jana röther
Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Jan Bruegel the Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he painted the same subjects as his father in a style which was similar to that of his father. He regularly collaborated with leading Flemish painters of his time.
Jan Jansz. den Uyl was a painter of the Dutch Golden Age. He very much specialized in the form of still life known as the breakfast piece, or, in the elaborate style of painters like den Uyl, banquet pieces (banketjestukken). He also painted landscapes and animal paintings.
Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Jan Provoost was a Belgian painter born in Mons.
Provoost was also a cartographer, engineer, and architect.
Jan Davidsz. de Heem was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Jan Siberechts was a Flemish landscape painter whose career spanned both his native land and England. Initially, Siberechts developed a personal style of landscape painting in Antwerp, emphasizing Flemish countryside and country life. His work was influenced by Dutch Italianate landscape painters such as Nicolaes Berchem and Karel Dujardin, reflecting a blend of local and Italianate elements. This phase of his career was marked by vivid depictions of the Flemish rural life, with robust country girls in bright attire becoming a signature motif of his paintings.
Siberechts moved to England around 1672, where he significantly contributed to the English landscape tradition. In England, he painted decorations for the Duke's Cliveden House and later, traveled extensively, completing commissions for aristocratic clients. His English landscapes maintained their Flemish character but also started to focus more on universal themes, with less emphasis on figures and more on the scenery itself. These works are characterized by powerful trees, soft light on distant hills, and a relatively dark foreground to highlight the illuminated vistas in the background.
Siberechts is credited as the 'father of British landscape' for his pioneering country house portraits, blending detailed naturalistic views of stately homes into atmospheric landscapes. This innovative approach had a lasting influence on English landscape painting. His work, such as the views of Longleat and the Belsize Estate, represents an important step in the development of topographical painting, merging Flemish influences with the emerging English landscape tradition.
For collectors and experts in art and antiques, Siberechts' oeuvre offers a unique window into the transnational flow of artistic ideas in the 17th century, blending Flemish traditions with the nascent English landscape genre. His paintings, celebrated for their detail and historical topographical interest, can be found in prestigious collections such as the Tate Gallery London and the Victoria and Albert Museum.
For updates on exhibitions, sales, and auction events related to Jan Siberechts' work, art enthusiasts are encouraged to sign up for dedicated newsletters. This ensures that they remain informed about the latest opportunities to explore and appreciate the contributions of this influential Flemish artist to the landscape painting genre.
Jan Olis was a notable Dutch Golden Age painter, born in Gorinchem, Netherlands. His artistic journey began in 1632 when he joined the Dordrecht Guild of St. Luke, marking his official entry into the world of art. In addition to his painting career, Olis also dabbled in other professions; he was a wine seller and a teacher in the guild between 1632 and 1643. His life took an interesting turn when he moved to Heusden in 1651, where he held various council positions, eventually becoming the mayor in 1657 and a tax collector in 1670.
Olis' art primarily revolved around farm scenes, genre works, and merry companies, a style that resonated with the cultural and artistic norms of his time. His works are celebrated for their vivid portrayal of everyday life and social gatherings, which were typical subjects in the Dutch Golden Age of painting. Olis' paintings such as "Kitchen Interior" and "Elegant Company Playing Cards" showcase his talent in capturing the essence of social and domestic life with a keen eye for detail.
For collectors and experts in art and antiques, Jan Olis' works represent an important segment of Dutch Golden Age painting, a period renowned for its significant contribution to art history. His paintings not only reflect the cultural milieu of the 17th century Netherlands but also offer a window into the social customs and lifestyles of the time.
If you're intrigued by the works of Jan Olis and wish to stay updated on new product sales and auction events related to his art, signing up for updates is an excellent way to remain informed. This subscription service focuses solely on bringing the latest news about sales and auctions of Olis' works directly to you, without any extraneous information.
Jan Jacob Spöhler was a 19th-century painter from the Northern Netherlands.
Leoš Janáček, birth name Leo Eugen Janáček, was a Czech composer and musicologist, folklorist, publicist and teacher.
Janáček was a singer in Brno, and studied at the Prague, Leipzig and Vienna Conservatories. In 1881 he founded the Collegium of Organists in Brno, which he directed until 1920. From 1881 to 1888 he directed the Czech Philharmonic Orchestra, and in 1919 he became professor of composition at the Prague Conservatory.
Janáček was deeply in love with national music, collecting folklore and publishing the journal Musical Pages. He was inspired by Moravian and other Slavic music, including Eastern European folk music, to create an original modern musical style.
