carlo maratta
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Carlo Maratta, an Italian painter, was a prominent figure in the Roman school of art during the late 17th century. Known for his classical approach to Baroque painting, Carlo Maratta's works were deeply influenced by the styles of Raphael and Andrea Sacchi, blending classical grandeur with Baroque expressivity. His training under Sacchi and subsequent exposure to Pietro da Cortona's coloristic style significantly shaped his artistic development.
Carlo Maratta's career flourished with a series of public and official commissions, making him a leading painter in Rome, especially after Bernini's death in 1682. His portfolio includes religious paintings, altarpieces, portraits, and fresco cycles, with a notable emphasis on paintings of the Madonna and Child, which reinterpreted High Renaissance motifs. His work was highly esteemed across Europe, influencing not only Italian art but also attracting the attention of English visitors on the Grand Tour.
One of Carlo Maratta's significant contributions to the art world was his involvement in painting restoration towards the end of his career, including works by Raphael and Carracci. This phase underscored his deep connection to the classical art tradition. Maratta passed away in Rome in 1713, leaving behind a legacy that continued to be celebrated in art history.
For art enthusiasts, collectors, and experts, Carlo Maratta's work offers a window into the transition between the Baroque and the emerging Rococo style, embodying a blend of dynamism and classical restraint. His paintings, many of which remain in situ in Roman churches, offer a testament to his enduring influence on Baroque classicism.
To stay updated on exhibitions and insights into Carlo Maratta's works, art aficionados are encouraged to subscribe for updates, ensuring access to the latest research and opportunities to view his celebrated works in museums and galleries around the world.
Mario Nuzzi, nicknamed De Fiori, was an Italian painter of the Baroque period.
Nuzzi was a pupil of the artist Tommaso Salini and was one of the first Italians to specialize in still lifes with floral compositions. From Salini he mastered the style of Caravaggismo. Nuzzi always painted flowers in his paintings, for which he was nicknamed De Fiori - "florist", and in this genre he was an unrivaled master. Floral compositions the artist depicted not only in numerous still lifes, but also necessarily included them in genre scenes of religious and domestic character. He also painted the famous "Concert of Birds", which was then repeated by many artists.
Mario Nuzzi enjoyed the patronage of the highest nobility, he was ordered paintings cardinals and noble family Barberini. In 1657, the Academy of St. Lucia in Rome awarded him the title of Academician. Mario Nuzzi had many famous pupils and followers, and with his work Nuzzi had a great influence on Italian and Spanish genre painting of the XVII century.
Mario Nuzzi, nicknamed De Fiori, was an Italian painter of the Baroque period.
Nuzzi was a pupil of the artist Tommaso Salini and was one of the first Italians to specialize in still lifes with floral compositions. From Salini he mastered the style of Caravaggismo. Nuzzi always painted flowers in his paintings, for which he was nicknamed De Fiori - "florist", and in this genre he was an unrivaled master. Floral compositions the artist depicted not only in numerous still lifes, but also necessarily included them in genre scenes of religious and domestic character. He also painted the famous "Concert of Birds", which was then repeated by many artists.
Mario Nuzzi enjoyed the patronage of the highest nobility, he was ordered paintings cardinals and noble family Barberini. In 1657, the Academy of St. Lucia in Rome awarded him the title of Academician. Mario Nuzzi had many famous pupils and followers, and with his work Nuzzi had a great influence on Italian and Spanish genre painting of the XVII century.
Mario Nuzzi, nicknamed De Fiori, was an Italian painter of the Baroque period.
Nuzzi was a pupil of the artist Tommaso Salini and was one of the first Italians to specialize in still lifes with floral compositions. From Salini he mastered the style of Caravaggismo. Nuzzi always painted flowers in his paintings, for which he was nicknamed De Fiori - "florist", and in this genre he was an unrivaled master. Floral compositions the artist depicted not only in numerous still lifes, but also necessarily included them in genre scenes of religious and domestic character. He also painted the famous "Concert of Birds", which was then repeated by many artists.
Mario Nuzzi enjoyed the patronage of the highest nobility, he was ordered paintings cardinals and noble family Barberini. In 1657, the Academy of St. Lucia in Rome awarded him the title of Academician. Mario Nuzzi had many famous pupils and followers, and with his work Nuzzi had a great influence on Italian and Spanish genre painting of the XVII century.
Francesco Trevisani was an Italian painter, celebrated for his contributions to the early Rococo or late Baroque periods. Born in Capodistria, he moved to Venice for training and later settled in Rome, where he gained prominence after the death of Carlo Maratta, becoming a leading figure in Roman art circles. Trevisani's art is known for its vibrant color palette and emotional depth, aligning with Maratta's style but with a distinct sweetness and colorfulness.
Francesco Trevisani's body of work includes frescoes, altarpieces, devotional and mythological scenes, and portraits. Notable works include "The Agony in the Garden" and "The Baptism of Christ," housed in Glasgow Museums and Leeds Museums and Galleries, respectively. His painting "Dead Christ Supported by Angels" reflects his ability to evoke deep religious sentiment, showcasing his skill in capturing the divine intertwined with human emotion.
Francesco Trevisani's influence extended across Europe, with his works being a testament to the religious and cultural narratives of his time. His ability to blend dramatic expression with delicate detailing won him accolades and recognition, making his works sought after by collectors and art enthusiasts alike.
For those interested in the fusion of religious narrative and artistic expression, Francesco Trevisani's works offer a compelling study. His legacy continues to inspire and attract admiration, making him a significant figure in the history of Italian art.
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Pietro Aquila was an Italian painter and printmaker of the Baroque period. He was born in Palermo. He mentored his nephew, the printmaker Francesco Faraone Aquila. He trained at the school of Palermo painter and engraver Pietro del Po and worked, like a teacher, first at home, in Palermo, then in Naples and Rome, where he pursued the ecclesiastical career. For his paintings that he left in Palermo in the church of the Pietà (Parabola del Figlio Prodigo, Abraham and Melchizede) and in the cloister of S. Maria delle Vergini (S. Benedetto), as well as some frescoes in the Chapel of the Rosary in S. Cita, he gained the status of "respectable painter", loyal to the Raphaelesque tradition. But Aquila established himself first and foremost as a copper engraver, dedicating himself to the distribution and popularization of many of the most remarkable paintings with the help of which the sacred and profane buildings of Rome were adorned at that time. He made engravings after the works of different artists that were dear to him including: Raphael before any other, and then Annibale Carracci, Pietro da Cortona, Giovanni Lanfranco, Lazzaro Baldi, Ciro Ferri, Morandi, Franceschini, and finally Carlo Maratta, who was bound to him by a close friendship.
