american indians
George Catlin was an American painter and writer, renowned for his vivid portrayal of Native American peoples and their cultures. Born in Wilkes-Barre, Pennsylvania, Catlin's early fascination with Native Americans grew into a lifelong dedication. His journey to the American West in the 1830s marked the beginning of an ambitious project to capture the disappearing tribes and their ways of life through his art.
Catlin's unique contribution to art and anthropology lies in his extensive collection of paintings, which document the appearance and customs of Native American tribes before the significant impacts of Western expansion. His most notable works, such as the "Buffalo Bull's Back Fat" and "Bird's Eye View of Mandan Village," are celebrated for their detailed representation and vibrant storytelling. These works provide a window into a world that was, at the time, largely misunderstood and misrepresented by mainstream American society.
His dedication led to the creation of the "Indian Gallery," an extensive traveling exhibition of his paintings and artifacts collected during his travels. This collection toured throughout the U.S. and Europe, raising awareness and sparking curiosity about Native American life and culture. For art collectors and experts in antiques, Catlin's works not only offer artistic beauty but also serve as historical documents of immense value.
If you are intrigued by the profound historical and cultural narratives captured in Catlin's paintings, consider signing up for updates on new product sales and auction events related to George Catlin. Stay informed and enrich your collection with pieces of a pivotal era in American history.
Thomas Loraine McKenney was an American statesman and author.
After the abolition of the U.S. Indian trading program in 1822, then Secretary of War John C. Calhoun established a position in the War Department called Superintendent of Indian Affairs (later to become part of the Bureau of Indian Affairs). McKenney was the first appointed to this position and held it until 1830. Over the years, he worked tirelessly to promote Indian-American relations, advocating for the interests of Indians and striving to preserve the memory of their vanishing culture. Despite his interest in Native American history, McKenney sought to have them assimilated to Euro-American culture through Christian education.
McKenney commissioned leading artists, including Charles Byrd King, to paint portraits of Indian chiefs from more than twenty tribes who visited Washington on official business over a ten-year period. These portraits formed the basis of the government's National Portrait Gallery, first housed in the War Department and later transferred to the Smithsonian Institution. This gallery was featured in part in the three-volume History of the Indian Tribes of North America (1836-1844), with biographical sketches by McKenney, co-authored with Illinois lawyer and writer James Hall.
In 1865, a fire at the Smithsonian Institution destroyed all but a few of the portraits, which are now in the White House. Thus this three-volume book represents the only reliable source on the appearance of many of the most prominent leaders of Indian tribes.
James Hall was an American lawyer, judge, treasurer, and editor.
Hall studied law, fought in the War of 1812, served as a lawyer and circuit judge, newspaper and magazine editor, Illinois state treasurer, and banker in Cincinnati, Ohio. In addition, he was also a historical and fiction writer. In 1828, Hall compiled the first western literary yearbook, Western Souvenir, and edited the Illinois Monthly Magazine. James Hall wrote a travel book, Letters from the West (1828), a novel, The Head of the Harp (1833), and several volumes of short stories.
Hall also contributed to the three-volume History of the Indian Tribes of North America (1836-1844). This book includes portraits of the chiefs of more than twenty Indian tribes, which were painted by noted artists of the day, with biographical sketches by Superintendent of Indian Affairs Thomas L. McKenney.
Karl Bodmer was a Swiss-French printmaker, etcher, lithographer, zinc engraver, draughtsman, painter, illustrator and hunter.
Thomas Jefferson was an American politician and statesman, the third President of the United States (March 4, 1801 - March 4, 1809).
Jefferson was the son of a planter and received a law degree. In 1774, he wrote A Summary of the Rights of British America, which attracted public attention, and he soon gained a reputation as one of the first advocates of American independence from the authority of the British Parliament. In the spring of 1775, the Virginia legislature appointed him a delegate to the Second Conference of the Continental Congress. A year later he was appointed to a committee of five, which also included Adams and Benjamin Franklin, to draft a formal statement of reasons to justify a break with Great Britain. Jefferson thus became one of the authors of the Declaration of Independence. Jefferson succeeded Benjamin Franklin as minister to France in 1785, was secretary of state (1790-1793) under Washington, and vice president (1797-1801) under John Adams.
