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Ralph Waldo Emerson was an American philosopher, lecturer and poet, one of the most prominent thinkers and writers in the United States, and the originator of transcendentalism.
Ralph studied at Boston State Latin School and then at Harvard College (later Harvard University), began to preach, but soon doubted his chosen path and resigned his ministry. Emerson went to Europe, where new acquaintances and knowledge led him to new thoughts, and, returning to the United States in 1833, he began writing his famous book "Nature", where he first formulated a philosophy called transcendentalism. Soon other thinkers rallied around him, forming a group of like-minded thinkers.
In the essay "Nature," published in 1836, and in the following works, "The American Scholar" and "An Address in the School of Theology," Emerson consistently developed his ideas. Emerson's doctrine of the self-sufficiency and self-reliance of the individual stems from his view that a person need only look into his own heart to receive the spiritual guidance that has hitherto been the prerogative of the official churches. One must then have the courage to be oneself and trust the inner power within oneself, living one's life according to the commandments one has intuitively derived. These thoughts are not new, but Emerson put them in imaginative and accessible language.
Emerson's speeches led to his being ostracized at Harvard for many years. However, the informal Transcendental Club, founded in 1836, was joined and supported by his young students. The world fame of the brilliant thinker Emerson brought his "Essays" in two volumes, published in 1841 and 1844. As the main representative of transcendentalism, Emerson gave direction to the religious, philosophical and ethical movement, which above all emphasized belief in the spiritual potential of each person.
A later work of confession, The Conduct of Life (1860), demonstrates the author's developed humanism and full awareness of human limitations. The voluminous collection of poems cemented Emerson's reputation as a major American poet.
Pablo Ruiz Picasso, a Spanish artist renowned for his revolutionary contributions to the 20th-century art scene, is a figure that resonates profoundly with collectors and art experts. His unique blend of talents in painting, sculpture, printmaking, and ceramic art, infused with his time in France, positioned him as a pivotal character in modern art history.
Picasso's artistic journey was marked by distinct periods, each showcasing his evolving style and genius. His early years were characterized by the Blue Period (1901-1904), followed by the Rose Period (1904-1906), and then the African-influenced Period (1907-1909). Picasso's name is synonymous with Cubism, a movement he co-founded, which significantly altered artistic perspectives and methods. Works like "Les Demoiselles d'Avignon" (1907) and "Guernica" (1937) are emblematic of his cubist legacy, the latter being a poignant anti-war statement that remains influential.
His later years saw a return to more traditional styles, with neoclassical and surrealist influences becoming evident. Works from these phases reflect a deep engagement with mythological themes, as seen in "Faun with Stars" (1955), symbolizing his late-life romance with Jacqueline Roque, his second wife.
Picasso's prolific output and innovative spirit made him a legend in his own time, a status that only grew after his death. His works, housed in major museums and private collections worldwide, continue to captivate and inspire.
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Walt Whitman was an American poet and essayist.
For some time in his youth Whitman worked as a journalist and even published his own newspaper, where he raised issues of slavery. In 1855, he self-published a collection of his poems, Leaves of Grass. This book is now a milestone in American literature, although at the time of publication it was considered highly controversial. In the early 1860s, Whitman volunteered in hospitals for the Civil War, resulting in a collection of new poems.
During his lifetime, his first collection, Leaves of Grass, underwent many editions and grew to 300 poems. It was only towards the end of his life that Whitman found fame as the first national poet of the United States. Whitman was translated into Russian by K. Balmont, I. Kashkin, and K. Chukovsky.
Joan Miró, a celebrated Spanish artist, was a master in painting, sculpture, and ceramics, renowned for his unique style that blurred the lines between Surrealism, Fauvism, and Expressionism. Born in Barcelona to a family of a goldsmith and a watchmaker, Miró grew up immersed in the rich cultural heritage of the Barri Gòtic neighborhood. His artistic journey began with drawing classes at the age of seven and continued at the prestigious La Llotja art academy. Despite an initial venture into the business world, Miró's passion for art prevailed, leading him to abandon his clerical career after a nervous breakdown.
Miró's work is noted for its exploration of the subconscious, often depicting a childlike perspective. This approach was both a critique of traditional painting methods and a means of expressing Catalan pride. His art, challenging to categorize, often featured symbolic elements and nationalistic qualities. One of his notable early works, "The Farm," reflects a transition to a more individual style, blending elements of his Catalan roots with broader artistic influences. This piece, later purchased by Ernest Hemingway, encapsulated the essence of Spain in its imagery.
In Paris, Miró joined the Surrealist movement in 1924, where his work began to reflect the influence of automatism, emphasizing spontaneous, automatic, or subconscious creation. He experimented with various mediums, including painting-poetry and collage, and even ventured into set and costume design for Sergei Diaghilev's Ballets Russes.
During World War II, Miró remained in Spain, and his work from this period, including the 22 Constellations series, reflected an interest in the night, music, and stars. His forms became increasingly abstracted, and he experimented with various techniques, often incorporating primary colors and evocative titles.
Miró's career spanned several decades, during which he continually evolved his style and explored new mediums. His contributions to art were recognized with numerous awards and retrospectives, including a major career retrospective at MoMA in 1941 and the Spanish Gold Medal for Fine Arts in 1980. Among his last major works was a tapestry for the World Trade Center in New York City, created in 1974.
For art collectors and enthusiasts, Joan Miró remains a figure of immense interest, not only for his distinct style and contributions to Surrealism but also for his ability to blend poetic imagery with political commentary. To stay updated on new product sales and auction events related to Joan Miró, sign up for our updates and immerse yourself in the world of this extraordinary artist.
Thomas Hart Benton was an American artist renowned for his role in defining the Regionalist art movement, which emphasized scenes of everyday life in the United States. Born in Neosho, Missouri, in 1889, Benton came from a family deeply rooted in politics, but he chose to channel his energies into art, moving away from his prescribed path in politics to a more creative and influential trajectory in the visual arts.
Benton's work often carried a narrative quality, depicting the lives and struggles of working-class Americans with a focus on the Midwest. His major works include large-scale murals such as America Today and The Arts of Life in America, which showcased his unique blend of detailed realism and dynamic composition. Benton's ability to convey profound social messages through his art made his works both celebrated and controversial during his time.
Many of Benton's pieces are displayed in prominent museums across the United States. Notable among these are his murals in the Metropolitan Museum of Art and the powerful scenes captured in his final major work, The Sources of Country Music, at the Country Music Hall of Fame in Nashville. This work, completed towards the end of his life, encapsulates the essence of American cultural history that Benton so loved.
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