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Jean Philippe Arthur Dubuffet, a pioneering French painter and sculptor, revolutionized the post-war art scene with his radical Matterism movement. He defied the conventional aesthetics of his time, championing "low art" and propelling a more genuine, humanistic image-making approach.
Dubuffet, born in Le Havre, France, in 1901, was a prominent figure at the Ecole de Paris and an advocate for Art Brut, or "raw art", which sought to capture art's purest form. His works were characterized by a rough, unrefined aesthetic, which eschewed academic norms in favor of spontaneity and authenticity.
Art enthusiasts and experts can view Dubuffet's innovative works at institutions like the Museum of Modern Art, where his legacy as a groundbreaking artist continues to be celebrated. His Matterism philosophy has left an indelible mark on the art world, inspiring generations of artists to embrace the beauty in the unconventional.
For those interested in the avant-garde and the legacy of Jean Philippe Arthur Dubuffet, sign up for our exclusive updates. This service is designed for connoisseurs and professionals in the art and antique sector, promising alerts on new insights and events strictly related to Dubuffet's profound influence.
Gian Battista Valentini, known as Nanni Valentini, was an Italian painter, sculptor and ceramist.
John Armleder is a Swiss performance artist, painter, sculptor, critic, and curator. His work is based on his involvement with Fluxus in the 1960s and 1970s, when he created performance art pieces, installations and collective art activities that were strongly influenced by John Cage. However, Armleder's position throughout his career has been to avoid associating his artistic practice with any type of manifesto.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Yves Klein was a French artist, renowned for his innovative use of pure color and his approach to the conceptual aspects of monochrome painting. Klein, born in 1928 in Nice, France, left an indelible mark on the art world despite his brief career, which ended with his untimely death in 1962.
Klein is best known for his invention of International Klein Blue (IKB), a deep blue hue which he registered as a trademark color and used extensively in his works. This vibrant blue, which he developed in collaboration with a chemist, represented more than just a color; it was a means of evoking the immateriality and boundlessness of space. His monochrome blue canvases, large-scale public performances, and pioneering works in performance art established him as a leading figure in the Nouveau Réalisme movement in post-war Europe.
Aside from his famous blue monochromes, Klein’s Anthropometries series, where he used nude women as 'living brushes' to transfer blue paint onto canvases, is another testament to his innovative artistic methods. These performances, often accompanied by a small orchestra playing his "Monotone Symphony" — a single, continuous note played for twenty minutes followed by twenty minutes of silence — challenged traditional perceptions of the artist's role and the creation process.
Visit our gallery's website to explore more about Yves Klein and sign up for updates on new acquisitions and exclusive auction events related to his profound legacy.
Francisco Benjamín López Toledo was a Mexican Zapotec painter, sculptor, and graphic artist. In a career that spanned seven decades, Toledo produced thousands of works of art and became widely regarded as one of Mexico's most important contemporary artists. An activist as well as an artist, he promoted the artistic culture and heritage of Oaxaca state. Toledo was considered part of the Breakaway Generation of Mexican art.
Robert Combas is a French painter and sculptor. He lives and works in Paris.
He is widely recognized as a progenitor of the figuration libre movement that began in Paris around 1980 as a reaction to the art establishment in general and minimalism and conceptual art in particular.
Figuration libre is often regarded as having roots in Fauvism and Expressionism and is linked to contemporary movements such as Bad Painting and Neo-expressionism. It draws on pop cultural influences such as graffiti, cartoons and rock music in an attempt to produce a more varied, direct and honest reflection of contemporary society, often satirizing or critiquing its excesses.
Antoni Tàpies i Puig, 1st Marquess of Tàpies was a Catalan Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.
Günther Uecker is a German sculptor, op artist and installation artist.
Martial Raysse is a French artist and actor. He lives in Issigeac, France. He holds the record for the most expensive work sold by a living French artist.
Peter Halley is an American artist and a central figure in the Neo-Conceptualist movement of the 1980s. Known for his Day-Glo geometric paintings, Halley is also a writer, the former publisher of index Magazine, and a teacher; he served as director of graduate studies in painting and printmaking at the Yale University School of Art from 2002 to 2011. Halley lives and works in New York City.
