dada
Alfred Dade is an Albanian painter and sculptor working in Germany.
Dade studied at the Art Academy in Rome with Prof. Marchese and at the Art Academy in Düsseldorf with Prof. Markus Lüpertz. Since 1999 he has been working as a freelance artist in Mülheim/Ruhr, creating sculptures in wood.
Alfred Dade is an Albanian painter and sculptor working in Germany.
Dade studied at the Art Academy in Rome with Prof. Marchese and at the Art Academy in Düsseldorf with Prof. Markus Lüpertz. Since 1999 he has been working as a freelance artist in Mülheim/Ruhr, creating sculptures in wood.
![[DADA] - SCHWITTERS, Kurt et Theo VAN DOESBURG](/assets/image/picture_2426287/49b7f/8a71e19610d9bf7d948a07d85c427bebjpg__fix_374_244.jpeg)
![[DADA] - SCHWITTERS, Kurt et Theo VAN DOESBURG](https://veryimportantlot.com/assets/image/picture_2426287/49b7f/8a71e19610d9bf7d948a07d85c427bebjpg__fix_374_244.jpeg)
Theo van Doesburg, real name Christian Emil Marie Küpper, is a Dutch painter, architect and sculptor, art theorist, co-founder of the Style Group and of Neoplasticism.
Theo van Doesburg co-founded with Piet Mondrian the De Stijl abstract art movement. The basis of van Doesburg's views was the attempt to reduce all forms of objective harmony in a work of art to certain geometric elements. These new principles soon had a significant influence on the development of architecture, literature, graphics and music.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Christo Yavashev is a Bulgarian-born American sculptor and artist who, with his wife Jeanne-Claude de Guillebon, became famous for his work, in which he «packaged» objects ranging from a typewriter and a car to the Reichstag building and an entire seashore.
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.
Eduarda Emilia Maino, known as Dadamaino, was an Italian avant-garde artist.
She considered her work to be greatly influenced by Lucio Fontana and Yves Klein. Dadamaino explored the effects of spectral colors in her work and analyzed the influence of color and form.