abstraction post-peinture
Piero Dorazio was an Italian painter. His work was related to color field painting, lyrical abstraction and other forms of abstract art.
Auguste Herbin was a French painter, celebrated for his contributions to modern art, particularly within the realms of Cubism and abstract painting. Born on April 29, 1882, in Quiévy, Nord, France, Herbin's artistic journey took a significant turn after he moved to Paris in 1903. Initially influenced by Impressionism and Post-Impressionism, his style evolved significantly after 1909 when he became acquainted with Cubism, a movement that significantly influenced his work thereafter. By 1917, Herbin was fully immersed in creating abstract compositions, pioneering a unique blend of geometric abstraction that became his signature style. His abstract work, characterized by simple geometric shapes and vivid, unmodulated colors, adhered to a personal theory of art he detailed in his 1949 book, "L'Art non-figuratif, non-objectif".
Herbin's influence extended beyond his paintings; he was a co-founder of the groups Abstraction-Création and Salon des Réalités Nouvelles, advocating for non-figurative abstract art. Despite facing a significant challenge in 1953, when he became paralyzed on the right side and had to adapt by painting with his left hand, Herbin continued to create art until his passing on January 31, 1960, in Paris. His unfinished work, themed around the word "Fin," marks the poignant end of his prolific career.
Today, Herbin's works are housed in prestigious public collections worldwide, including the Museum de Fundatie in Zwolle, The Netherlands; Kröller-Müller Museum in Otterlo, The Netherlands; National Galleries of Scotland; Matisse Museum in Le Cateau-Cambrésis, France; and the KUNSTEN Museum of Modern Art Aalborg in Denmark, among others. These institutions celebrate Herbin's legacy, showcasing his innovative approach to abstract art that continues to inspire artists and collectors alike.
For enthusiasts and collectors interested in modern art and the evolution of abstract painting, Auguste Herbin's works offer a rich exploration of geometric abstraction and its theoretical underpinnings. Sign up for updates on new product sales and auction events related to Auguste Herbin, and delve deeper into the vibrant world of one of France's pioneering abstract artists.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
André Lanskoy was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Theodoros Stamos was a Greek-American painter. He is one of the youngest painters of the original group of abstract expressionist painters (the so-called "Irascibles"), which included Jackson Pollock, Willem de Kooning and Mark Rothko. His later years were negatively affected by his involvement with the Rothko case.
Georg Karl Pfahler was a German painter, printmaker and sculptor, and one of the leading proponents of post-war art in Germany.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Paul Jenkins was an American abstract expressionist painter.
She studied art in Japan, Spain and Germany.
Leiko Ikemura's work encompasses painting, sculpture, video and photography. She works in a variety of techniques, including oil painting, ceramic and bronze sculpture, printmaking and watercolor. She currently works in Cologne and Berlin and teaches painting at the Hochschule für Kunst in Berlin.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Günter Fruhtrunk was a German geometric abstract painter and printmaker whose work relates to op art.
André Lanskoy was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Piero Dorazio was an Italian painter. His work was related to color field painting, lyrical abstraction and other forms of abstract art.
Markus Prachensky is an Austrian artist, one of the leading figures of the Austrian avant-garde and a representative of the Informel and Tachisme styles.
Originally influenced by Piet Mondrian, Prachensky developed his typical visual language in 1956. In the same year, together with Wolfgang Hollega, Josef Mikl and Arnulf Rainer, he founded the artist group St. Stephan (Gruppe St. Stephan).
Prachensky lived and worked alternately in Paris, Vienna, Berlin and Los Angeles. He returned to Europe in 1970 and was director of the painting master class at the Academy of Fine Arts from 1983 to 2000.
Keeping with formal expression, for many years the artist used only a fierce, irresistible red. Later he included green, purple, black and brown, and yellow in his painting palette. The main elements of many of his paintings are vertical stripes with layers of color superimposed on them.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Joan Miró, a celebrated Spanish artist, was a master in painting, sculpture, and ceramics, renowned for his unique style that blurred the lines between Surrealism, Fauvism, and Expressionism. Born in Barcelona to a family of a goldsmith and a watchmaker, Miró grew up immersed in the rich cultural heritage of the Barri Gòtic neighborhood. His artistic journey began with drawing classes at the age of seven and continued at the prestigious La Llotja art academy. Despite an initial venture into the business world, Miró's passion for art prevailed, leading him to abandon his clerical career after a nervous breakdown.
Miró's work is noted for its exploration of the subconscious, often depicting a childlike perspective. This approach was both a critique of traditional painting methods and a means of expressing Catalan pride. His art, challenging to categorize, often featured symbolic elements and nationalistic qualities. One of his notable early works, "The Farm," reflects a transition to a more individual style, blending elements of his Catalan roots with broader artistic influences. This piece, later purchased by Ernest Hemingway, encapsulated the essence of Spain in its imagery.
