malerei des 19. und 20. jahrhunderts
Hedwig Grundmann, née Hedwig Graef, was a German painter, graphic artist, ex-libris artist and trade teacher.
Also in Hanover as well as in Berlin, she underwent various internships in the fields of graphic art, arts and crafts and fashion.
In addition, she completed a course with Johannes Itten and Heinrich Richter-Berlin in 1926, Adolf Hölzel in Stuttgart in 1927 and Paul Klee's painting class at the Bauhaus Dessau from 1928 to 1931.
Raymundo Martinez is a Mexican landscape painter and printmaker. His subject matter is the reinterpretation of the Mexican landscape: he painted the vast expanse of land, creating an ideal environment for the rapid growth of the metropolis.
The president of the country, Adolfo López Mateos, was a patron of the artist from 1958 to 1964 and willingly presented his works to heads of state. The works of Raimundo Martínez can be found in various Mexican embassies around the world, as well as in the collections of national political figures.
Simon de Vos was a Flemish painter, graphic artist and art collector, a member of the Guild of St. Luke in Antwerp.
Simon de Vos specialized early in his career in cabinet and genre painting in the style of the Utrecht Caravagistes. His depictions of merry company and scenes from fables are well known. From about 1640 he increasingly painted large-scale religious, allegorical and historical scenes in the style of Peter Paul Rubens and Antoni van Dyck. Among his pupils was Jan van Kessel the Elder (1626-1679).
Simon de Vos was financially successful: by the end of his life he owned four estates in Antwerp and a collection of 290 paintings.
.jpg)
Maurice de Vlaminck was a French artist renowned for his vibrant use of color and contribution to the Fauvist movement. Born in Paris in 1876, Vlaminck's early work was marked by a passionate application of paint and a bold palette, drawing inspiration from Vincent van Gogh and Henri Matisse. His participation in the 1905 Salon d'Automne, alongside other Fauvist painters, was met with critical disdain, leading to the term "fauves" (wild beasts) being coined to describe their unorthodox use of intense color.
Vlaminck's career was characterized by a continuous exploration of color and form. Early on, he depicted scenes of daily life, landscapes, and portraits, imbuing them with a sense of motion through his dynamic brushwork. Notable works from this period include "Sur le zinc" (At the Bar) and "L'homme a la pipe" (Man Smoking a Pipe), which highlighted his departure from traditional portraiture and landscapes towards more expressive and mood-driven compositions. His landscapes, in particular, showcased a disregard for detail in favor of conveying atmosphere, a technique that was revolutionary at the time.
Throughout his life, Vlaminck's style evolved, showing influences from Post-Impressionism and later, a more monochromatic palette reminiscent of Paul Cézanne. Despite this evolution, he maintained a critical stance towards Cubism and its leading figure, Pablo Picasso, believing that Cubism had led French painting into a "wretched dead end". In his later years, Vlaminck's work adopted a darker palette and more naturalistic style, moving away from the Fauvist emphasis on color to explore the dramatic and expressive potential of landscapes and seascapes.
Vlaminck's impact on modern art is undeniable. His works are held in prestigious collections worldwide, including the Hermitage Museum in Saint Petersburg and the Minneapolis Institute of Art, attesting to his enduring influence and the continued fascination with his bold, expressive approach to painting.
For collectors and experts in art and antiques, Vlaminck's oeuvre represents a pivotal moment in the history of modern art, where the emotional intensity and visual impact of color were explored as never before. To stay informed on new product sales and auction events related to Maurice de Vlaminck, signing up for updates is recommended, offering exclusive insights into the vibrant world of Fauvism and modernist painting.
Edmund Georg Pielmann, a German painter, first encountered art through his grandmother, an art dealer. After training at the Academy of Fine Arts with Toni Stadler in Munich, he moved to Switzerland in 1957 and founded his own studio there.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.
Sophie Antonie Biel was a German landscape painter and illustrator.
Despite the fact that it was very difficult for women in the mid-19th century to engage in creative work, Antonie Biel created a large number of coastal landscapes of the Baltic and North Seas. She also illustrated novels and was a participant in numerous exhibitions.
Norbert Tadeusz was a German artist and well-known representational painter of the present day.
Jovan Mihailović is a Serbian and American musician, artist and writer.
Jovan Mihailović was born and raised in Belgrade, the capital of Serbia, where he and his family survived the Nazi occupation and the transition to communism. From a young age, he demonstrated artistic ability and began to draw, paint and play the violin. He studied at the Belgrade Theater Academy, worked as a playwright in Yugoslavia and traveled throughout Western Europe as a folk musician before immigrating to Sweden, Canada and finally Chicago in 1971.
Jovan was an active member of Chicago's creative community for four decades, writing dozens of novels, plays, and short stories, as well as performing music in restaurants and cafes. He also created many hundreds of drawings and paintings that are full of emotionally intense images from the artist's mystical universe of beauty.
Reinis Zusters is an Australian artist of Latvian descent who lived and worked in Australia.
He painted many striking large landscapes of Australia, conveying the rich nature and colors of that country. He was particularly inspired by the Blue Mountains, to which he dedicated triptychs.
For Australia's bicentennial in 1988, Zusters completed his major work, a series of large-scale epic panels entitled The Birth of a Nation.
His works are represented in numerous public and private collections in Australia and abroad.