A Democratic-Republican, Jefferson, who believed that the national government should play a limited role in the lives of citizens, was elected president in 1800. One of the most significant accomplishments of Jefferson's first administration was the purchase of the Louisiana Territory from France for $15 million dollars in 1803 (from the Gulf of Mexico to present-day Canada), effectively doubling the size of the United States. During his second term, Jefferson was focused on trying to keep America out of the Napoleonic Wars in Europe. After his second term as president, he was succeeded by James Madison in 1808.
Upon leaving office, Jefferson retired to his plantation in Virginia, pursued his favorite pastimes, and helped found the University of Virginia. In addition to politics, he is known as a writer, farmer, horticulturist, inventor, book collector, art historian, architect, and scientist. He died at the age of 83 on July 4, 1826, the 50th anniversary of the Declaration of Independence.
George Catlin was an American painter and writer, renowned for his vivid portrayal of Native American peoples and their cultures. Born in Wilkes-Barre, Pennsylvania, Catlin's early fascination with Native Americans grew into a lifelong dedication. His journey to the American West in the 1830s marked the beginning of an ambitious project to capture the disappearing tribes and their ways of life through his art.
Catlin's unique contribution to art and anthropology lies in his extensive collection of paintings, which document the appearance and customs of Native American tribes before the significant impacts of Western expansion. His most notable works, such as the "Buffalo Bull's Back Fat" and "Bird's Eye View of Mandan Village," are celebrated for their detailed representation and vibrant storytelling. These works provide a window into a world that was, at the time, largely misunderstood and misrepresented by mainstream American society.
His dedication led to the creation of the "Indian Gallery," an extensive traveling exhibition of his paintings and artifacts collected during his travels. This collection toured throughout the U.S. and Europe, raising awareness and sparking curiosity about Native American life and culture. For art collectors and experts in antiques, Catlin's works not only offer artistic beauty but also serve as historical documents of immense value.
If you are intrigued by the profound historical and cultural narratives captured in Catlin's paintings, consider signing up for updates on new product sales and auction events related to George Catlin. Stay informed and enrich your collection with pieces of a pivotal era in American history.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Fritz Winold Reiss is an American portrait painter and graphic designer who emigrated from Germany. His father Fritz Reiss and brother Hans Reiss were also artists. Winold Reiss is known for his many portraits of Native American figures of the Harlem Renaissance and common people. He also created murals that are placed in public places in Cincinnati, as well as interior design.
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Guy Carleton Wiggins was an American artist known for his impressionistic winter landscapes, particularly those of New York City.
Wiggins began his artistic training at a young age and went on to study at the National Academy of Design and the Art Students League in New York City. He also studied in Europe, particularly in France, where he was heavily influenced by the Impressionist movement.
Wiggins is best known for his snowscapes, which often depict New York City streets, parks, and landmarks covered in snow. He used a technique of laying thick, impasto paint on the canvas, creating a sense of depth and texture in his paintings.
Wiggins was a prolific artist, producing over 3,000 works during his lifetime. He was a member of several art organizations, including the Salmagundi Club, the National Academy of Design, and the American Watercolor Society.
Today, his paintings can be found in numerous private and public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the White House.
James Fenimore Cooper is an American writer and the founder of the Western genre.
Cooper is the first major American novelist, he wrote a whole series of novels from American life: "The Pioneers" (1823), "The Last of the Mohicans" (1826), "The Prairie" (1827), "The Pathfinder" (1840), "The Beastmaster, or the First Warpath" (1841). The author fascinatingly and vividly describes how Europeans waged wars among themselves on the American continent, involving Indian tribes in these strife. All of these works were a huge success in 19th century Europe and are still being reprinted today.
At the height of his popularity, Cooper spent seven years in Europe, and then returned to the United States, where he wrote works on military-historical and maritime themes until his advanced old age. Among them are "The Pilot, or Maritime History" (1823), "The Red Corsair" (1827).