In Paris, Miró joined the Surrealist movement in 1924, where his work began to reflect the influence of automatism, emphasizing spontaneous, automatic, or subconscious creation. He experimented with various mediums, including painting-poetry and collage, and even ventured into set and costume design for Sergei Diaghilev's Ballets Russes.
During World War II, Miró remained in Spain, and his work from this period, including the 22 Constellations series, reflected an interest in the night, music, and stars. His forms became increasingly abstracted, and he experimented with various techniques, often incorporating primary colors and evocative titles.
Miró's career spanned several decades, during which he continually evolved his style and explored new mediums. His contributions to art were recognized with numerous awards and retrospectives, including a major career retrospective at MoMA in 1941 and the Spanish Gold Medal for Fine Arts in 1980. Among his last major works was a tapestry for the World Trade Center in New York City, created in 1974.
For art collectors and enthusiasts, Joan Miró remains a figure of immense interest, not only for his distinct style and contributions to Surrealism but also for his ability to blend poetic imagery with political commentary. To stay updated on new product sales and auction events related to Joan Miró, sign up for our updates and immerse yourself in the world of this extraordinary artist.
Francis Picabia, born Francis-Marie Martinez de Picabia, was a French avant-garde painter, poet, and typographist, whose work is celebrated for its diversity and innovation. His journey through various art movements, including Impressionism, Cubism, Dadaism, and Surrealism, showcases his refusal to be confined by any one style. Picabia's art is known for its eclectic nature, often blending mechanical elements with organic forms, thereby challenging traditional perceptions of art and beauty.
Picabia's significant contribution to the art world lies not just in his varied artistic output but also in his philosophical approach to creation. He believed in the freedom of expression, often using his art to critique societal norms and the art establishment itself. This rebellious spirit made him a pivotal figure in the Dada movement, where his works were celebrated for their irony and disdain for conventional art values.
Among his notable works, "Amorous Parade" and "I See Again in Memory My Dear Udnie" stand out, housed in prestigious institutions like the Museum of Modern Art in New York. These pieces exemplify Picabia's mastery over blending different elements of art movements, creating works that remain influential to this day. His legacy is not just in the pieces he created but also in his attitude towards art, encouraging future generations to challenge and redefine the boundaries of creativity.
For collectors and experts in art and antiques, Picabia's works represent not only significant artistic achievements but also valuable insights into the evolution of modern art. To stay informed about new product sales and auction events related to Francis Picabia, sign up for updates. This subscription is an essential resource for enthusiasts looking to enrich their collections with pieces from one of the most innovative artists of the 20th century.
Francis Picabia, born Francis-Marie Martinez de Picabia, was a French avant-garde painter, poet, and typographist, whose work is celebrated for its diversity and innovation. His journey through various art movements, including Impressionism, Cubism, Dadaism, and Surrealism, showcases his refusal to be confined by any one style. Picabia's art is known for its eclectic nature, often blending mechanical elements with organic forms, thereby challenging traditional perceptions of art and beauty.
Picabia's significant contribution to the art world lies not just in his varied artistic output but also in his philosophical approach to creation. He believed in the freedom of expression, often using his art to critique societal norms and the art establishment itself. This rebellious spirit made him a pivotal figure in the Dada movement, where his works were celebrated for their irony and disdain for conventional art values.
Among his notable works, "Amorous Parade" and "I See Again in Memory My Dear Udnie" stand out, housed in prestigious institutions like the Museum of Modern Art in New York. These pieces exemplify Picabia's mastery over blending different elements of art movements, creating works that remain influential to this day. His legacy is not just in the pieces he created but also in his attitude towards art, encouraging future generations to challenge and redefine the boundaries of creativity.
For collectors and experts in art and antiques, Picabia's works represent not only significant artistic achievements but also valuable insights into the evolution of modern art. To stay informed about new product sales and auction events related to Francis Picabia, sign up for updates. This subscription is an essential resource for enthusiasts looking to enrich their collections with pieces from one of the most innovative artists of the 20th century.
Theo van Doesburg, real name Christian Emil Marie Küpper, is a Dutch painter, architect and sculptor, art theorist, co-founder of the Style Group and of Neoplasticism.
Theo van Doesburg co-founded with Piet Mondrian the De Stijl abstract art movement. The basis of van Doesburg's views was the attempt to reduce all forms of objective harmony in a work of art to certain geometric elements. These new principles soon had a significant influence on the development of architecture, literature, graphics and music.
