modern abstract
Reinis Zusters is an Australian artist of Latvian descent who lived and worked in Australia.
He painted many striking large landscapes of Australia, conveying the rich nature and colors of that country. He was particularly inspired by the Blue Mountains, to which he dedicated triptychs.
For Australia's bicentennial in 1988, Zusters completed his major work, a series of large-scale epic panels entitled The Birth of a Nation.
His works are represented in numerous public and private collections in Australia and abroad.
Anton Stankowski was a German graphic designer, photographer and painter. He developed an original Theory of Design and pioneered Constructive Graphic Art. Typical Stankowski designs attempt to illustrate processes or behaviours rather than objects. Such experiments resulted in the use of fractal-like structures long before their popularisation by Benoît Mandelbrot in 1975.
Sergey Yevgenievich Svyatchenko (Ukr. Сергій Євгенович Святченко) is a Danish artist, architect and photographer of Ukrainian origin. He is a representative of the New Wave.
Sergey Svyatchenko has worked on a number of commercial projects, including collaborations with fashion brands such as Hugo Boss and Comme des Garçons.
In his work, Svyatchenko combines elements of photography, painting and collage to create layered and textured compositions. He often uses found materials such as vintage photographs, postcards and magazines and his work is characterised by the use of bold colours, strong graphic forms and surreal juxtapositions.
Sergey Svyatchenko is also a writer and curator. He has published several books on art and photography and has curated exhibitions of contemporary art in Denmark and Ukraine. He is the founder of the Ukrainian Art Foundation, which aims to promote Ukrainian art and culture internationally.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Sonia Delaunay-Terk (Russian: Соня Делоне-Терк) was a Russian-French painter and designer of Jewish descent. She received the name Sonia Terk, by which she is known, in 1890 after being adopted by her uncle. She is also called Sonia Delaunay in literature. She is considered a representative of geometric abstraction. Her artistic role models include Vincent van Gogh and Paul Gauguin. From 1912, she developed the so-called Orphism with her husband Robert Delaunay.
Hans Hofmann, a German-American painter, stands as a towering figure in the 20th-century art world, celebrated for his vibrant contributions to abstract expressionism. Born in Germany in 1880, Hofmann's journey in art took him across continents, from Europe to the United States, where his innovative teaching methods and bold, color-filled canvases left an indelible mark on generations of artists. His unique approach to painting, characterized by a dynamic interplay of color and form, helped bridge the gap between the European modernist traditions and the emerging American abstract art scene.
Hofmann's work is distinguished by its intense color palettes and the technique he termed "push and pull," which refers to the careful balance of color and shape to create depth and movement within the canvas. This technique not only showcased his mastery over the medium but also influenced the development of abstract expressionism, making Hofmann a pivotal figure among his contemporaries. His paintings, such as "The Gate" (1959-60), exemplify this approach and are celebrated in prestigious museums worldwide, including the Museum of Modern Art in New York and the San Francisco Museum of Modern Art.
Beyond his personal contributions as an artist, Hofmann was an esteemed educator, guiding the next generation of artists through his schools in New York and Provincetown. His teaching philosophy emphasized the importance of understanding the fundamental elements of art—color, form, and space—and their interrelation, which he believed was key to achieving harmony and expression in painting.
For collectors and experts in art and antiques, Hans Hofmann's works represent not just significant artistic achievements but also valuable pieces of cultural history. His paintings and teachings continue to inspire and influence the art world, making his pieces highly sought after in galleries and auctions.
We invite you to sign up for updates on new product sales and auction events related to Hans Hofmann. This subscription is your gateway to owning a piece of art history, ensuring you're informed of the latest opportunities to add to your collection. Join us in celebrating the legacy of a master whose work transcends time and continues to dazzle the art world.
William Patrick Roberts was a British artist.
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an «English Cubist».
Juan Uslé Oceja is a Spanish contemporary painter. His work varies between abstraction and figurative representation. In 2002, he received the Premio Nacional de Artes Plásticas, a national arts prize awarded by the Ministerio de Cultura of Spain. He works both in New York City and in Saro in Cantabria.
John Marin was an American artist, a prominent member of the first generation of American modernists. He is known for his abstract landscapes and watercolors.
