modena
Barnaba da Modena, born Barnaba Agocchiari, was an influential Italian painter from Modena who played a pivotal role in the art scene of mid-14th-century Italy. His work is renowned for embodying the Byzantine art style, making him the first notable Lombard painter. Throughout his career, Barnaba was predominantly active in Lombardy, Piedmont, and even ventured into Pisa in Tuscany, showcasing his diverse geographical influence.
Barnaba's painting style was deeply rooted in Byzantine traditions, characterized by the use of gold highlights and golden backgrounds. He was adept at creating compositions that adhered to the older, more traditional styles of painting, which remained exceedingly popular in Genoa. This adherence to Byzantine painting techniques contributed significantly to his success in Genoa, as it resonated with the stylistic preferences of the time. His work often featured religious themes, executed with a depth of feeling and a refined technique that distinguished him from his contemporaries.
His extensive body of work includes about 50 known pieces, many of which are held in high regard for their technical and artistic quality. Notable works by Barnaba da Modena are preserved in prestigious institutions, including the National Gallery in London and The Courtauld, London. These works, such as "Virgin and Child" and "Pentecost," reflect his profound influence on the Genoese and possibly Pisan art scenes of the late 14th century. His follower, Nicolò da Voltri, continued Barnaba's stylistic legacy well into the 15th century, particularly in Liguria.
For collectors and experts in art and antiques, Barnaba da Modena's paintings offer a unique window into the transition between Medieval and Renaissance art, marked by his exceptional blending of Byzantine and Italian Gothic elements. His ability to convey religious narratives through meticulous detail and vibrant gold accents make his works a valuable addition to any collection.
To stay informed about new discoveries, sales, and auction events related to Barnaba da Modena's works, signing up for updates is advisable. This subscription will provide exclusive access to the latest information on this masterful painter, enriching your collection with significant pieces from the mid-14th century Italian art scene.
Barnaba da Modena, born Barnaba Agocchiari, was an influential Italian painter from Modena who played a pivotal role in the art scene of mid-14th-century Italy. His work is renowned for embodying the Byzantine art style, making him the first notable Lombard painter. Throughout his career, Barnaba was predominantly active in Lombardy, Piedmont, and even ventured into Pisa in Tuscany, showcasing his diverse geographical influence.
Barnaba's painting style was deeply rooted in Byzantine traditions, characterized by the use of gold highlights and golden backgrounds. He was adept at creating compositions that adhered to the older, more traditional styles of painting, which remained exceedingly popular in Genoa. This adherence to Byzantine painting techniques contributed significantly to his success in Genoa, as it resonated with the stylistic preferences of the time. His work often featured religious themes, executed with a depth of feeling and a refined technique that distinguished him from his contemporaries.
His extensive body of work includes about 50 known pieces, many of which are held in high regard for their technical and artistic quality. Notable works by Barnaba da Modena are preserved in prestigious institutions, including the National Gallery in London and The Courtauld, London. These works, such as "Virgin and Child" and "Pentecost," reflect his profound influence on the Genoese and possibly Pisan art scenes of the late 14th century. His follower, Nicolò da Voltri, continued Barnaba's stylistic legacy well into the 15th century, particularly in Liguria.
For collectors and experts in art and antiques, Barnaba da Modena's paintings offer a unique window into the transition between Medieval and Renaissance art, marked by his exceptional blending of Byzantine and Italian Gothic elements. His ability to convey religious narratives through meticulous detail and vibrant gold accents make his works a valuable addition to any collection.
To stay informed about new discoveries, sales, and auction events related to Barnaba da Modena's works, signing up for updates is advisable. This subscription will provide exclusive access to the latest information on this masterful painter, enriching your collection with significant pieces from the mid-14th century Italian art scene.
Antonio Joli was an Italian painter of vedute and capricci.
Antonio Joli was an Italian painter of vedute and capricci.
![[I CLASSICI DEL RIDERE] - La collezione completa di questa ardita impresa editoriale. Modena: Formiggini, 1913-1938.](/assets/image/picture_1242180/48659/8zlprzf9nppgokcua3f6f1q-tw0i7ertcwfcquxzea4bgqnzohwzkh05te2uw2bw1608650265jpg__fix_374_244.jpeg)
![[I CLASSICI DEL RIDERE] - La collezione completa di questa ardita impresa editoriale. Modena: Formiggini, 1913-1938.](https://veryimportantlot.com/assets/image/picture_1242180/48659/8zlprzf9nppgokcua3f6f1q-tw0i7ertcwfcquxzea4bgqnzohwzkh05te2uw2bw1608650265jpg__fix_374_244.jpeg)
Enrico Prampolini was an Italian futurist painter and sculptor.
Enrico Prampolini published his manifesto Scenografia e coreografia futurista (Futuristic scenography and choreography) in 1915; in the same year he began working as a theatre artist and theatre costume designer.
In 1925 Enrico Prampolini was awarded an honorary diploma at the World Exhibition in Paris, the second most important award in the class of theatrical art.
When Mussolini came to power in Italy, Enrico Prampolini, like many other futurist artists, supported the new regime. In 1932 he, together with Gerardo Dottori and Mario Sironi, leads and implements in a futuristic style the decoration of the grandiose "Exhibition of the Fascist Revolution" (Mostra della Rivoluzione Fascista) in Rome.
Enrico Prampolini was an Italian futurist painter and sculptor.
Enrico Prampolini published his manifesto Scenografia e coreografia futurista (Futuristic scenography and choreography) in 1915; in the same year he began working as a theatre artist and theatre costume designer.
In 1925 Enrico Prampolini was awarded an honorary diploma at the World Exhibition in Paris, the second most important award in the class of theatrical art.
When Mussolini came to power in Italy, Enrico Prampolini, like many other futurist artists, supported the new regime. In 1932 he, together with Gerardo Dottori and Mario Sironi, leads and implements in a futuristic style the decoration of the grandiose "Exhibition of the Fascist Revolution" (Mostra della Rivoluzione Fascista) in Rome.
