arti decor. del '900 & design
Fulvio Bianconi is an Italian graphic designer and illustrator. He collaborated with Venini, creating pieces that became true icons of Murano art glass.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Guido Andlovitz is an Italian artist, designer and ceramist.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Bugatti was an Italian decorator, designer and manufacturer of Art Nouveau furniture, models of jewelry, and musical instruments.
Jean-Édouard Vuillard was a French artist, celebrated for his role in the avant-garde group Les Nabis. Known for his decorative art and printmaking, Vuillard's work was heavily influenced by Japanese prints, which is evident in his unique style of flattened color planes and simplified forms. His paintings, often of interior scenes, are distinguished by their intimate and domestic subjects, displaying a keen sensitivity to the subtle dynamics of everyday life.
In the late 1880s, Vuillard joined Les Nabis, a group of artists who sought to break away from traditional artistic concepts. This association played a pivotal role in shaping his artistic philosophy. Vuillard’s early works, like "The Seamstresses" (1890) and "Child in an Orange Shawl" (1894–95), demonstrate his evolving style, marked by the use of vibrant colors and a distinct lack of perspective, aimed at exploring spatial relationships.
Vuillard's artistic journey included ventures into theater decoration and interior design. He designed stage sets and theater programs, notably for Lugné-Poe's Theatre de l’Oeuvre, and also worked on large-scale panel paintings for French patrons. His close collaboration with the Natanson brothers, founders of the cultural review La Revue Blanche, was significant in his career. This association brought him various commissions, including decorative works for private homes and public buildings.
Vuillard's art evolved over time, transitioning from his Nabis-style works to more naturalistic portraits in the 1920s and 1930s. Despite this shift, his focus remained on portraying the intricacies of domestic life, often featuring the people closest to him. Notable among his subjects were Misia Natanson, a prominent figure in the Parisian cultural scene, and Lucy Hessel, with whom Vuillard had a long-term relationship.
For art collectors and experts, Vuillard's works are a window into the intimate spaces of Parisian life at the turn of the century. His ability to transform everyday scenes into art makes his work particularly appealing. Pieces like "The Green Interior" (1891) and "Breakfast at Villerville" (1910) are exemplary of his style and are celebrated for their quiet yet profound depiction of ordinary life.
Vuillard's legacy lives on in galleries and museums worldwide. His work remains a testament to the power of domestic scenes in art, capturing the essence of the period with a unique blend of realism and abstraction.
For those interested in the subtle beauty of Vuillard's work, subscribing to our updates will ensure you stay informed about new sales and auction events featuring his art. Our updates are tailored for connoisseurs like you, providing insights into the world of art and antiques, with a focus on Vuillard's enduring legacy.
Jean-Édouard Vuillard was a French artist, celebrated for his role in the avant-garde group Les Nabis. Known for his decorative art and printmaking, Vuillard's work was heavily influenced by Japanese prints, which is evident in his unique style of flattened color planes and simplified forms. His paintings, often of interior scenes, are distinguished by their intimate and domestic subjects, displaying a keen sensitivity to the subtle dynamics of everyday life.
In the late 1880s, Vuillard joined Les Nabis, a group of artists who sought to break away from traditional artistic concepts. This association played a pivotal role in shaping his artistic philosophy. Vuillard’s early works, like "The Seamstresses" (1890) and "Child in an Orange Shawl" (1894–95), demonstrate his evolving style, marked by the use of vibrant colors and a distinct lack of perspective, aimed at exploring spatial relationships.
Vuillard's artistic journey included ventures into theater decoration and interior design. He designed stage sets and theater programs, notably for Lugné-Poe's Theatre de l’Oeuvre, and also worked on large-scale panel paintings for French patrons. His close collaboration with the Natanson brothers, founders of the cultural review La Revue Blanche, was significant in his career. This association brought him various commissions, including decorative works for private homes and public buildings.
