ретна (1979)
RETNA (born Marquis Lewis) is a contemporary artist, primarily recognized for graffiti art. He was born and raised in Los Angeles, California, and started his career in the early 1990s. He developed a distinctive constructed script which is derived from Blackletter, Egyptian Hieroglyphics, Arabic, and Hebrew calligraphy, as well as more traditional types of street-based graffiti. In addition to exhibiting at institutions and galleries in Los Angeles, Miami, London, New York and Hong Kong, Retna has done advertising work for brands such as VistaJet, Louis Vuitton, and Nike. His artwork adorns the cover of Justin Bieber's Purpose album that debuted in 2015. Retna has many high profile patrons, including fast food magnate Sam Nazarian.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
Stickymonger is a New York-based artist of South Korean origin whose paintings transform ordinary places into dreamy, eerie spaces, filled with an amalgam of emotions conveyed through her big-eyed, animation-inspired women.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
STICK is the pseudonym of a British sculptor and street art artist. STICK is known for his emotional style of stick figures and his commitment to radical social ideas.
Ilia Bolotovskii (russian: Илья Юльевич Болотовский) was a Russian-born American abstractionist painter.
After spending his youth in Baku, he moved to the United States in 1923, later becoming an American citizen. Bolotovskii received his artistic education at the National Academy of Drawing in New York and while traveling in Europe. Influenced by the work of P. Mondrian began to create objectless paintings and later remained an adherent of abstractionism, was a member of the abstract-expressionist group "Ten".
In 1936 Bolotovskii created one of the first abstract monumental murals in the United States in the Williamsburg housing project in New York. That same year he co-founded the American Abstract Artists organization. In the 1960s, Bolotovskii worked in the spirit of geometric abstractionism and neo-plasticism and created canvases with images in three dimensions.
Camille Graeser was a Swiss artist, interior designer, graphic designer and representative of the Zurich school of concrete art.
Camille Graeser developed abstract expressionism around 1920. He later switched to a strict, two-dimensional purism, influenced by his Stuttgart colleagues Oskar Schlemmer and Willi Baumeister. In 1933, because of the rise of the Nazis to power, Greser fled to Zurich. In 1937 he became a member of the Allianz Association of Artists, which publicly promoted the new artistic trends.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
Donatello Losito was an Italian-German painter, graphic artist and object artist. 1955-1958 he trained as a plasterer and restorer. Traveling through France and Italy in 1959/1960, he created his first works in oil and watercolor. Initially he worked as a freelance graphic artist, later he devoted himself entirely to painting. He held solo exhibitions and participated in numerous exhibitions. His main artistic work was created during these years. In 1972, the art critic Helmut Kotschenreuther wrote about the first major solo exhibition: "Losito has an eye sharpened by sensitivity for the grotesque, the comical, the uncanny, the inhumane in our desolate world and at the same time the ability to present the most concise, the "impacting" to find a pictorial formula”.
Donatello Losito was an Italian-German painter, graphic artist and object artist. 1955-1958 he trained as a plasterer and restorer. Traveling through France and Italy in 1959/1960, he created his first works in oil and watercolor. Initially he worked as a freelance graphic artist, later he devoted himself entirely to painting. He held solo exhibitions and participated in numerous exhibitions. His main artistic work was created during these years. In 1972, the art critic Helmut Kotschenreuther wrote about the first major solo exhibition: "Losito has an eye sharpened by sensitivity for the grotesque, the comical, the uncanny, the inhumane in our desolate world and at the same time the ability to present the most concise, the "impacting" to find a pictorial formula”.
Jonathan Borofsky is an American artist known for his public sculptures and installations that explore themes of human consciousness, individuality, and interconnectedness.
Borofsky studied at Carnegie Mellon University and Yale University. In the 1970s, he gained recognition for his conceptual and performance works, which often incorporated elements of language, text, and repetition.
In the 1980s, Borofsky began creating large-scale public sculptures, many of which feature human figures or silhouettes. One of his most famous works is "Molecule Man," a 100-foot-tall sculpture of three interconnected figures located in Berlin, Germany.
Borofsky's work has been exhibited in major museums and galleries around the world, including the Museum of Modern Art in New York, the Centre Georges Pompidou in Paris, and the National Museum of Contemporary Art in Seoul. He has also created public artworks in cities such as New York, Tokyo, and Tel Aviv.
In addition to his art, Borofsky is known for his interest in meditation and spirituality, which he often incorporates into his work. He has published several books on these topics.
Borofsky continues to live and work in Ogunquit, Maine, where he maintains a studio and creates new works of art.
Dennis Oppenheim was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the nature of art, the making of art and the definition of art: a meta-art that arose when strategies of the Minimalists were expanded to focus on site and context. As well as an aesthetic agenda, the work progressed from perceptions of the physical properties of the gallery to the social and political context, largely taking the form of permanent public sculpture in the last two decades of a highly prolific career, whose diversity could exasperate his critics.
Romare Bearden was an influential American artist, celebrated for his intricate collages that depict African American life. Born in 1911 in Charlotte, North Carolina, Bearden played a pivotal role in the Harlem Renaissance, associating with key figures like Duke Ellington and Langston Hughes. His artwork often explored themes of daily life, culture, and history through a unique blend of painting and collage, heavily influenced by Cubism and the Mexican muralists.
Bearden's most notable works include "The Block" and "Patchwork Quilt," both of which are praised for their vibrant narrative and depth, capturing the complexities of black urban life. His pieces are prominent in major museums like the Museum of Modern Art and the Metropolitan Museum of Art. Beyond visual arts, Bearden's legacy includes his contributions to literature and music, reflecting his diverse talents and intellectual interests.
For those interested in exploring Romare Bearden's art further, visiting collections where his works are held or reading more about his life and impact on American art and culture can be rewarding. For the latest updates on exhibitions and sales related to Bearden's work, sign up here [insert subscription link]. This will keep you informed about new opportunities to engage with Bearden's influential legacy.
Patrick Caulfield was an English painter and printmaker renowned for his distinct approach to art, which often combined elements of photorealism within simplified scenes. Born in London in 1936, Caulfield's artistic journey led him to become a significant figure associated with the British Pop Art movement, though he personally refuted this label, aligning more closely with early European Modernist traditions. His works are celebrated for their bold canvases, characterized by sleek lines, bold colors, and an intriguing blend of the real and the abstract, held in esteemed collections worldwide, including those of Charles Saatchi and David Bowie.
Caulfield's art is recognized for its innovative use of light, space, and color, creating a unique narrative that transcends the conventional boundaries of painting. Noteworthy pieces like "Pony" (1964) and "After Lunch" (1975) exemplify his skill in blending painting styles, creating "pictures within pictures" that challenge viewers' perceptions of space and reality. Caulfield's interiors, such as "Dining Recess" (1972) and "Tandoori Restaurant" (1971), convey a sense of melancholy and loneliness through their depiction of everyday spaces devoid of human presence, making his work profoundly resonant.
Throughout his career, Caulfield received several commissions, contributing to public spaces and collections across the globe. His art has been exhibited in numerous solo exhibitions, including at Tate Britain and the Royal Academy in London, underscoring his influence and importance in the art world.
For art collectors and experts, Patrick Caulfield's work offers a unique perspective on the everyday, merging the abstract with the real in ways that continue to captivate and intrigue. To stay updated on sales and auction events related to Patrick Caulfield's art, signing up for updates is highly recommended, ensuring access to the latest offerings and insights into his enduring legacy.
