618
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Jan Looten was a Dutch landscape painter of the Golden Age.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Jan Dirksz Both was a distinguished Dutch painter, draughtsman, and etcher renowned for his pivotal role in the evolution of Dutch Italianate landscape painting. His journey into the arts began in Utrecht, learning from his father before becoming a pupil of Abraham Bloemaert. Both's career took a significant turn when he, alongside his brother Andries, ventured to Rome, absorbing the influence of Claude Lorrain and contributing to projects such as the Buen Retiro Palace in Madrid.
By the mid-1640s, Jan had returned to Utrecht, further honing his craft to produce expansive landscapes illuminated by a Mediterranean glow, notable for their mixture of realism in the foreground against idyllic backgrounds. Noteworthy pieces include "Landscape with Bandits Leading Prisoners" and "Judgement of Paris," showcasing his mastery in blending naturalistic details with mythological and religious figures. His landscapes, characterized by their golden light and imaginative vistas, earned him a place among the leading masters of the Italianate trend in Dutch landscape painting.
Jan Both's legacy is preserved in prestigious collections worldwide, including the Fitzwilliam Museum, the Hermitage, the Kunsthistorisches Museum, the Louvre, and the National Gallery, among others. His work reflects a significant Italian influence merged with his native Dutch sensibilities, marking him as a key figure in the 17th-century art scene.
For collectors and experts in art and antiques, Jan Dirksz Both's oeuvre offers a fascinating glimpse into the blend of Dutch and Italian influences that characterize the Italianate landscape painting tradition. His contributions not only enriched Dutch art but also provided a bridge between the Renaissance and Baroque periods, capturing the beauty of landscapes with a unique, poetic light.
To explore more about Jan Dirksz Both's contributions to art and to stay informed about exhibitions or sales featuring his work, signing up for updates from art institutions can offer exclusive insights into the world of this influential Dutch painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Both's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Jan Dirksz Both was a distinguished Dutch painter, draughtsman, and etcher renowned for his pivotal role in the evolution of Dutch Italianate landscape painting. His journey into the arts began in Utrecht, learning from his father before becoming a pupil of Abraham Bloemaert. Both's career took a significant turn when he, alongside his brother Andries, ventured to Rome, absorbing the influence of Claude Lorrain and contributing to projects such as the Buen Retiro Palace in Madrid.
By the mid-1640s, Jan had returned to Utrecht, further honing his craft to produce expansive landscapes illuminated by a Mediterranean glow, notable for their mixture of realism in the foreground against idyllic backgrounds. Noteworthy pieces include "Landscape with Bandits Leading Prisoners" and "Judgement of Paris," showcasing his mastery in blending naturalistic details with mythological and religious figures. His landscapes, characterized by their golden light and imaginative vistas, earned him a place among the leading masters of the Italianate trend in Dutch landscape painting.
Jan Both's legacy is preserved in prestigious collections worldwide, including the Fitzwilliam Museum, the Hermitage, the Kunsthistorisches Museum, the Louvre, and the National Gallery, among others. His work reflects a significant Italian influence merged with his native Dutch sensibilities, marking him as a key figure in the 17th-century art scene.
For collectors and experts in art and antiques, Jan Dirksz Both's oeuvre offers a fascinating glimpse into the blend of Dutch and Italian influences that characterize the Italianate landscape painting tradition. His contributions not only enriched Dutch art but also provided a bridge between the Renaissance and Baroque periods, capturing the beauty of landscapes with a unique, poetic light.
To explore more about Jan Dirksz Both's contributions to art and to stay informed about exhibitions or sales featuring his work, signing up for updates from art institutions can offer exclusive insights into the world of this influential Dutch painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Both's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