Vuillard's art evolved over time, transitioning from his Nabis-style works to more naturalistic portraits in the 1920s and 1930s. Despite this shift, his focus remained on portraying the intricacies of domestic life, often featuring the people closest to him. Notable among his subjects were Misia Natanson, a prominent figure in the Parisian cultural scene, and Lucy Hessel, with whom Vuillard had a long-term relationship.
For art collectors and experts, Vuillard's works are a window into the intimate spaces of Parisian life at the turn of the century. His ability to transform everyday scenes into art makes his work particularly appealing. Pieces like "The Green Interior" (1891) and "Breakfast at Villerville" (1910) are exemplary of his style and are celebrated for their quiet yet profound depiction of ordinary life.
Vuillard's legacy lives on in galleries and museums worldwide. His work remains a testament to the power of domestic scenes in art, capturing the essence of the period with a unique blend of realism and abstraction.
For those interested in the subtle beauty of Vuillard's work, subscribing to our updates will ensure you stay informed about new sales and auction events featuring his art. Our updates are tailored for connoisseurs like you, providing insights into the world of art and antiques, with a focus on Vuillard's enduring legacy.
Émile-Jacques Ruhlmann, (sometimes called Jacques-Émile Ruhlmann), was a French furniture designer and interior decorator, who was one of the most important figures in the Art Deco movement. His furniture featured sleek designs, expensive and exotic materials and extremely fine craftsmanship, and became a symbol of the luxury and modernity of Art Deco. It also produced a reaction from other designers and architects, such as Le Corbusier, who called for simpler, functional furniture.
Ercole Barovier is an Italian glass artist and designer.
In 1936 he founded Ferro Toso Barovier together with his brothers Dezio and Artemio Toso, which became Barovier — Toso & Co. in 1939 and Barovier & Toso in 1942.
He was also artistic director of the glassworks until 1972.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Ker-Xavier Roussel was a French painter, renowned for his distinctive post-impressionist style and his affiliation with the Nabis, an avant-garde artist group. Born in 1867, Roussel's artistic journey began in his teens and continued robustly into the 20th century, leaving a legacy celebrated for its mythological and bucolic themes.
Roussel's art is characterized by its vivid portrayal of mythological scenes and landscapes, often infused with a sense of eroticism and joy. His work frequently depicts Greek myths set against the backdrop of the Mediterranean, featuring figures like women, nymphs, centaurs, and fauns. These large, brightly colored paintings, such as "Rural Festival, Summer" and "The Seasons of Life," marked a departure from the smaller formats typical of the Nabis, showcasing his evolution towards a more expansive and expressive style.
A master of pastels, Roussel's work from the 1890s, such as "La Barrière," displayed at the Musée d'Orsay, reflects the Nabi style with its Japanese print influences, absence of perspective, and contrasting values. His later works, created between 1930 and 1944, often depicted violent mythological deaths, revealing a darker aspect of his artistic expression.
Roussel's contributions extended beyond canvas, as he created large paintings for public spaces and private clients, including a significant panel for the Palais des Nations in Geneva and the front curtain of the Théâtre des Champs-Élysées. His recognition peaked in the 1930s, with a multi-panel scheme for the Palais de Chaillot and winning the Carnegie Prize for art in 1926.
Despite a period of obscurity, Roussel's work regained attention through exhibitions like "Ker-Xavier Roussel, Private Garden, Dreamed Garden" at the Musée des Impressionnismes in Giverny, showcasing his significant contributions to art history.
For art collectors and experts, understanding Roussel's work offers insights into the evolution of post-impressionism and the Nabis' influence on modern art. His unique blend of mythological themes and vibrant landscapes represents an important chapter in art history. For those interested in exploring Roussel's work further or keeping updated on related art sales and auctions, signing up for updates is a valuable opportunity to deepen your engagement with this influential artist's legacy.
John White Alexander was an American portrait, figure, and decorative painter and illustrator.