Roy Fox Lichtenstein, an American icon of the Pop Art movement, is celebrated for his comic strip-inspired art. Born in 1923 in New York City, Lichtenstein's journey into the art world was marked by various phases, evolving from Cubism and Abstract Expressionism to the distinctive Pop Art style he is renowned for.
Roy Lichtenstein's artistic career gained momentum in the 1960s, a period during which he embraced the comic strip as his primary source of inspiration. His pioneering use of Ben-Day dots, a technique borrowed from commercial printing, became his signature style, bringing a new visual language to fine art. His approach transformed mundane subjects from popular culture into compelling fine art, challenging traditional notions of artistry.
Among his most notable works, "Drowning Girl" (1963), displayed at the Museum of Modern Art in New York, exemplifies his iconic style with its bold lines, vivid colors, and Ben-Day dots. This piece, along with others like "Look Mickey" and "Whaam!", played a critical role in establishing Pop Art as a major art movement, contrasting starkly with the Abstract Expressionism prevalent at the time.
Roy Lichtenstein's art was not just limited to canvas; he explored multiple media, showcasing his versatility. His shift to Pop Art marked a significant turn in his career, bringing him fame and controversy alike. His works, often based on comic strips and advertisements, were both a parody and homage to the mass-produced, consumerist culture of his time.
For art collectors and experts, Lichtenstein's works offer a fascinating glimpse into a transformative era in art history. His approach to Pop Art remains influential, and his works are celebrated worldwide for their innovative and provocative style.
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Mark Twain, real name Samuel Langhorne Clemens, was an American humanist writer, journalist, and social activist.
As a young man, Samuel worked in the printing press and in the gold mines, then went on a steamboat trip to Europe and the "Holy Land". His travel letters, full of vivid descriptions and ironic observations, were very well received by the public and were later revised into his first book, Innocents Abroad, published in 1869.
The pseudonym "Mark Twain" first appeared in 1863 under one of Samuel Clemens' short stories, and since then all his significant works have been signed by that name.
A talented storyteller, a peculiar humorist and moralist, Twain knew and loved his many diverse characters. His scandalizers and dreamers, caring aunts and ambitious politicians, grumpy widows and lying aristocrats, cunning but generous slaves, sentimental moralists, brave and naive children - all these types of American people Twain gave voice to thanks to his masterful command of colloquial language, slang and jargon. Twain wrote a lot and in a variety of genres: humor and satire, philosophical fiction and journalism and others, but he always stood on the position of humanist and democrat.
Mark Twain became world famous for his travel stories and adventure novels about his childhood, these are "The Adventures of Tom Sawyer" (1876) and "The Adventures of Huckleberry Finn" (1885). Twain is still one of America's, and indeed the world's, best and most beloved writers. His works have been and are still being published in many languages around the world.
Thomas Loraine McKenney was an American statesman and author.
After the abolition of the U.S. Indian trading program in 1822, then Secretary of War John C. Calhoun established a position in the War Department called Superintendent of Indian Affairs (later to become part of the Bureau of Indian Affairs). McKenney was the first appointed to this position and held it until 1830. Over the years, he worked tirelessly to promote Indian-American relations, advocating for the interests of Indians and striving to preserve the memory of their vanishing culture. Despite his interest in Native American history, McKenney sought to have them assimilated to Euro-American culture through Christian education.
McKenney commissioned leading artists, including Charles Byrd King, to paint portraits of Indian chiefs from more than twenty tribes who visited Washington on official business over a ten-year period. These portraits formed the basis of the government's National Portrait Gallery, first housed in the War Department and later transferred to the Smithsonian Institution. This gallery was featured in part in the three-volume History of the Indian Tribes of North America (1836-1844), with biographical sketches by McKenney, co-authored with Illinois lawyer and writer James Hall.
In 1865, a fire at the Smithsonian Institution destroyed all but a few of the portraits, which are now in the White House. Thus this three-volume book represents the only reliable source on the appearance of many of the most prominent leaders of Indian tribes.
