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Berthe Morisot was a French painter, renowned for her pivotal role in the Impressionist movement. Born into an affluent family in 1841, Morisot's upbringing was steeped in culture, and she received a comprehensive art education alongside her sisters. Despite societal constraints, she pursued a career in art, initially exhibiting at Paris' salons before transitioning to the more avant-garde Impressionist exhibitions.
Berthe Morisot's artistry is characterized by a unique blend of color, light, and texture, embodying a distinctly "feminine" style that garnered admiration from her peers and critics alike. Her works, such as "The Cradle" and "Hanging the Laundry out to Dry," showcase her ability to capture the ephemeral qualities of everyday life with a tender and nuanced touch. Morisot's palette, dominated by pastel tones and an interplay of light, lends her paintings an ethereal quality, while her brushwork reflects a freedom and delicacy that became her signature.
Throughout her career, Berthe Morisot's evolving style reflected broader artistic trends, integrating influences from photography and Japanese prints. Yet, she remained faithful to the Impressionist ethos, capturing the transient moments of life with grace and sensitivity. Today, her works are celebrated in museums like the Musée d'Orsay, testament to her enduring influence in the realm of art and culture.
As we remember Berthe Morisot, her legacy continues to inspire art collectors and enthusiasts, reminding us of the profound impact one individual can have on the course of art history. For those captivated by Berthe Morisot's contribution to art and culture, we invite you to sign up for updates on upcoming sales and auction events featuring her works. Join us in celebrating the timeless beauty and historical significance of Morisot's artistry.
William Gilbert was a British physicist and medical scientist famous for pioneering the study of magnetic and electrical phenomena.
After receiving a medical degree, Gilbert settled in London and began his research. In his major work De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure (On Magnetic Stones and Magnetic Bodies and the Great Magnet of the Earth), published in 1600, the scientist describes in detail his studies of magnetic bodies and electric attraction.
After years of experimentation, he came to the conclusion that the compass arrow points north-south and downward because the Earth acts as a rod magnet. He was the first to use the terms electric attraction, electric force, and magnetic pole. Gilbert came to believe that the Earth rotates on its axis and that the fixed stars are not all the same distance from the Earth, and believed that the planets are held in their orbits by magnetism.
Berthe Morisot was a French painter, renowned for her pivotal role in the Impressionist movement. Born into an affluent family in 1841, Morisot's upbringing was steeped in culture, and she received a comprehensive art education alongside her sisters. Despite societal constraints, she pursued a career in art, initially exhibiting at Paris' salons before transitioning to the more avant-garde Impressionist exhibitions.
Berthe Morisot's artistry is characterized by a unique blend of color, light, and texture, embodying a distinctly "feminine" style that garnered admiration from her peers and critics alike. Her works, such as "The Cradle" and "Hanging the Laundry out to Dry," showcase her ability to capture the ephemeral qualities of everyday life with a tender and nuanced touch. Morisot's palette, dominated by pastel tones and an interplay of light, lends her paintings an ethereal quality, while her brushwork reflects a freedom and delicacy that became her signature.
Throughout her career, Berthe Morisot's evolving style reflected broader artistic trends, integrating influences from photography and Japanese prints. Yet, she remained faithful to the Impressionist ethos, capturing the transient moments of life with grace and sensitivity. Today, her works are celebrated in museums like the Musée d'Orsay, testament to her enduring influence in the realm of art and culture.
As we remember Berthe Morisot, her legacy continues to inspire art collectors and enthusiasts, reminding us of the profound impact one individual can have on the course of art history. For those captivated by Berthe Morisot's contribution to art and culture, we invite you to sign up for updates on upcoming sales and auction events featuring her works. Join us in celebrating the timeless beauty and historical significance of Morisot's artistry.
Bruce Weber is an American fashion photographer and occasional filmmaker. He has made ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, and made work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines.
Bruce Weber is an American fashion photographer and occasional filmmaker. He has made ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, and made work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines.
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![[FOSTER, George (fl. 1735-1740)] – Robert SAYER (1735-1794).](/assets/image/picture_4361590/74b5a/13dca103bbf8f022f3e8439e6036e3811733871600jpg__fix_374_244.jpeg)
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Robert Mapplethorpe was an American photographer, celebrated for his black-and-white photographs that captured a range of subjects including celebrity portraits, male and female nudes, self-portraits, and still-life images. Born in New York in 1946, Mapplethorpe's work is renowned for its technical precision, formal elegance, and controversial content, particularly his documentation of the gay male BDSM subculture and his erotic art. His body of work not only includes provocative themes but also more traditional subjects like flowers, showcasing his versatile artistic talent.
