about new product sales and auction events related to Andreas Schelfhout, signing up for updates is highly recommended. This subscription ensures that enthusiasts and collectors are always in the know regarding the latest developments and opportunities related to Schelfhout's artistry.
Carl Hilgers was a 19th century German landscape painter.
Carl Hilgers liked to paint winter landscapes shrouded in mist, often of locations around Düsseldorf. The paintings have a romantic character which is enhanced by occasional figures.
Johann Bernhard Klombeck was a landscape painter who belonged to the so-called Klever Romanticism. Klombeck showed his first exhibitions in his hometown of Kleve and in Nijmegen. Between 1843 and 1856 his works were shown i.a. shown at major exhibitions in Amsterdam, Rotterdam, The Hague, Dresden and Berlin. He found his motifs in the landscape of the Lower Rhine and the neighboring Netherlands. They were mostly romantically transfigured motifs with gnarled oaks or castle ruins as eye-catchers. Dramatic cloud formations also became his stylistic features.
Cornelis Springer was a Dutch 19th-century cityscape painter.
He is known for watercolors, etchings, and drawings, especially of city views and town scenes that he sketched while traveling around the country.
Franz Stegmann was a German painter and representative of the Dusseldorf school. He painted mainly architectural landscapes.
Willem Koekkoek was a Dutch painter of the urban landscape.
Following in the family tradition, his father gave all four brothers their first art lessons. Willem also received training as an architect, but practiced that profession for only a short time. It did, however, leave a lasting influence on his choice of subject matter.