James Hall was an American lawyer, judge, treasurer, and editor.
Hall studied law, fought in the War of 1812, served as a lawyer and circuit judge, newspaper and magazine editor, Illinois state treasurer, and banker in Cincinnati, Ohio. In addition, he was also a historical and fiction writer. In 1828, Hall compiled the first western literary yearbook, Western Souvenir, and edited the Illinois Monthly Magazine. James Hall wrote a travel book, Letters from the West (1828), a novel, The Head of the Harp (1833), and several volumes of short stories.
Hall also contributed to the three-volume History of the Indian Tribes of North America (1836-1844). This book includes portraits of the chiefs of more than twenty Indian tribes, which were painted by noted artists of the day, with biographical sketches by Superintendent of Indian Affairs Thomas L. McKenney.
George Catlin was an American painter and writer, renowned for his vivid portrayal of Native American peoples and their cultures. Born in Wilkes-Barre, Pennsylvania, Catlin's early fascination with Native Americans grew into a lifelong dedication. His journey to the American West in the 1830s marked the beginning of an ambitious project to capture the disappearing tribes and their ways of life through his art.
Catlin's unique contribution to art and anthropology lies in his extensive collection of paintings, which document the appearance and customs of Native American tribes before the significant impacts of Western expansion. His most notable works, such as the "Buffalo Bull's Back Fat" and "Bird's Eye View of Mandan Village," are celebrated for their detailed representation and vibrant storytelling. These works provide a window into a world that was, at the time, largely misunderstood and misrepresented by mainstream American society.
His dedication led to the creation of the "Indian Gallery," an extensive traveling exhibition of his paintings and artifacts collected during his travels. This collection toured throughout the U.S. and Europe, raising awareness and sparking curiosity about Native American life and culture. For art collectors and experts in antiques, Catlin's works not only offer artistic beauty but also serve as historical documents of immense value.
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William Henry Harrison, an American military officer and politician, became the ninth President of the United States in 1841, making history with the shortest presidency due to his death just 31 days after taking office. Born on February 9, 1773, in Charles City County, Virginia, Harrison was the last U.S. president born as a British subject and the paternal grandfather of Benjamin Harrison, the 23rd president.
William Henry Harrison's early military career was marked by notable achievements, including participating in the Battle of Fallen Timbers in 1794, which concluded the Northwest Indian War. His leadership against Tecumseh's confederacy at the Battle of Tippecanoe in 1811 earned him the nickname "Old Tippecanoe." He was later promoted to major general during the War of 1812, securing a significant victory at the Battle of the Thames, which effectively ended the Indian confederation led by Tecumseh.
Before his presidency, William Henry Harrison had a prolific political career, starting in 1798 when he became the secretary of the Northwest Territory. He was then elected as the territory's delegate to the U.S. House of Representatives in 1799. In 1801, he became the governor of the Indiana Territory, where he negotiated numerous treaties with Native American tribes, acquiring vast tracts of land for the United States. Harrison's political journey also included terms in the U.S. House of Representatives, the Senate, and as the U.S. Minister to Colombia before being nominated by the Whig Party for the presidency in 1840.
His presidential campaign was famous for the "Log Cabin Campaign," where Harrison was presented as a man of the people, in stark contrast to the incumbent President Martin Van Buren, who was portrayed as an elitist. This strategy proved successful, and William Henry Harrison won the presidency with a significant margin. However, his time in office was cut short when he died of presumed pneumonia, making his wife, Anna Harrison, the first presidential widow to receive a pension from Congress.
Harrison's legacy is complex, marked by his military and political contributions that significantly impacted the United States' expansion and development during its early years.
For those interested in learning more about William Henry Harrison, signing up for updates is a great way to stay informed about new discoveries and interpretations of his life and contributions to American history. This subscription will alert you to new product sales and auction events related to this significant historical figure, providing a unique opportunity for collectors and experts in art and antiques to deepen their understanding of American history.
