naturalia
David Blaesing was a German mathematician and astronomer.
Matthias Withoos, also known as Calzetta Bianca and Calzetti, was a Dutch painter of still lifes and city scenes, best known for the details of insects, reptiles and undergrowth in the foreground of his pictures.
![Plantae selectae..., [Nuremberg, 1750-1773]](/assets/image/picture_3102524/59bf8/jvflb-srzknzo6dpmo7vnyrn3updljjmwawc8d74nezluvlobbv-jsdsw2bgbeb1694081907jpg__fix_374_244.jpeg)
![Plantae selectae..., [Nuremberg, 1750-1773]](https://veryimportantlot.com/assets/image/picture_3102524/59bf8/jvflb-srzknzo6dpmo7vnyrn3updljjmwawc8d74nezluvlobbv-jsdsw2bgbeb1694081907jpg__fix_374_244.jpeg)
Christoph Jacob Trew was a German botanist.
He was originally a city solicitor, court physician, Count Palatine of the Holy Roman Empire, an advisor to the Margrave of Brandenburg-Ansbach. He also had an academic passion for botany. He was a member of the Royal Society of London, the Berlin Academy, and the Florentine Botanical Society. His interest in botany then led him to sponsor the publication of illustrated botanical books.
Vincenzo Campi was a notable painter of the 16th century, widely recognized for his unique style that combined traditional subjects with everyday life. Campi's journey in the world of art was influenced by his family background, as he trained under his brother Giulio and was part of a family of Italian painters known for their contributions to Mannerist painting.
Vincenzo Campi's paintings stood out for their vivid depictions of market scenes and kitchen tableaux, focusing on everyday objects and food with an extraordinary level of realism. This approach was quite innovative for his time. His works like "Pescivendoli" (The Fishmongers, 1579) and "The Ricotta Eaters" (1580) are emblematic of his style, combining elements of still life and genre painting. In "The Ricotta Eaters," for instance, Campi artistically weaves together themes of food and sensuality, presenting a scene that is both a hymn to life and pleasure and a subtle commentary on social classes and morality.
Vincenzo Campi's paintings were not just mere representations of daily life; they often carried deeper social and cultural meanings. For instance, in his depiction of the lower working classes in "Fishmongers," he illustrated contemporary beliefs regarding food's appropriateness based on social hierarchy. The paintings of commoners consuming foods like beans, dark bread, and cheese, as shown in "The Ricotta Eaters," reflected the societal norms of the time regarding class and diet.
Vincenzo Campi's work did not only portray the peasants in a crude or humorous light, but also carried a sophisticated blend of comedy and criticism, reflecting a deeper understanding of the human condition and social structures of his time.
Campi's style and themes influenced other artists in Cremona and contributed to the development of genre painting in northern Italy. His work, in some ways, served as a precursor to Caravaggio’s realism that emerged in the subsequent decade.
For collectors and connoisseurs of art and antiques, Vincenzo Campi's paintings offer a unique window into the societal and cultural aspects of 16th-century Italy, blending everyday life with deeper social commentaries. His work continues to be an important part of the conversation in the history of art.
To stay updated on the latest insights and collections of Vincenzo Campi's works, consider subscribing to our updates. This service will ensure you are informed about new sales, exhibitions, and auction events related to this influential Italian artist.