In his early period of creativity, Janáček was strongly influenced by the musical style and aesthetics of his friend Dvořák. His first opera, Šarka (1887-88), was a romantic work in the spirit of Wagner and Smetana. In his later operas he developed his own distinctly Czech style, built on the intonations of his native speech and folk melodies. Janáček's most important operas are Jenůfa (1904) and Her Foster Daughter, which established the composer's international reputation; The Case of Macro Pulos (1926), From the Dead House (1930), and others. Most of Janáček's operas have been staged in Czech.
Janáček visited Russia three times, and his interest in Russian language and literature resulted in the opera Katya Kabanova (1921) and the orchestral rhapsody Taras Bulba (1918). Janáček also wrote a number of instrumental chamber works. The world-famous composer spent most of his life in Brno, where the vast majority of his works were performed for the first time. Today, Janáček is the most frequently performed Czech opera composer in the world.
Jan Jansz Wijnants was a Dutch Golden Age painter.
Wijnants is primarily known for his Italianate landscapes and paintings featuring topography. The painters Nicolaes de Vree and Adriaen van de Velde trained in his studio and his style later had influence on the English artist, Thomas Gainsborough, the German artist Wilhelm von Kobell, and the Dutch artists Anthonie van Borssom and Willem Buytewech.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Jan van de Cappelle, a Dutch Golden Age painter, is celebrated for his serene maritime scenes and winter landscapes, marking him as a distinguished figure in 17th-century Dutch art. Born in Amsterdam in 1626 to a prosperous dyer, van de Cappelle was largely self-taught, drawing inspiration from Simon de Vlieger, a notable influence in his development as an artist. Despite his primary engagement in his family's dyeing business, van de Cappelle dedicated himself to painting, creating tranquil estuary, river, and calm water scenes, alongside approximately forty winter landscapes. His works are characterized by their meticulous depiction of light and atmosphere, capturing the peaceful essence of maritime life with an unparalleled subtlety.
Van de Cappelle's artistry extended beyond his canvas; he amassed an impressive art collection, including works by Rembrandt and Frans Hals, showcasing his deep appreciation and understanding of art. This collection, one of the era's largest, featured over 200 paintings and some 7,000 drawings, reflecting his keen interest in marine painting and winter landscapes. Notably, his collection was rich with works from significant artists of his time, illustrating van de Cappelle's influential role both as an artist and a collector.
Despite his success, van de Cappelle's contributions were somewhat overlooked in contemporary biographies, possibly due to the period's undervaluation of marine, landscape, and still life painting. However, his influence on marine and winter subject painters, including Willem van de Velde the Younger and Hendrick Dubbels, underscores his lasting impact on the art world.
Van de Cappelle's works are preserved in prestigious institutions, such as the National Gallery in London and the Metropolitan Museum of Art in New York, allowing his serene and detailed visions of calm waters and Dutch vessels to continue captivating viewers and influencing artists worldwide.
For collectors and experts in art and antiques, Jan van de Cappelle's legacy offers a rich exploration of the Dutch Golden Age's maritime and landscape painting. His mastery in depicting the tranquil beauty of the sea and his significant art collection reflect a profound dedication to the arts, making his works highly prized and revered.
To stay informed about new discoveries, sales, and auction events related to Jan van de Cappelle's works, signing up for updates is advisable. This subscription ensures exclusive access to the latest on this masterful Dutch Golden Age painter, enriching collections with the serene beauty of his maritime scenes.
Jan Koblasa was a Czech sculptor, painter, graphic artist, author of philosophical essays and university lecturer. He studied at the Prague Academy of Fine Arts.
Jan Koblasa was a professor of sculpture at the Mufeus Art Academy in Kiel from 1969 to 1997. His lessons included traditional plastic forms of expression, such as portraits, figures and nudes, but he also gave his students great freedom for further artistic activity.
From 2002 to 2005, Koblasa taught as professor emeritus of sculpture at the Academy of Fine Arts in Prague.
William Powell Frith was a British painter.
Frith studied at the Royal Academy School and fairly quickly began to exhibit there, becoming a Fellow of the Royal Academy in 1852. Frith became famous for his scenes of contemporary English life, including those with moralizing overtones. His multi-figure, complex compositions depict a wide variety of Victorian backgrounds. He was a traditionalist and an opponent of the Pre-Raphaelites, ridiculing them in his works.
