abstraction lyrique
Francis Picabia, born Francis-Marie Martinez de Picabia, was a French avant-garde painter, poet, and typographist, whose work is celebrated for its diversity and innovation. His journey through various art movements, including Impressionism, Cubism, Dadaism, and Surrealism, showcases his refusal to be confined by any one style. Picabia's art is known for its eclectic nature, often blending mechanical elements with organic forms, thereby challenging traditional perceptions of art and beauty.
Picabia's significant contribution to the art world lies not just in his varied artistic output but also in his philosophical approach to creation. He believed in the freedom of expression, often using his art to critique societal norms and the art establishment itself. This rebellious spirit made him a pivotal figure in the Dada movement, where his works were celebrated for their irony and disdain for conventional art values.
Among his notable works, "Amorous Parade" and "I See Again in Memory My Dear Udnie" stand out, housed in prestigious institutions like the Museum of Modern Art in New York. These pieces exemplify Picabia's mastery over blending different elements of art movements, creating works that remain influential to this day. His legacy is not just in the pieces he created but also in his attitude towards art, encouraging future generations to challenge and redefine the boundaries of creativity.
For collectors and experts in art and antiques, Picabia's works represent not only significant artistic achievements but also valuable insights into the evolution of modern art. To stay informed about new product sales and auction events related to Francis Picabia, sign up for updates. This subscription is an essential resource for enthusiasts looking to enrich their collections with pieces from one of the most innovative artists of the 20th century.
Jean Tinguely, a Swiss sculptor born in Fribourg, Switzerland, in 1925, carved a unique niche in art history with his kinetic sculptures, integrating movement and self-destruction into his works. Notably, his pieces extend the Dada tradition into the latter part of the 20th century, satirizing automation and the technological overproduction of material goods. Tinguely's innovative approach is exemplified in his Metamatic drawing machines, allowing viewers to create abstract images automatically, and his spectacular self-destroying sculpture "Homage to New York" at MoMA in 1960, showcasing his flair for blending performance and art.
His artistry evolved through collaboration with other artists, including his wife Niki de Saint Phalle, leading to vibrant, large-scale projects like the colorful "Stravinsky Fountain" near the Centre Pompidou in Paris. Tinguely's works, characterized by their use of scrap metal and mechanical parts, not only challenge the conventional boundaries of art but also engage with themes of destruction, renewal, and the intersection of art and life. His significant contributions to kinetic art and his involvement with the Nouveau Réalisme group highlight his pioneering role in post-war European art.
Tinguely's legacy is preserved in the Museum Tinguely in Basel, dedicated to his life and work, ensuring his innovative spirit continues to inspire. His works, such as "Méta-Harmonie" and the "Carnival Fountain" in Basel, remain influential, blending artistic exploration with mechanical invention.
For art collectors and experts, Tinguely's creations represent not only significant artistic achievements but also compelling investments, as his works continue to command high prices at auctions, reflecting their enduring appeal and historical importance.
To stay updated on sales and auction events featuring Jean Tinguely's art, sign up for updates. This subscription will ensure you're informed about new opportunities to explore and acquire pieces by this visionary artist, bringing the dynamic energy of kinetic art into your collection.
Gérard Ernest Schneider is a Swiss and French artist, one of the creators of lyrical abstraction.
He graduated from the Ecole Nationale des Beaux-Arts de Paris. And in the post-war years, the art of Gerard Schneider played a pioneering role in the birth of a new form of abstraction. Schneider, together with other artists in Paris, proposed a new, radical form of abstraction and called it lyrical abstraction. From the mid-1940s large exhibitions were organized in Paris and later in Germany, bringing together the main representatives of the new style.
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Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Roger de la Fresnaye was a French painter, a representative of Cubism in painting.
He studied at the Académie Julian in Paris and was fascinated by the art of Paul Cézanne. In his works Fresnaye synthesized lyrical color with geometric simplifications of Cubism.
Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.