Franz Moritz Wilhelm Marc, a pivotal figure in German Expressionism, remains celebrated for his innovative contributions to 20th-century art. Born in Munich, Bavaria, within the German Empire on February 8, 1880, Marc's journey into the art world was profoundly influenced by his education at the Academy of Fine Arts in Munich. His distinct artistic vision is most famously encapsulated in works like "The Tower of Blue Horses", "Yellow Cow", and "Blue Horse I", each radiating with vibrant colors and emotional depth. Marc's affiliation with Der Blaue Reiter, a journal he co-founded, underscored his role in the German Expressionist movement, emphasizing the spiritual and symbolic significance of color in art.
Marc's oeuvre predominantly features animals, presented not merely as subjects but as embodiments of primal purity and emotional resonance. This choice of subject matter, combined with a stark, almost cubist portrayal, allowed Marc to explore themes of spirituality, masculinity (often symbolized by blue), and the tumultuous essence of life itself. His work "Fate of the Animals", which hangs in the Kunstmuseum Basel, exemplifies this thematic exploration, portraying a premonition of chaos and destruction that eerily anticipated the outbreak of World War I.
Tragically, Marc's promising career was cut short by his death at the Battle of Verdun on March 4, 1916, during World War I, where he served in the German Army. Despite his premature demise, Marc's legacy endures through his profound impact on modern art, as seen in his vibrant compositions that continue to captivate audiences in galleries and museums worldwide. His artworks, once labeled as "degenerate" by the Nazis, have transcended this vilification, achieving acclaim and fetching high sums at auction, with "Die Füchse (The Foxes)" reaching a record £42,654,500.
For collectors and experts in art and antiques, Marc's work represents not only a high point in German Expressionism but also a window into the artist's profound belief in the spiritual power of color and form. His legacy is a testament to the enduring allure and significance of early 20th-century modern art. To stay updated on sales and auction events related to Franz Marc's work, signing up for updates offers a direct link to the vibrant legacy of this remarkable artist.
André-Aimé-René Masson was a French artist, celebrated for his profound influence on the world of modern art, particularly in painting and sculpture. Born in 1896, Masson's work is emblematic of the Surrealist movement, although his style evolved across different phases throughout his career. His ability to fuse dream-like imagery with abstract forms set him apart from his contemporaries, making him a pivotal figure in the development of Surrealism and beyond.
Masson's art is characterized by its dynamic forms and the integration of automatic drawing, where the unconscious mind is allowed to express itself without rational oversight. This technique not only foregrounded Surrealism's fascination with the subconscious but also highlighted Masson's unique ability to capture the complexity of human emotion and thought on canvas. His works, such as "The Metamorphosis of the Lovers" and "Battle of Fishes," are not just visual experiences but portals to the intricate layers of the psyche, showcasing his mastery over both form and content.
Notably, André-Aimé-René Masson's contributions extend beyond individual creativity; his works are housed in prestigious museums and galleries worldwide, including the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris. These institutions recognize Masson's art not merely as aesthetic achievements but as cultural landmarks that continue to inspire and provoke. His legacy persists, offering rich insights into the intersections of art, psychology, and philosophy.
For collectors and experts in art and antiques, André-Aimé-René Masson's oeuvre represents a fascinating exploration of the Surrealist movement and its enduring impact on modern and contemporary art. His innovative approach to painting and sculpture invites ongoing discussion and appreciation among enthusiasts and scholars alike. We invite you to sign up for updates on new product sales and auction events related to André-Aimé-René Masson, ensuring you stay informed about opportunities to engage with the remarkable legacy of this pivotal artist. This subscription is your gateway to the forefront of art collection, focusing exclusively on Masson's influential body of work.
Arthur Garfield Dove was an American artist. An early American modernist, he is often considered the first American abstract painter. Dove used a wide range of media, sometimes in unconventional combinations, to produce his abstractions and his abstract landscapes. Me and the Moon from 1937 is a good example of an Arthur Dove abstract landscape and has been referred to as one of the culminating works of his career. Dove did a series of experimental collage works in the 1920s. He also experimented with techniques, combining paints like hand mixed oil or tempera over a wax emulsion as exemplified in Dove's 1938 painting Tanks, in the collection of the Boston Museum of Fine Arts.
Edwin John Victor Pasmore was a British artist. He pioneered the development of abstract art in Britain in the 1940s and 1950s.
