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Jacob Christian Schäffer was a German inventor, naturalist, entomologist and mycologist.
Schäffer was a very versatile scientist. He is best known for his work in mycology (the study of fungi), but his most important publication was undoubtedly a book on daphnia or water fleas.
Schäffer also published reference books on pharmaceuticals and medicinal herbs. He conducted experiments on electricity, colors, and optics, and invented the manufacture of prisms and lenses. He invented the washing machine, designs for which he published in 1767, and studied ways to improve paper production.
Schäffer was a professor at the Universities of Wittenberg and Tübingen, a member of the Royal Society of London, and a correspondent of the French Academy of Sciences.
Jacob Christian Schäffer was a German inventor, naturalist, entomologist and mycologist.
Schäffer was a very versatile scientist. He is best known for his work in mycology (the study of fungi), but his most important publication was undoubtedly a book on daphnia or water fleas.
Schäffer also published reference books on pharmaceuticals and medicinal herbs. He conducted experiments on electricity, colors, and optics, and invented the manufacture of prisms and lenses. He invented the washing machine, designs for which he published in 1767, and studied ways to improve paper production.
Schäffer was a professor at the Universities of Wittenberg and Tübingen, a member of the Royal Society of London, and a correspondent of the French Academy of Sciences.
Jacob Christian Schäffer was a German inventor, naturalist, entomologist and mycologist.
Schäffer was a very versatile scientist. He is best known for his work in mycology (the study of fungi), but his most important publication was undoubtedly a book on daphnia or water fleas.
Schäffer also published reference books on pharmaceuticals and medicinal herbs. He conducted experiments on electricity, colors, and optics, and invented the manufacture of prisms and lenses. He invented the washing machine, designs for which he published in 1767, and studied ways to improve paper production.
Schäffer was a professor at the Universities of Wittenberg and Tübingen, a member of the Royal Society of London, and a correspondent of the French Academy of Sciences.
Jacob Christian Schäffer was a German inventor, naturalist, entomologist and mycologist.
Schäffer was a very versatile scientist. He is best known for his work in mycology (the study of fungi), but his most important publication was undoubtedly a book on daphnia or water fleas.
Schäffer also published reference books on pharmaceuticals and medicinal herbs. He conducted experiments on electricity, colors, and optics, and invented the manufacture of prisms and lenses. He invented the washing machine, designs for which he published in 1767, and studied ways to improve paper production.
Schäffer was a professor at the Universities of Wittenberg and Tübingen, a member of the Royal Society of London, and a correspondent of the French Academy of Sciences.
Jacob Christian Schäffer was a German inventor, naturalist, entomologist and mycologist.
Schäffer was a very versatile scientist. He is best known for his work in mycology (the study of fungi), but his most important publication was undoubtedly a book on daphnia or water fleas.
Schäffer also published reference books on pharmaceuticals and medicinal herbs. He conducted experiments on electricity, colors, and optics, and invented the manufacture of prisms and lenses. He invented the washing machine, designs for which he published in 1767, and studied ways to improve paper production.
Schäffer was a professor at the Universities of Wittenberg and Tübingen, a member of the Royal Society of London, and a correspondent of the French Academy of Sciences.
Jean Gabriel Scheffer was a Swiss-born painter and lithographer based in Paris.
Scheffer painted portraits as well, but became better known as a genre painter and lithographer. By the early 1820s, Scheffer had firmly established himself on the Parisian art scene, and from 1822 his work was exhibited at the Paris Salon. He collaborated with the printer-publisher Chez Martinet, creating the popular albums Scenes of Young People (1825), What They Say and What They Think (1829), and Little Travelers (1830).
Scheffer's illustrations, with charm and in his characteristic wryly humorous style, offered a unique perspective on typical scenes and were eagerly purchased by the general public. Jean Gabriel Scheffer captured the modern mores, customs, and costumes of Parisian society in his works.
Ferdinand Hodler was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".
Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musée d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago.
Max Peiffer Watenphul was a German artist. Described as a "lyric poet of painting", he belongs to a "tradition of German painters for whom the Italian landscape represented Arcadia." In addition to Mediterranean scenes, he regularly depicted Salzburg and painted many still lifes of flowers. As well as oil paintings, his extensive body of work encompasses watercolours, drawings, enamel, textiles, graphic art, and photographs.
Alfred Seifert was a Czech-German painter of the last third of the 19th century. He is known as a painter of female portraits.
Seifert spent most of his career in Germany, where his paintings were very popular. He specialized in portraits of women, especially sentimentalized girls, known as the "Seifert type". His work was praised by critics for its thoughtful composition, attention to detail, harmonious colors, and pleasing atmosphere.
Seifert was a member of various art associations, including the Czech Art Association Umelecka Obeseda, the Munich Art Association, the Munich Artists' Cooperative, and the General German Art Cooperative.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
William Gowe Ferguson was a Scottish-born painter who worked and lived in the Netherlands.
Dutch artists of the Gilded Age influenced Ferguson's painting. He was known in Utrecht, The Hague and Amsterdam for his many still lifes with beaten game and hunting ammunition.
Albrecht Altdorfer, a notable German painter, engraver, and architect of the Renaissance era, was especially recognized for his contributions to landscape painting. Born around 1480, Altdorfer was a pivotal figure in the Danube School, distinguishing himself with his integration of natural landscapes into biblical and historical narratives.
His works are celebrated for their detailed and expressive landscapes, often serving as backdrops to religious and historical scenes. A hallmark of his style is the emotional intensity and vivid use of colors, which border on expressionistic in his religious scenes, particularly seen in works like the Sebastian Altar in St. Florian's Priory. Altdorfer's painting, "The Battle of Alexander at Issus," stands out for its epic portrayal of Alexander the Great's victory, showcasing Altdorfer's talent in blending historical narrative with dramatic landscape settings.
In addition to his artistic pursuits, Altdorfer was actively involved in the civic life of Regensburg, serving as its mayor in 1528. His legacy in the art world is profound, with his innovative approach to landscape painting influencing the course of European art.
For those interested in delving deeper into Albrecht Altdorfer's oeuvre or staying informed about related exhibitions and auction events, signing up for updates can provide valuable insights and opportunities.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
Daniel Hopfer the Elder was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model.
Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Max Peiffer Watenphul was a German artist. Described as a "lyric poet of painting", he belongs to a "tradition of German painters for whom the Italian landscape represented Arcadia." In addition to Mediterranean scenes, he regularly depicted Salzburg and painted many still lifes of flowers. As well as oil paintings, his extensive body of work encompasses watercolours, drawings, enamel, textiles, graphic art, and photographs.
Albrecht Altdorfer, a notable German painter, engraver, and architect of the Renaissance era, was especially recognized for his contributions to landscape painting. Born around 1480, Altdorfer was a pivotal figure in the Danube School, distinguishing himself with his integration of natural landscapes into biblical and historical narratives.
His works are celebrated for their detailed and expressive landscapes, often serving as backdrops to religious and historical scenes. A hallmark of his style is the emotional intensity and vivid use of colors, which border on expressionistic in his religious scenes, particularly seen in works like the Sebastian Altar in St. Florian's Priory. Altdorfer's painting, "The Battle of Alexander at Issus," stands out for its epic portrayal of Alexander the Great's victory, showcasing Altdorfer's talent in blending historical narrative with dramatic landscape settings.
In addition to his artistic pursuits, Altdorfer was actively involved in the civic life of Regensburg, serving as its mayor in 1528. His legacy in the art world is profound, with his innovative approach to landscape painting influencing the course of European art.
For those interested in delving deeper into Albrecht Altdorfer's oeuvre or staying informed about related exhibitions and auction events, signing up for updates can provide valuable insights and opportunities.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.