Robert Mapplethorpe's education at Pratt Institute in Brooklyn was foundational to his artistic journey, where he met Patti Smith and began his explorations in photography, initially through Polaroid camera use before advancing to more sophisticated techniques. His collaboration with Lisa Lyon, the first World Women's Bodybuilding Champion, and his retrospectives at significant institutions like the Whitney Museum of American Art highlight his broad artistic impact and continued influence in the art world. Despite his premature death in 1989 due to complications from AIDS, Mapplethorpe's legacy endures, supported by the Robert Mapplethorpe Foundation which promotes photography and funds medical research.
For collectors and experts in art and antiques, Robert Mapplethorpe's work remains a testament to the power of photography as a medium of both aesthetic beauty and provocative commentary. To stay updated on sales and auction events related to Robert Mapplethorpe's works, sign up for updates to not miss out on owning a piece of this influential artist's legacy.
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Kimber Smith was an American abstract painter. Best known for his lyrical compositions and distinctive lexicon of personal symbols, he eschewed the aggressive monumentality of the Abstract Expressionist era to focus on relatively small paintings of simple, entropic forms and colors. Smith went on to study at the Art Students League of New York shortly after the end of World War II. He would subsequently move to Paris, France in 1954, where he befriended fellow American ex-patriate painters Sam Francis and Joan Mitchell. Upon his return to New York in 1966, Smith had gained significant critical acclaim, which led to his mounting a solo exhibition at the Dayton Art Institute in Ohio in 1967 and garnering a Guggenheim Fellowship in 1971. Today, his paintings among the collections of the Stedlijk Museum in Amsterdam and the Zurich Art Museum, among others.
María Berrío is a Colombian-born visual artist working in Brooklyn, New York. She is known for her use of Japanese print paper, which she cuts and tears to create collages with details painted in with watercolour. Berrío draws from Colombian folklore and South American literature.
Eduard Thöny was a German caricaturist and illustrator known for his work for the journal Simplicissimus, to which he was invited to contribute by Albert Langen.
Eduard Thöny was a German caricaturist and illustrator known for his work for the journal Simplicissimus, to which he was invited to contribute by Albert Langen.
Kimber Smith was an American abstract painter. Best known for his lyrical compositions and distinctive lexicon of personal symbols, he eschewed the aggressive monumentality of the Abstract Expressionist era to focus on relatively small paintings of simple, entropic forms and colors. Smith went on to study at the Art Students League of New York shortly after the end of World War II. He would subsequently move to Paris, France in 1954, where he befriended fellow American ex-patriate painters Sam Francis and Joan Mitchell. Upon his return to New York in 1966, Smith had gained significant critical acclaim, which led to his mounting a solo exhibition at the Dayton Art Institute in Ohio in 1967 and garnering a Guggenheim Fellowship in 1971. Today, his paintings among the collections of the Stedlijk Museum in Amsterdam and the Zurich Art Museum, among others.
Ralf Kaspers is a contemporary German photographer.
He is attracted by monumental themes (nature, cityscapes, architecture) as well as ornamental microcosm consisting of countless combinations of identical small objects.
The constant change of themes and subjects allows the author to explore in detail the most important artistic categories such as form, texture and rhythm.
Thomas Aquinas (Italian: Tommaso d'Aquino, also called Aquinas, alias Doctor Angelicus) was an Italian poet and theologian, philosopher, and major medieval scholastic.
Thomas Aquinas is one of the most important theologians in the history of Western civilization, given the extent of his influence on the development of Roman Catholic theology since the fourteenth century. As a theologian, in his two masterpieces, Summa theologiae and Summa contra gentiles, he created the classical systematization of Latin theology, and as a poet, he wrote some of the most serious and beautiful Eucharistic hymns in the church liturgy. Thomas Aquinas is recognized by the Roman Catholic Church as the foremost Western philosopher and theologian and canonized as a saint.
Candida Höfer is a German photographer. She is a former student of Bernd and Hilla Becher. Like other Becher students, Höfer's work is known for technical perfection and a strictly conceptual approach. From 1997 to 2000, she taught as professor at the Hochschule für Gestaltung, Karlsruhe. Höfer is the recipient of the 2018 Outstanding Contribution to Photography award, as part of the Sony World Photography awards. She is based in Cologne.
