andreas schulze
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
