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Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
Henry Wadsworth Longfellow was the most popular American poet of the nineteenth century.
Longfellow is one of the most revered poets in the United States. His poems "Paul Revere's Ride", "Evangeline", "The Tale of Acadia" (1847) and "Psalm of Life" were included in elementary and high school curricula and have long been remembered by generations of readers who studied them as children. Longfellow revitalized American literary life by linking American poetry to European traditions outside of England.
James Russell Lowell was an American poet, educator, and diplomat.
From 1845 to 1850, he wrote about 50 articles against slavery for periodicals. Two of Lowell's other two most important works were also published in 1848: the poem "Sir Launfal's Vision," praising the brotherhood of man, and "A Fable for Critics," a witty appraisal of contemporary American authors. These books, together with the publication in the same year of a second series of his poems, made Lowell the most popular new figure in 19th-century American literature.
