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![](https://veryimportantlot.com/uploads/art_data/Artist/14960/Kurt Kühn.jpg)
Kurt-Hermann Kühn is a German painter and graphic artist. He trained as a decorator and studied from 1946 to 1952 at the Academy of Graphic Arts and Printing in Leipzig and in Berlin at the Academy of Fine and Applied Arts.
Kurt-Hermann Kühn travelled to Syria and Egypt. These journeys are reflected in many of his paintings. In addition to his extensive painting and graphic work, he created many large-format murals, mainly frescoes. His portraits of women and erotic drawings have also attracted much critical attention.
![](https://veryimportantlot.com/cache/catalog/3183/XR39Pl_KL7u7L4izfazB02QEFJiTJroVtwKBFcyf8d3bBFU59diwVxqH_X2jbMzw_1683582257-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/111/Ernst Ludwig Kirchner.jpg)
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
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![](https://veryimportantlot.com/uploads/art_data/Artist/2413/20170829001_ausschnitt.jpg)
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
![](https://veryimportantlot.com/cache/catalog/4289/3oYlx8oiddiIPWIi71WwVyV9ntvn4oCIo_pbrjWJ7dKhOyKEjwOqbp2SwgyWlNcG_1715681237-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/4120/Christian Rohlfs.jpg)
Christian Rohlfs was a German painter and printmaker, one of the important representatives of German expressionism.
![](https://veryimportantlot.com/cache/catalog/4289/3oYlx8oiddiIPWIi71WwVyV9ntvn4oCIo_pbrjWJ7dKhOyKEjwOqbp2SwgyWlNcG_1715681237-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/2413/20170829001_ausschnitt.jpg)
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
![](https://veryimportantlot.com/cache/catalog/4686/oZruB_iCdG4wEv6TVUaFoGl1BFvcWIF0ZOe4zjaz-Lmr3Y_c7rM-eEOserul_GDl_1736078739-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/2413/20170829001_ausschnitt.jpg)
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
![](https://veryimportantlot.com/cache/catalog/4687/tbJ00GZdbFYFVU6neCNJHQuknRGYlWhTieIm6lhWBnNm7IT1Rj6trYhfOcuc50Dh_1736421784-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/8524/Friedrich Kallmorgen.jpg)
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
![](https://veryimportantlot.com/cache/catalog/2065/UVcS6XUuyfEWX6IFi-Hira4HvYNS2tXzzZ7B0iWsB_tY2Lbo_B_GIzUk4I734qhU_1636614640-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/14960/Kurt Kühn.jpg)
Kurt-Hermann Kühn is a German painter and graphic artist. He trained as a decorator and studied from 1946 to 1952 at the Academy of Graphic Arts and Printing in Leipzig and in Berlin at the Academy of Fine and Applied Arts.
Kurt-Hermann Kühn travelled to Syria and Egypt. These journeys are reflected in many of his paintings. In addition to his extensive painting and graphic work, he created many large-format murals, mainly frescoes. His portraits of women and erotic drawings have also attracted much critical attention.
![](https://veryimportantlot.com/cache/catalog/3183/XR39Pl_KL7u7L4izfazB02QEFJiTJroVtwKBFcyf8d3bBFU59diwVxqH_X2jbMzw_1683582257-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/20588/Adam Lonicer2.jpg)
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![](https://veryimportantlot.com/uploads/art_data/Artist/5109/фывфыв.jpg)
Henri Joseph Harpignies was a French landscape painter of the Barbizon school.
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![](https://veryimportantlot.com/uploads/art_data/Artist/13000/VIL_Fussmann__Klaus.jpg)
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
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![](https://veryimportantlot.com/uploads/art_data/Artist/11183/Йоханнес Хюппи.jpg)
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![](https://veryimportantlot.com/uploads/art_data/Artist/15314/Lothar-Günther Buchheim3.jpg)
Lothar-Günther Buchheim was a German writer, artist, and collector.
He studied at the Academy of Fine Arts in Dresden and at the Academy of Fine Arts in Munich. During World War II he served in Hitler's navy as a correspondent and worked as a war artist for the Nazi propaganda apparatus. His portraits of Third Reich officers and images of submarines were successful. Buchheim rose to fame with his novel Das Boot, which became an international bestseller and the basis for the movie Submarine.
![](https://veryimportantlot.com/cache/catalog/3288/p8sCHvpT185Domvg7xVQuZFjbCnPgF-ZNNFHLfDCoeViYP9I2Eihx7bu44yif76x_1686780865-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/903/Hans_von_Marées,_Selbstbildnis_um_1860.jpg)
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
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![](https://veryimportantlot.com/uploads/art_data/Artist/16191/Reinhard Stangl3.jpg)
Reinhard Stangl is a German artist living and working in Berlin and Brazil.
Stangl studied painting at the Dresden University of Fine Arts. He later held visiting professor positions himself, including at the Hochschule der Bildende Künste Berlin and the Hochschule für Gestaltung Hamburg.
Stangl paints in a variety of genres. Some of the artist's works are based on the urbanism of the metropolis, while others, on the contrary, are closer to nature and landscape. Among his paintings there are scenes in restaurants, and full of dynamics sports scenes. In terms of saturation of colors and emotions, his paintings are also very different, but they are always characterized by inner power.
The artist's works are in various famous collections, including the German Bundestag or the Berlin Gallery.
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