5 x 42cm)
Rolf Cavael is a German abstractionist artist.
Cavael's work can be found in museums and collections throughout Europe and the United States.
Edgar Hofschen was a German artist.
Rupprecht Geiger was a German abstract painter and sculptor. Throughout his career, he favored monochromicity and color-field paintings. For a time, he concentrated solely on the color red.
Marlene Dumas is a Dutch artist of South African origin. She is known for her figurative paintings that explore themes of identity, race, gender, and sexuality.
Dumas studied at the University of Cape Town and later moved to the Netherlands, where she earned a degree from the Ateliers '63 in Haarlem. Her early work was heavily influenced by the political and social climate in South Africa during the apartheid era.
Dumas' paintings often depict people in various states of vulnerability, intimacy, and emotion. Her works are characterized by loose, gestural brushstrokes, and a limited color palette. She frequently draws inspiration from popular culture, news media, and art history, often appropriating and reimagining images from these sources.
Dumas has exhibited her work extensively, including at the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Tate Modern in London. She has also received numerous awards and honors for her work, including the Johannes Vermeer Award in 2012 and the Premium Imperiale in 2018.
David Schnell is a celebrated figure in contemporary art, well-known for his dynamic and immersive landscapes that blur the lines between natural and constructed environments. Educated at the Hochschule für Grafik und Buchkunst in Leipzig, Schnell's artistry flourished under the tutelage of Arno Rink, aligning him with the influential New Leipzig School. This affiliation situates him among the vanguards of a movement that revitalizes painting with fresh perspectives and conceptual depth.
David Schnell's works are characterized by their deep perspective and a unique blend of culture and nature, often incorporating elements that evoke a sense of fluidity and transformation within his landscapes. This approach not only invites viewers to become part of the artwork but also challenges them to contemplate the dualities of construction and destruction within the landscapes presented. His exhibitions, such as "Hover" in collaboration with the Mönchehaus Museum für Moderne Kunst and Museo de Arte de Ponce, showcase his ability to transform landscapes into grand art,.
Recent works and exhibitions, including his pieces "Ton" (2018) and "Kalender" (2017/2021), further exemplify David Schnell's mastery in painting, demonstrating his continuous exploration of space, time, and perception through large-scale oil on canvas. His artworks, such as "Schleuse" (2022), "Quartier" (2017), and "Abschied" (2023), fetch significant appreciation in the art market, reflecting both his critical acclaim and commercial success.
For collectors and experts in art and antiques, David Schnell represents a compelling convergence of traditional painting techniques and contemporary thematic exploration. His work not only honors the legacy of landscape painting but also propels it into the contemporary discourse with innovation and introspection.
Stay updated on David Schnell's latest exhibitions, artworks, and sales by subscribing to updates from galleries and art platforms that feature his work. This subscription ensures that enthusiasts are always informed about the latest developments and opportunities related to Schnell's evolving body of work.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Arnold Fiedler was German painter and graphic artist.
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Ernst Heinrich Barlach was a German expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in the war made him change his position, and he is mostly known for his sculptures protesting against the war. This created many conflicts during the rise of the Nazi Party, when most of his works were confiscated as degenerate art. Stylistically, his literary and artistic work would fall between the categories of twentieth-century Realism and Expressionism.
Jannis Kounellis (Greek: Γιάννης Κουνέλλης) was a Greek Italian artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome.
Herbert Oehm is a contemporary German op art artist and graphic artist.
Thomas Schütte is a German contemporary artist. He sculpts, creates architectural designs, and draws. He lives and works in Düsseldorf.
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
Thomas Schütte is a German contemporary artist. He sculpts, creates architectural designs, and draws. He lives and works in Düsseldorf.
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Jordy Kerwick is an Australian artist living and working in Albi, France.
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Ewald Wilhelm Hubert Mataré was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.
Per Kirkeby was a Danish painter, poet, film maker and sculptor.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.