histoire et armée allemandes : armée de l&amp
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Paul-Élie Ranson, a French painter and writer, emerged as a prominent figure in the late 19th century art scene. Born in Limoges, he was raised by his grandparents and father after his mother's demise during childbirth. Ranson's early artistic inclinations were nurtured with drawing lessons from his grandfather. His educational journey in the arts began at the École des Beaux-Arts Appliqués à l'Industrie and later continued at the Académie Julian in Paris.
Ranson was a pivotal member of "Les Nabis," a group instrumental in transitioning from Impressionism to modern art. Along with notable contemporaries like Paul Sérusier, Pierre Bonnard, and Maurice Denis, he helped establish an art movement that blended elements of Symbolism, Art Nouveau, and Japanese prints. Ranson's role extended beyond painting; he was actively involved in the Symbolist performances at the Théâtre d'Art and directed a notable performance of "Ubu Roi" by Alfred Jarry.
Ranson's artistic oeuvre is marked by a fascination with Theosophy, magic, and occultism, themes that increasingly influenced his work. His paintings often delved into mythology, witchcraft, and anti-clerical subjects. Some of his notable works include "Christ and Buddha" (1880), "Witches Around the Fire" (1891), and "The Blue Room" (circa 1900). These works exemplify his unique blend of thematic and stylistic elements, setting him apart from his contemporaries.
Tragically, Ranson's life was cut short by typhoid fever in 1909. However, his legacy continued through the Académie Ranson, founded by his friends in Les Nabis. This institution, managed initially by Ranson and later by his wife Marie, remained active until 1955, perpetuating his influence on future generations of artists.
For art collectors and experts, Ranson's work offers a unique window into the transitionary period of late 19th-century art, showcasing the interplay of traditional and emerging styles. His contributions to the Symbolist and Nabi movements are particularly noteworthy.
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Jörg Immendorff was a German painter and sculptor, stage designer and decorator, and a member of the New Wild movement.
Immendorff painted in cycles that often lasted for years and were political in nature. His series of sixteen large paintings, Café Deutschland (1977-1984), is well known. In these colorful paintings, numerous disco lovers symbolize the conflict between East and West Germany.
Immendorff prepared several stage productions and designed sets for the operas Elektra and The Rider's Voyage. 25 of Immendorf's paintings were selected in 2006 for the illustrated Bible.
Hartmann Schedel was a German humanist, medical scientist, historian and chronicler.
Schedel was the first to compile a world chronicle, the so-called Visual History of the Earth from the Creation of the World to the 1490s, known as Schedelsche Weltchronik (Schedel's World Chronicle). It was published in 1493 in Nuremberg. About 600 woodcuts for this book were created by the artists and engravers Michael Wolgemuth (1434-1519) and Albrecht Dürer (1471-1528). The illustrations depict biblical scenes, family trees, portraits of famous personalities, and fairy tale or legendary creatures. However, the main ones here were maps of the world, Germany and Central Europe.
Hartmann Schedel was one of the first cartographers to use machine printing. He was also a renowned collector of books, artworks and engravings by old masters.
