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Amy Sillman is a New York-based artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Thomas Schütte is a German contemporary artist. He sculpts, creates architectural designs, and draws. He lives and works in Düsseldorf.
Jacques Dubois was a master cabinetmaker of the 18th century.
He was the king's cabinetmaker and also worked for Princess Louise Elisabeth, the Duchess of Parma, the Duke of Orleans and the nobility of the time.
He was one of the masters of the Louis XV style, a specialist in varnished veneers, reproducing the effects of Far Eastern lacquers, with black or red backgrounds, decorated with Chinese and pagodas, of a very high quality.
He also executed the delicately chiselled bronzes applied to his furniture.
