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Edouard Léon Cortès was a French painter of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting" because of his diverse Paris cityscapes in a variety of weather and night settings.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Pieter Gerardus Vertin is a Dutch landscape painter and graphic artist. He is known for his urban views.
Carl Wuttke was a German painter of the last quarter of the nineteenth and first quarter of the twentieth centuries. He is known as a landscape and architectural painter.
Carl Wuttke traveled extensively, visiting Italy, Spain, Norway, Africa, the United States, China and Japan. He created many paintings, including paintings for German Emperor Wilhelm II. Wuttke, although he specialized in landscape, also painted genre scenes. His vivid colors and style make him one of the forerunners of Impressionism
Jean-François Raffaëlli was a French realist painter, sculptor, and printmaker who exhibited with the Impressionists. He was also active as an actor and writer.
Augustus Baldwin Longstreet was an American politician, lawyer, educator, and writer.
Longstreet received a broad education: he attended Moses Waddell Academy in Willington, South Carolina, Yale University in New Haven, Connecticut, and Tapping Reeve Law School in Litchfield, Connecticut. He served as a Superior Court judge for the Okmulgee Judicial Circuit.
From his youth, Augustus was a prolific and active publicist. In September 1835, Longstreet published his most famous book, Scenes, Characters, Incidents in Georgia, to which poet Edgar Allan Poe gave a rave review. He later published political and religious articles. As owner and editor of the State Rights Sentinel newspaper, he used this platform to express his political views, especially in defense of slavery. Longstreet held slaveholding and secessionist views, personally owning dozens of slaves throughout his life.
Longstreet also served as president at several southern universities, including the University of Mississippi, South Carolina College (now the University of South Carolina), and Emory College (now Emory University).
Cornelis Springer was a Dutch 19th-century cityscape painter.
He is known for watercolors, etchings, and drawings, especially of city views and town scenes that he sketched while traveling around the country.
Dennis Stock was an American photographer known for his iconic images of celebrities and musicians, as well as his extensive coverage of social issues and cultural events.
Stock began his career as a freelance photographer in the 1950s and was soon hired by the Magnum Photos agency, where he worked alongside other influential photographers such as Robert Capa and Henri Cartier-Bresson. He quickly became known for his photographs of jazz musicians, including Miles Davis, Louis Armstrong, and Duke Ellington.
In 1955, Stock received an assignment from LIFE magazine to photograph a young actor named James Dean. The resulting images, including a now-famous photograph of Dean walking through Times Square in the rain, became some of the most iconic photographs of the 20th century.
Stock continued to photograph celebrities and cultural figures throughout his career, including Audrey Hepburn, Marlon Brando, and Andy Warhol. He also covered major events such as the civil rights movement, the Vietnam War, and the Woodstock music festival.
Stock's work has been exhibited in galleries and museums around the world and has been the subject of several books and documentaries. He was known for his ability to capture intimate moments and his talent for revealing the personalities and emotions of his subjects through his photographs.
Félix Vallotton, a Swiss-born French graphic artist and painter, is recognized for his distinctive woodcuts and paintings of nudes and interiors. Vallotton's journey into art began in Paris, where he attended the Académie Julian, fostering a unique style that broke from traditional norms. His early works, characterized by extreme realism, were showcased at the Salon des Artistes Français and the Paris Universal Exposition of 1889. This period also marked Vallotton's encounter with Japanese prints, notably those by Hokusai, profoundly influencing his artistic direction.
In 1892, Vallotton joined Les Nabis, a group of avant-garde artists including Pierre Bonnard, Maurice Denis, and Édouard Vuillard, which led to a significant evolution in his style. His paintings from this era, such as "Bathers on a Summer Evening" and "Moonlight," exhibited at the Kunsthaus Zürich and the Musée d'Orsay respectively, reveal a departure from realism towards a more symbolic and abstract representation. The works from this period are characterized by flat areas of color, hard edges, and simplified details, mirroring the style he developed in his woodcuts.
Vallotton's woodcuts, like "Intimités" (Intimacies), a series published in 1898, showcased his mastery in capturing the nuances of human relationships, particularly the tensions between men and women. His graphic art, which included depictions of domestic scenes, bathing women, and street crowds, was not just celebrated in Europe but also influenced artists like Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner.
Towards the end of his career, Vallotton continued to innovate, combining elements of realism and abstraction, evident in paintings like "La Malade" (The Sick Girl) and "Clair de lune" (Moonlight). His works remain a testament to his ability to merge technical precision with a poignant exploration of human emotions and societal themes.
For art collectors and experts, Vallotton's body of work offers a rich and diverse exploration of early 20th-century art movements, especially his role in the development of modern woodcut techniques and his contribution to the Nabis movement. His works are a study in the fusion of realism and symbolism, marked by a distinctive style that makes his art enduringly relevant and compelling.
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