3 silkscreens
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Lothar Quinte was a German painter of the avant-garde.
Lothar Quinte was a German painter of the avant-garde.
Lothar Quinte was a German painter of the avant-garde.
Rupprecht Geiger was a German abstract painter and sculptor. Throughout his career, he favored monochromicity and color-field paintings. For a time, he concentrated solely on the color red.
Günter Fruhtrunk was a German geometric abstract painter and printmaker whose work relates to op art.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
František Kyncl is a contemporary Czech artist and graphic artist.
Dóra Maurer is a Hungarian visual artist whose work has spanned a 50-year career. She works in almost every medium, from film and photography, to painting, performance, and sculpture. Principally achieving recognition in the 1970s with avant-garde work, Maurer has developed her art career from works with contemporary and modern influences that have been shown worldwide. Her art is based on mathematical and complex system processes. Most of Maurer's work follows the theme of showing options to the viewer and what the viewer can do with those options. Many of her works break down simple actions so the viewer can really view the piece as movement, not a photograph of movement. Dóra Maurer has in addition been a professor at the Faculty of Fine Arts in Budapest and a curator.
Peter Kogler is an Austrian artist who creates illusionary spaces.
He studied at the Academy of Fine Arts in Vienna and teaches at the Academy of Fine Arts in Munich.
Peter Kogler is a pioneering artist in the field of computer art. Using cutting-edge technology, the artist uses a series of repeating motifs materialized in various forms: two- and three-dimensional prints, sculptures, furniture, wallpaper, lighting fixtures, collages and other installations.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Georg Karl Pfahler was a German painter, printmaker and sculptor, and one of the leading proponents of post-war art in Germany.
Joachim Grommek is a German artist known for his conceptual work. His geometric-abstract, illusory work perfectly reverses the theme of the original image and the copy, reflecting the history of art.
Grommek has exhibited his work widely in Germany and abroad. He has also received numerous grants and awards for his work.
Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Johannes Siegfried Richter (German: Johannes Siegfried Richter) or Hans Richter was a German painter, graphic artist, avant-garde film director and film theorist.
Hans Richter studied at the Berlin Academy of Fine Arts, then at the Weimar Academy. He was close to the expressionist group Sturm, influenced by cubism. He had his first solo exhibition in Munich in 1916. From 1916 to 1918, he was a member of the "Dada" group in Zurich. In 1922, came to Berlin. Made several films, where he tried to convey rhythm and movement by abstract means. In 1933 the Nazis ransacked Richter's studio in Berlin, confiscating or destroying his work. He was stripped of his German citizenship and called a "degenerate" artist and a "cultural Bolshevik". In 1940 he moved to the United States. Taught film in New York, continued his film experiments.
Johannes Siegfried Richter (German: Johannes Siegfried Richter) or Hans Richter was a German painter, graphic artist, avant-garde film director and film theorist.
Hans Richter studied at the Berlin Academy of Fine Arts, then at the Weimar Academy. He was close to the expressionist group Sturm, influenced by cubism. He had his first solo exhibition in Munich in 1916. From 1916 to 1918, he was a member of the "Dada" group in Zurich. In 1922, came to Berlin. Made several films, where he tried to convey rhythm and movement by abstract means. In 1933 the Nazis ransacked Richter's studio in Berlin, confiscating or destroying his work. He was stripped of his German citizenship and called a "degenerate" artist and a "cultural Bolshevik". In 1940 he moved to the United States. Taught film in New York, continued his film experiments.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Henri-Robert-Marcel Duchamp, a pioneering French artist, is celebrated for his profound influence on 20th-century art and culture. Duchamp's work transcended traditional mediums, embracing painting, sculpture, and conceptual art, thereby redefining the very nature of artistic creation. His audacious approach to art, marked by intellectualism and wit, challenged conventional perceptions of beauty and utility, making him a central figure in the development of modern and postmodern art.
Duchamp's most notable contributions include his ready-mades—ordinary manufactured objects that he selected and presented as art. This innovative concept questioned the role of the artist and the creation process, exemplified by his famous piece, "Fountain," a porcelain urinal that radically altered the landscape of art by its mere presentation in 1917. His other significant works, like "Nude Descending a Staircase, No. 2," showcased his fascination with movement and mechanization, further cementing his legacy as a visionary.
Duchamp's influence extends beyond his creations, as he played a vital role in shaping the Dada movement and conceptual art. His ideas and artworks continue to inspire artists, collectors, and experts in the fields of art and antiques. Museums and galleries worldwide, including the Philadelphia Museum of Art and the Museum of Modern Art in New York, proudly house his works, attesting to his enduring relevance.
For those keen on exploring the intersections of art, culture, and history, Duchamp offers a rich tapestry of innovation and controversy. Collectors and art enthusiasts are invited to sign up for updates on new product sales and auction events related to Henri-Robert-Marcel Duchamp, ensuring they remain at the forefront of developments in this captivating domain.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
Josef Wittlich was a German «naïve» painter.
Klaus Staudt is a contemporary German visual constructivist artist. He takes a very independent and unmistakable stance in the field of geometric abstraction.
Karl Gerstner was a Swiss designer, typographer, author, and artist.
Gerd Winner is a contemporary German painter, sculptor, graphic artist, printmaker and university lecturer.
Günther Uecker is a German sculptor, op artist and installation artist.
Urs Lüthi is a Swiss eclectic conceptual artist.
He graduated from the School of Applied Arts in Zurich and has experimented with various styles and techniques, including photography, sculpture, performance, silkscreen, video and painting.
Urs Lüthi is known for placing his body and alter ego at the center of his artworks, trying to understand himself and question reality.
