bronzing
Pierre-Philippe Thomire a French sculptor, was the most prominent bronzier, or producer of ornamental patinated and gilt-bronze objects and furniture mounts of the First French Empire. His fashionable neoclassical and Empire style furnishing bronzes (bronzes d'ameublement) established the highest standard in refined finish in the craft that the French called that of the fondeur-ciseleur, "founder-finisher".
Aimé-Jules Dalou was a 19th century French sculptor. He went down in history as a supporter of realism in world art. Dalou was famous for creating monumental bronze monuments, most of which are located in Paris.
Aimé-Jules Dalou, brought up by his parents in the spirit of rejection of social injustice, throughout his career expressed in his work sympathy for the working class. The heroes of his works were often ordinary French toilers, and the master himself was a lifelong supporter of the ideas of republican socialism, because of which he was persecuted.
In the career of Dalou's downs were replaced by ups. The sculptor was awarded the French Order of the Legion of Honor in three degrees and at the World Exhibition of 1899 he received the main prize for the monument "Triumph of the Republic. In addition, the artist was one of the founders of the Société Nationale des Beaux-Arts and the first head of the sculpture department in this creative association.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
François Auguste René Rodin was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community.
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Charles Antoine Coysevox was a French sculptor in the Baroque and Louis XIV style, best known for his sculpture decorating the gardens and Palace of Versailles and his portrait busts.
