marie dorat
Heinrich Eberhard was a German modernist painter.
Eberhard studied at the Royal Academy of Fine Arts in Stuttgart, and was decisively influenced in his artistic development by the modernist pioneer Adolf Helzel (1853-1934). In 1920 he became a member of the Stuttgart "Üecht Group", which also included Willy Baumeister and Oskar Schlemmer, and was a member of the legendary Hölzelkreis.
Eberhard's oeuvre includes oil paintings, drawings, prints and stained glass windows and is characterized by a stylistic pluralism between expressive naturalism, cubist influences and abstraction.
During the Nazi "Degenerate Art" campaign in Germany in 1937, some of the artist's paintings were removed from galleries and destroyed, but in 1943 he was allowed to exhibit one canvas that met the tastes of the authorities. After the war, Eberhard continued to create with success, participating in exhibitions.
![[RECUEIL VAUQUELIN]. DU BELLAY, Joachim (1522-1560). Poematum Libri quatuor. Quibus continentur, Elegiae, Varia Epigr. Amores, Tumuli. [suivi de] Divers jeux rustiques, et autres oeuvres poetiques. Paris: F. Morel, 1558. [suivi de] RONSARD, Pierre de (152](/assets/image/picture_1320827/b7703/f1fe702dbb58c20f189d3686c883aec61616454000jpg__fix_374_244.jpeg)
![[RECUEIL VAUQUELIN]. DU BELLAY, Joachim (1522-1560). Poematum Libri quatuor. Quibus continentur, Elegiae, Varia Epigr. Amores, Tumuli. [suivi de] Divers jeux rustiques, et autres oeuvres poetiques. Paris: F. Morel, 1558. [suivi de] RONSARD, Pierre de (152](https://veryimportantlot.com/assets/image/picture_1320827/b7703/f1fe702dbb58c20f189d3686c883aec61616454000jpg__fix_374_244.jpeg)
Johannes von Valkenburg was a Franciscan monk of the Friars Minor in Cologne, a calligrapher and illustrator.
He is known for having written, decorated and illustrated a manuscript for the Franciscan monastery in Cologne at the end of the 13th century and for having made two copies of it. One is in the Archdiocesan Diocesan and Cathedral Library in Cologne, the other in the University and State Library in Bonn. On the title pages of these rarities is an inscription indicating Valkenburg's authorship.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Hendrick Goltzius was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In the middle of his life he also began to produce paintings.
![Simonzio Lupi da Bergamo (fl. second half 16th century]](/assets/image/picture_2585848/2f871/d42c7c39c16a0f2d81202683e24196171670972400jpg__fix_374_244.jpeg)
![Simonzio Lupi da Bergamo (fl. second half 16th century]](https://veryimportantlot.com/assets/image/picture_2585848/2f871/d42c7c39c16a0f2d81202683e24196171670972400jpg__fix_374_244.jpeg)
The Rohan Master is the name given to an unknown French illustrator in honor of his participation in the work on the manuscript known as the Rohan Clock.
The artist worked in the first half of the 15th century. He is known to have worked as a young man in the Champagne region of France and then moved to Paris around 1415-1420, where he established a large studio and collaborated with other illustrators. His work during this period included not only books of hours but also several secular manuscripts.
The influence of the Parisian artists of the time, Master Boucicault and the Limbur brothers, can be felt in the work of Master Rohan, but his style is characterized by an extraordinary expressiveness.
Tomasino da Vimercate was an Italian miniaturist. He worked in Milan from 1390 to 1415.
