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Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, celebrated as the most pivotal Spanish artist of the late 18th and early 19th centuries. Born in Fuendetodos, Aragon, Spain, on March 30, 1746, Goya's work reflects a tumultuous period of history, intertwining the personal, political, and social upheavals of his time with a bold and innovative artistic vision. His early career was marked by portraits of the Spanish aristocracy and royalty, as well as Rococo style tapestry cartoons for the royal palace. However, following a severe illness in 1793 that left him deaf, his art took on a darker and more pessimistic tone.
Goya's oeuvre is vast, encompassing around 700 paintings, 280 prints, and several thousand drawings, through which he depicted a wide range of subjects from the whimsical to the macabre. Notable among his works are "The Naked Maja," "The Clothed Maja," "The Family of Charles IV," "The Third of May 1808: The Execution of the Defenders of Madrid," and "Saturn Eating His Children." His etchings, particularly the series "Los Caprichos" and "The Disasters of War," are celebrated for their intricate detail, emotional depth, and critical social commentary.
Goya's contribution to art goes beyond his mastery of painting and printmaking. He is often considered the bridge between the Old Masters and modern art, introducing themes and techniques that would influence countless artists in the centuries to follow. His ability to capture the essence of his era, the human condition, and the complexities of his own psyche, makes his work universally relatable and enduringly relevant.
His most famous paintings are housed in prestigious museums worldwide, including the Museo del Prado in Madrid, which holds an extensive collection of his works. The Prado's collection serves as a testament to Goya's significant impact on art and culture, offering insight into the artist's unique perspective on the world around him.
For collectors and experts in art and antiques, Francisco de Goya's legacy is a beacon of artistic innovation and historical significance. His works not only adorn the walls of museums but also continue to inspire and provoke thought among audiences across the globe.
For updates related to Francisco de Goya, including new product sales and auction events related to his works, sign up for our newsletter. Stay informed on the latest offerings and opportunities to add to your collection of this legendary artist's works.
Roy Fox Lichtenstein, an American icon of the Pop Art movement, is celebrated for his comic strip-inspired art. Born in 1923 in New York City, Lichtenstein's journey into the art world was marked by various phases, evolving from Cubism and Abstract Expressionism to the distinctive Pop Art style he is renowned for.
Roy Lichtenstein's artistic career gained momentum in the 1960s, a period during which he embraced the comic strip as his primary source of inspiration. His pioneering use of Ben-Day dots, a technique borrowed from commercial printing, became his signature style, bringing a new visual language to fine art. His approach transformed mundane subjects from popular culture into compelling fine art, challenging traditional notions of artistry.
Among his most notable works, "Drowning Girl" (1963), displayed at the Museum of Modern Art in New York, exemplifies his iconic style with its bold lines, vivid colors, and Ben-Day dots. This piece, along with others like "Look Mickey" and "Whaam!", played a critical role in establishing Pop Art as a major art movement, contrasting starkly with the Abstract Expressionism prevalent at the time.
Roy Lichtenstein's art was not just limited to canvas; he explored multiple media, showcasing his versatility. His shift to Pop Art marked a significant turn in his career, bringing him fame and controversy alike. His works, often based on comic strips and advertisements, were both a parody and homage to the mass-produced, consumerist culture of his time.
For art collectors and experts, Lichtenstein's works offer a fascinating glimpse into a transformative era in art history. His approach to Pop Art remains influential, and his works are celebrated worldwide for their innovative and provocative style.
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Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, celebrated as the most pivotal Spanish artist of the late 18th and early 19th centuries. Born in Fuendetodos, Aragon, Spain, on March 30, 1746, Goya's work reflects a tumultuous period of history, intertwining the personal, political, and social upheavals of his time with a bold and innovative artistic vision. His early career was marked by portraits of the Spanish aristocracy and royalty, as well as Rococo style tapestry cartoons for the royal palace. However, following a severe illness in 1793 that left him deaf, his art took on a darker and more pessimistic tone.
Goya's oeuvre is vast, encompassing around 700 paintings, 280 prints, and several thousand drawings, through which he depicted a wide range of subjects from the whimsical to the macabre. Notable among his works are "The Naked Maja," "The Clothed Maja," "The Family of Charles IV," "The Third of May 1808: The Execution of the Defenders of Madrid," and "Saturn Eating His Children." His etchings, particularly the series "Los Caprichos" and "The Disasters of War," are celebrated for their intricate detail, emotional depth, and critical social commentary.
Goya's contribution to art goes beyond his mastery of painting and printmaking. He is often considered the bridge between the Old Masters and modern art, introducing themes and techniques that would influence countless artists in the centuries to follow. His ability to capture the essence of his era, the human condition, and the complexities of his own psyche, makes his work universally relatable and enduringly relevant.
His most famous paintings are housed in prestigious museums worldwide, including the Museo del Prado in Madrid, which holds an extensive collection of his works. The Prado's collection serves as a testament to Goya's significant impact on art and culture, offering insight into the artist's unique perspective on the world around him.
For collectors and experts in art and antiques, Francisco de Goya's legacy is a beacon of artistic innovation and historical significance. His works not only adorn the walls of museums but also continue to inspire and provoke thought among audiences across the globe.
For updates related to Francisco de Goya, including new product sales and auction events related to his works, sign up for our newsletter. Stay informed on the latest offerings and opportunities to add to your collection of this legendary artist's works.
Pieter Bruegel (also Brueghel or Breughel) the Elder (Dutch: Pieter Bruegel de Oude) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings.
Ferdinand Johann von Olivier was a German painter, draughtsman, engraver-xylographer and lithographer of the Romantic era. Member of the Olivier family of painters. Worked mainly in the genre of landscape. Artistically, he was close to the Nazarenes.
In 1830, Ferdinand Johann Olivier moved to Munich. There, at the request of Peter von Cornelius, he succeeded Ludwig von Schorn as secretary general of the Munich Academy of Arts. In 1833, Olivier was appointed professor of art history.
Francesco Simonini was an Italian Baroque painter.
He studied painting at the Francesco Monti School, which specialized in battle scenes, and visited Rome, Bologna and Venice. Simonini worked in his own style with bright colors, which he developed under the influence of the Venetian school. He painted many battle scenes, most of them with cavalry.
Hans von Bartels was a German painter.
Bartels is associated with the Düsseldorf school of painting. Although an oil painter of great power, he is also one of the leading German water-colour painters, mainly of marines and scenes of fishing life, painted with rude vigour and a great display of technical skill. Bartels made a great contribution to the development of the watercolour. He was the first to use watercolour paint of large formats without the earlier conventions. From 1887 Von Bartels came every summer to the Dutch coast, especially to Katwijk aan Zee, to paint the fisherfolk and their labour. He excels in storm scenes and in depicting the strong, healthy fishing-folk of the northern coasts. He became an honorary member of leading English, German, Dutch, Belgian and Austrian art societies.
Peter Candid was a Flemish painter, tapestry designer, draughtsman and sculptor.
Pieter Candide worked mainly in Italy and Germany. He was an artist at the court of the Medici in Florence and at the Bavarian court of Duke Wilhelm V and his successor Maximilian I in Munich.
His paintings range from historical paintings, portraits, mythological scenes and allegories. He created large altarpiece images as well as complex decorative designs.
Candide's style was characterised by a combination of Italian and Flemish influences, with a particular emphasis on detailed, realistic depictions of the human form.
Adrian Zingg was a Swiss artist, draftsman, etching artist and teacher who spent most of his artistic life associated with the School of Fine Arts in Dresden. Professor. One of the founders of the Dresden school of landscape painting.
His favourite subjects were the rocks of the Elbe Sandstone Mountains around the lower Elbe up to the present day Czech-German border, in today's national parks in Bohemia and Saxon Switzerland.
In 1769, Adrian Zingg became a member of the Vienna Academy of Fine Arts, and in 1787 a member of the Prussian Academy of Sciences in Berlin.
In 1803 he was appointed a professor at the Academy of Engraving Arts in Dresden. Later he was appointed engraver at the Saxon Court.
Giovanni Benedetto Castiglione or Il Grechetto was an Italian Baroque painter, draftsman and printmaker.
He is one of the prominent representatives of the Genoese school, working at various times in Genoa, Venice and Rome. Castiglione is believed to be the author of monotype, a type of graphic art and a technique of printmaking that is not engraving.
Castiglione was a versatile and prolific painter, while working in a wide variety of styles that he studied carefully. His paintings pay tribute to Rubens, Van Dyck and Bernardo Strozzi, who worked in Genoa, and his etchings pay tribute to Rembrandt. Castiglione painted expressive portraits, historical and religious works and landscapes, and excelled in rural scenes with animals.
Oscar Murillo is an artist working within the painting tradition. He currently lives and works in various locations.
In 2019, he co-won the Turner Prize after requesting with his fellow nominees (Tai Shani, Helen Cammock, and Lawrence Abu Hamdan) that the jury award the prize for the first time to all four nominated artists.
Oscar Murillo works across painting, installation, and performance, often using draped black canvases, large-scale paintings composed of stitched-together fragments, and metal structures evoking autopsy tables and rock-like sculptures formed of corn and clay. His practice can be understood as a sustained and evolving investigation of community, informed by his cross-cultural personal ties between Colombia and the UK.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Richard Avedon was an American photographer and artist known for his iconic portraits and fashion photography.
Avedon began his career as a photographer in the late 1940s, working as a freelance photographer for magazines such as Harper's Bazaar and Vogue. He soon became known for his distinctive style, which was characterized by his use of simple, uncluttered backgrounds and his ability to capture the essence of his subjects.
Throughout his career, Avedon photographed some of the most famous people of his time, including Marilyn Monroe, Andy Warhol, and The Beatles. He was also known for his fashion photography, and his work appeared in many fashion magazines, including Harper's Bazaar and Vogue.
Avedon's work was often controversial, as he challenged traditional notions of beauty and fashion. He was known for his willingness to push boundaries, and his work was often seen as a reflection of the social and political issues of his time.
Today, Avedon is regarded as one of the most important photographers of the 20th century, and his work continues to inspire artists and photographers around the world.
